Whats on your turntable tonight?


For me its the first or very early LP's of:
Allman Brothers - "Allman Joys" "Idyllwild South"
Santana - "Santana" 200 g reissue
Emerson Lake and Palmer - "Emerson Lake and Palmer"
and,
Beethoven - "Piano Concerto No. 4 in G Major" Rudolph Serkin/Ozawa/BSO
slipknot1

Jorge Mester conducts 
Heitor Villa-Lobos

  • Bachianas Brasileieas No. 4

Priscilla McLean

  • Variations And Mosaics On A Theme Of Stravinsky

The Louisville Orchestra
First Edition Records 1977
 

 

Stravinsky conducts Stravinsky

  • Le Sacre Du Printemps / The Rite Of Spring

Columbia Symphony Orchestra
Columbia 1961

@bslon    +1   Whenever "Night Owl" is played/mentioned I will always give a shoutout! Might be the most overlooked singer/songwriter recording of the 1970's.

Eddie Money-Playing For Keeps Side 2 SQ*

Julie London-Tenderly Yours(Guest Star GS 1447) Side A 

Dan Fogelberg-Phoenix Side 2

Led Zeppelin-Coda Side 1

Schubert-Rosenberger(Delos 15313) Side 1 SQ Audiophile

Bruce Springsteen-Born To Run(79 barcode) Sides 1+2

Bruce Hornsby-A Night On The Town Side A SQ*

Played last night had internet issues. Carol Rosenberger and Springsteen had not been previously played. Ironic that Schubert was the SQ champ and Born To Run had very mediocre SQ. Maybe the OG has better SQ or a Japanese pressing?

 

 

 

 

@dayglow I agree with you on Night Owl. It wasn’t as popular as Baker Street but I think it’s just as good. Great SQ too.

Baker Street/Night Owl/North and South are equal in content with Baker Street having the edge in SQ. Night Owl has always had a flat/thin perspective on all my various systems and even when demoed on all tube gear. Tonality and clarity is there so the SQ does not diminish the music unlike the 1979 Born To Run repress I played last night. Maybe a Japanese/UK or Euro pressing of Night Owl is worth seeking out?

Lukas Foss conducts ‘Americana’

Carl Ruggles

  • Men And Mountains
  • Angels (For Muted Brass)

Charles Ives 

  • From The Steeples And The Mountains

Aaron Copland

  • Quiet City

Daniel Gregory Mason

  • String Quartet On Negro Themes In G Minor, Op. 19

Buffalo Philharmonic Orchestra and The Kohon String Quartet
Turnabout 1972
 

Copland conducts Copland

  • Appalachian Spring (Ballet For Martha)
  • The Tender Land (Orchestral Suite From The Opera)

Boston Symphony Orchestra
RCA Victor Red Seal ‘Living Stereo’ reissue 1976, originally 1960
 

Michael Tilson Thomas conducts

  • Ives - Three Places in New England
  • Ruggles - Sun-treader

Boston Symphony Orchestra
Deutsche Grammophon 1970, German release

Michael Tilson Thomas conducts Ives

  • Symphony No. 2

Concertgebouworkest
CBS Masterworks 1982
 

Hall and Oates "Abandoned Luncheonette"

Atlantic 75 series/45 RPM

Demo stuff

ELO-A New World Record Side 2

Deniece Williams-I'm So Proud Side 1

Steely Dan-Can't Buy A Thrill Side A SQ*

Bon Jovi-Slippery When Wet Side A

The James Williams Trio-The Arioso Touch(CJ 192) Side 1 SQ*

The Who-Who Are You Side 2

John Cougar-American Fool Side A

Szymanowski/Rosenberger(Delos 15312) Side 1 SQ Audiophile

Nothing had below average SQ tonight. James Williams/Carol Rosenberger were the only previously unplayed albums tonight. FWIW I will have more(updated) statistics with my next post(s).

Winwood "Greatest Hits Live"  

2017/Wincraft Music/Thirty Tigers 

 

Ian & Sylvia - Four Strong Winds (Mono, Vanguard 1963)

Ian Tyson wrote the title song which Neil Young made famous.

 

Excellent @bslon!

Did you get to see either The Plimsouls or The Beat live? Power Pop at it’s finest!

The final time I saw The Plimsouls---at a tiny dive on Ventura Blvd. in the San Fernando Valley, the opening band was one whose name was unfamiliar to me. As they played their opening number my gal and I turned our heads and looked at each other in astonishment. It was Los Lobos, and they were utterly fantastic!

I saw The Beat live a few times at The Whiskey on Sunset Blvd., and they were as dynamic a live band as The Who, one of the best Rock ’n’ Roll bands I’ve ever seen. After their breakup (with only two albums to their credit), my gal and I were hitting all the vintage clothing stores on Melrose in L.A., and found Beat drummer Mike Ruiz (debut album only) manning the cash register at one. I don’t know why he left the band after only one album, and was never again seen on stage (by me at least).

 

@bdp24 I did see both bands, maybe why I have second LPs by both of them? Ha! Just great power pop, like you said. Plenty of Power Pop/New Wave bands played PDX back in the day. Cheap shows, small venues. Valhalla.

I was so close to the low stage at a Motels show, I think I could’ve hugged Martha Davis. Sigh.