PMC wafers- remember being very impressed when I was in the entrance hall at The Stables by the sound coming from a panel on the wall. Apparently they're used by the BBC as well.
Allison and Snell - Against the Wall
One previous trend that has vanished and I wish would re-appear is speakers designed specifically to go up against the wall.
Sometimes custom line arrays are made like this, but neither Snell nor Allison's approach required line arrays to work correctly. Is there a brand out there now which has taken up these design ideas?
Sometimes custom line arrays are made like this, but neither Snell nor Allison's approach required line arrays to work correctly. Is there a brand out there now which has taken up these design ideas?
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I think there’s a difference between speakers specifically designed to interface with the walls for broad band dispersion, and those who have limited or tunable bass. In the former I put the Allisons, Larsens, Klipshhorns and Snell. The Wilson Tune Tots and Vandersteens and my own LM-1s in the category of limited or tunable bass. |
I had Allison Ones in 1976. You needed a room that was about 12 feet wide. You put the Allisons against the side walls 3 feet from the front wall with only one side of the Allisons facing the listening position. The other side faced the front wall which required a little absorption. Set up like this they would image very nicely. With the speakers facing you directly the image was a foggy mess. I never used them with subwoofers. None were around yet. K horns and the La Scala were designed specifically to be against a wall but back then that is what everyone did. They put the speakers against the wall usually in corners. Away from the wall positioning was born with the KLH 9 , Quads, Dahlquist DQ 10 and Maggies. My dad had Bozak B302A's up against the wall in corners. I am not a big fan of putting speakers in walls. The wall is nothing but a sound board with very unpredictable behavior. For theater systems sound quality comes second to last. It is more important to hide the speakers which you need for special effects. |
It did both..It had a rectangular but shallow bass cabinet with a downward facing weighted 10 in woofer slot loaded around 3 sides. The top enclosure contained the mid and tweet on a curved baffle..the tweeter was a dome but had a lens applied. The top and bottom mated up via pegs in the cabinet. Intended to place against the wall. Peter had a useful patent on cabinet designs to overcome boundary interference. Tom |
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The new Vivid S12 is sort like an in wall speaker with the wall mounting device that is coming out. The Wilson TuneTots go against the wall. The speaker I want from my downstairs living room has to go very close to the wall (half foot). I have been told the KEF Reference 1 will work and even the large Yamaha NS5000. I am not sold on that yet but I have a huge room there so that may make a difference. My dad had Allison 2 speakers for about 20 years. I think he still has them lying around his basement, though not in use. |
John Dunlavy once told me his most coherent speaker was an in wall. Even though we were dealers I never saw or heard them. Best in walls I have ever heard were by James..aluminum cabinet that mounted to the studs in wall. Had 3 different sales meetings with Peter Snell..every room has wall and floor boundaries several of his designs used these barriers to augment their performance or he created a speaker with it's own boundary the Snell 3a and a couple of others. Tom |
I suppose the ultimate "against-the-wall" speaker is an in-wall speaker. There are many to choose from, including multiple options from Martin Logan. |
https://janszenaudio.com/ On the advice of David Janszen, my Valentina speakers are 7-8 inches from the front wall and sound spectacular. |