Speaker Jumper Cables Revisited


I know there are multiple threads on Audiogon dealing with this topic, but a recent experience with budget speakers was significant enough I wanted to share to see if others have experienced similar results.  

My office system has a pair of Wharfedale Diamond 12.0’s (biwirable) flanking my computer monitor.  They are driven by a laptop computer running JRiver Media Center, an Audioquest Dragonfly Red DAC and a Rega BrioR (Gen 1).  ICs and speaker cables are decent quality Audioquest.  I also have a Monitor Audio subwoofer.  All components are on modest power conditioners and have upgraded power cables.

I asked the salesman when I purchased the Wharfedales if he thought replacing the stock jumpers would improve their sound, and he said “maybe, but I doubt it”.  I have some experience with much older Diamond 8 series speakers, and I experimented with removing the metal plate jumpers and replacing with various home brew and store bought jumpers to some positive effect.  After breaking in the 12.0s, while I generally liked the sound, I can’t help tinkering.  I looked into buying premade jumpers, but name brand jumpers with quality materials are bloody expensive, like quickly approaching the cost of the speakers themselves.  No thanks.

I looked on eBay and found some flat ribbon jumpers that are supposedly silver plated OCC copper with very sturdy looking Gold plated spade connectors.  Very Nordost like, but unbranded.  They were $11 plus change.  Probably not made in Massachusetts, LOL.  At first they sounded hard and brassy at volume.  Undeterred, I let them cook for several weeks at background volume levels and didn’t really pay any attention.  

A month or so after replacing the stock plates with the eBay jumpers, I did some serious listening.  WOW!  I mean REALLY WOW!!  I was hearing what sounded like completely different and better speakers.  All harshness was gone. In near field listening, the soundstage was deeper and more defined both laterally and vertically. Treble had more speed and air, and notes hung in the air for what seemed like the exact right amount of time before disappearing.  Midrange had more bite when called for and was appropriately smooth and mellow when that was in the recording.  Both male and female vocals were more convincing.  Bass is not a big thing with a 4” woofer, but what bass there is was both cleaner and faster.

Adding the eBay jumpers made the modestly priced Diamond 12.0’s sound closer to, and in some aspects better than the speakers in my reference system which cost about six times as much, and in some aspects maybe sound a little better.  It really sounded like I had dropped a much better DAC into the system.

My previous experience with jumping the older Wharfedale Diamonds didn’t prepare me for what I heard from the new Diamond 12.0 with inexpensive but apparently high quality jumpers.  This is a testament to the both the design success of the latest Diamond series from Wharfedale, and to the quality of cabling available on the market now at a low cost, presumably from China.  I do not know if the copper in the cable is really OCC, or the spades are really gold-plated copper instead of brass, but it sure sounds like it.  Oh, and the salesperson was totally wrong, OK?  YMMV

kn

Ag insider logo xs@2xknownothing

Thanks for documenting your experience. Certainly will encourage others to experiment.

 

I have some good quality jumpers on my Sonus Faber Amati Traditional. Unfortunately I had put them in the system when I was doing something else and did not carefully assess heir impact.

Quality jumpers are the only way to go. No need to spend a lot unless you want to match your speaker cables. Either way, just make sure they're well made.

All the best,
Nonoise

Thread update.  based on the success using the $11.00 jumpers, I took a deeper dive into off brand jumpers and found a pair of twisted, thick format supposedly silver plated OCC jumpers with supposedly rhodium plated copper spades.  These were like $40 online.  They are super stiff and difficult to bend into place, but once broken in they sound noticeably better than the flat ribbons with the gold plated spades.  I am stopping here at jumpers costing over 10% the list cost for the speakers.  But these little Wharfedale Diamond speakers are a tremendous value and sleeper that only really shined at full potential when I dumped the stock metal plate jumpers.  Highly recommended upgrade.

Great post.  Always thought highly of Wharfedale Diamonds, especially at their very reasonable price points, so nice to hear some confirmation of this. 

Thought I’d share my experience with jumpers that’s a bit of a different use case but made a meaningful improvement in my system so thought it worth mentioning again.  When I was reviewing some Stereovox cables years ago Chris Sommovigo (RIP) highly suggested I try his jumpers using bananas in addition to the shotgun bi-wire cables I was already using with spades.  Suffice it to say I was pretty skeptical, but considering the source I gave it a try and so glad I did!  The two main benefits I heard right away was better imaging with better perceived clear space between the images — kinda like what you hear when the noise floor drops with other equipment improvements if that makes sense — and the other obvious benefit was notably quicker, tighter bass.  I won’t say these were night and day differences, but they were important and significant nonetheless, and the jumpers remain in place today and I won’t listen without them such is the level of improvement if that says anything.  So if you’re currently bi-wiring I’d encourage you to at least try or demo some reasonably-priced jumpers (my cables are Acoustic Zen so don’t think sticking to the same brand or spending $$$ may be necessary in this application) and see if you get meaningful improvements.  Hey, in the scheme of upgrades/tweaks in this hobby this one could well be one of the more cost effective out there.  Just FYI and FWIW.

@soix that is really surprising!  I never would have thought to do that with fully bi-wired speaker set-ups.  I am cross connecting the speaker cables on the back of the Wharfedales - positive lead to the positive tweeter terminal - and the negative lead to the negative mid/woofer terminal - and then jumping both negative and positive terminals with the after market jumpers.  This sounds better to me (getting similar to the results you get with jumping bi-wired speakers) than connecting both leads to either the mid/woofer terminals or the tweeter terminals - although those connections each have their own sound signature.

As for the Wharfedale Diamond 12 line - they have a new designer, Karl-Heinz Fink (kind of the designer de jour for many different brands and lines today), and the speakers are so much more capable than the old Diamond 8's I have owned for about 20 years, it is not even funny.  With the good jumpers in place, they are WOW good.  For one thing, the cabinets are almost completely inert when rapped with knuckles.  The dynamic envelope for things like drum hits and their spatial capabilities are way out of proportion with their cost. 

kn