The Palladian-A step beyond


The new cartridge from Acoustical Systems may finally be the LOMC to fully realise the theoretical advantages of the genus.
And convince those long-suffering audiophiles to whom the 'modern' MC presentation has been anathema to 'live sound'....that the realism of vintage LOMCs like the SPUs and FR-7 series has finally been recaptured 👀
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128x128halcro
Thanks for the preliminary report folkfreak...
As bluewolf says.....rapid improvement is heard through the first 20 hours although straight out-of-the-box, this cartridge will impress 👀

As lewm rightly reminds us......buying an uber-expensive new cartridge is an act of faith.
Best to take the advice of someone you trust. I did.....
I hope that being inspired to take that risk by reading this Thread, has paid off.....🤔❓

Regards

@folkfreak, I found that there was a significant change in the Palladian's sound after the first 10 hours or so of playing, all very positive. I would not have been happy with that initial sound compared to my run-in Aiwon. If you see promise immediately, I wager that you are in for a very happy experience. I very much look forward to your follow-up.

@lewm , a pity we do not live close, otherwise I would invite you around for a listen and a cup of good Chinese tea. Cartridges are practically the most difficult things to audition.

All the best.
Folkfreak, Thank you for taking the time to post your very early observations.  Sadly, the cost is such that one cannot casually "check this cartridge out".  It's more an act of faith. After you put tens of hours on the Palladian you might then want to switch back to the PC1 for a bit.  Such experiments can be quite revealing.

As previously noted I ordered a Palladian a few weeks back based on the experiences @halcro  and others posted. It was hand delivered by Norm from Rutherford Audio last night and I installed it this morning. Installation is very easy given the very visible cantilever and number of parallel surfaces, as well as the multiple screw threads. One caveat is that it is quite a "flat" cartridge body (i.e. shorter distance vertically from stylus to top of body) hence for those with the tonearm at its extreme low of travel you may need a spacer (I am virtually bottoming out my tonearm and cannot lower it any more). For initial listening azimuth was set at level, SRA with he body horizontal (maybe halcro you can advise on how best to measure SRA given this stylus profile). 1/73g and load at 200 ohms

With the caveat that this is based only on the first few hours this does appear to be something special. What strikes me most is the fine detail on supporting instruments, for example individual strings on a finger picked guitar, or the details in a background (well buried in the mix) bass line. Relative to the Air Tight PC1 it replaced (which I really liked) it is less romantic in the bass, I suspect actually more accurate but also that the bass will open up with more hours. But overall it's the extreme sense of natural detail enabling you to wander around in the mix that is the overriding characteristic to me. I'll report back in more detail once I've gotten more hours but so far I would strongly recommend checking this cartridge out

Bluewolf,

***This is a great place to start. The UNI-DIN approach is informatively explained on the AS website:

http://www.arche-headshell.de/uni-din-a-new-approach/

I do hope that we can all kiss and make up and move on and enjoy this wonderful hobby, and present our views, all the more credibly, without personal attacks. ***

This is one of the things I already addressed. Maybe you thought it was just an attack with no basis in reality? Did you read the post script?

It is claimed that one null (point of tangency) can not be calculated from the other. According to the rules of geometry this is only possible if the cartridge can be aligned two ways at the same time. In other words, it's not possible. If you have an alternate solution I'd be interested.

What kind of (former) compatriote are you?
I thought that you got the same upbringing as I deed.

Nikola - I remember the revenge "thing' from the early years I spent with my Grandmother. 
But I am a product of the 60's and my parents... were influenced by the Trudeau government - Pierre & Maggie. My parents influenced me the most. And in Canada now, we have Pierre and Maggie's son running Canada. 8^0

It was ingrained in me not to do two things. 1) Brag 2) Say bad things of others.

BTW I get my Sliwowitz in Essen, Germany, in
huge quantities(50 liter each time) so I don't need your ''leftovers''.

Now you are bragging.... Our liquor stores are regulated by the government. :^(

Nandric,

You  previously spoke about language games. Although I have a degree in another field, I worked in high end audio for awhile because I like it. I was never an assistant or a clerk, as you described me in the past. After cofounding AHT (mfg.) I moved on.

This is neither here nor there. Since we have only two user reports of Palladian why don't you talk about your AS cartridge?  I doubt if you'll get more mileage out of "killing" me.

Dear Lew, Sometime I regrete that you deed not follow your

Dostojevski inspiration. I am sure that you would become a

great writer. However I always enjoy your prosa despite the

fact that you become medical scientist and questionable HIFI

''analyst''.

Dear Chris, What kind of (former) compatriote are you? I thought

that you got the same upbringing as I deed. The soft Canadian

opproach ( aka ''political correctness'') obviously spolied your

''manhood'' (grin). BTW I get my Sliwowitz in Essen, Germany, in

huge quantities(50 liter each time) so I don't need your ''leftovers''.

Bluewolf, I admire your desire for peace and tranquility.  However, it's the squabbling that makes these threads interminably long, thought provoking, and occasionally funny.  Some of us some of the time have no patience with the fact that others of us disagree on this or that.  In fact, this could be said of all of us, some of the time, and some of us all of the time.

The problem however is my Serbian upbringing
according to which the revenge is more important than sex.


hah hah hah.....8^0

So I will give Fleib the so called ’Italian kiss’’ just before I kill the guy.

Such an extreme? Would you like me to send you some horsefly cream instead?  I have some left over. We are in winter here and I have no use for it right now.


Amen bluewolf. The problem however is my Serbian upbringing

according to which the revenge is more important than sex. So

I will give Fleib the so called 'Italian kiss'' just before I kill the guy.

Sad, very sad. This forum should be about the performance of products.  It should not be about trying to discredit inanimate products based on a forum member's prejudice against the animate creator and anyone who has the audacity to honestly extol them. And as per my actual experience with dealing with Mr Brakemeier over a number of years in relation to Acoustical System ("AS")  products, the attacks of Messrs @rauliruegas and @fleib on his technical and ethical credibility are totally without foundation. I have found him technically the best, scrupulously honest and the maker of superlative products. To any members quietly reading this thread, which @halcro started with an excellent review of the outstanding Palladian the purpose of which was to positively inform, and which has since been hijacked by two posters with demonstrably malevolent intent, AS make cutting edge products, the proof of which is in the listening and not in the "round and round the garden like a teddy bear" written pontification, which I fear can lead one to becoming retromingent (what a lovely word - I have always wanted to use it).  My first product from AS was cartridge set-up equipment based on their exceptional UNI-DIN alignment.  This is a great place to start.  The UNI-DIN approach is informatively explained on the AS website:

http://www.arche-headshell.de/uni-din-a-new-approach/

I do hope that we can all kiss and make up and move on and enjoy this wonderful hobby, and present our views, all the more credibly, without personal attacks.

Fleib, ''Are you familiar with the term dummkopf?'' Well I am

as familiar with German as with Dutch . The expression ''term''

comes from ''terminology'' in scientific sense and is not equivalent

to what is called ''word''. There is no such word in German btw. It

is a combination of two ''morphems'' by which new words can be

generated: ''dumm'' and ''Kopf''. The grammar of both languages

allows such combinations without restrictions and that is why both

languages are ''unbelievable rich''.  As a Serbian immigrant I got

law degree in Holland and was university teacher for more as 30

years. As far as I know you was assistent in an HIFI shop where

you learned how to a.o.  adjust LP 12.'' Dumm '' (stupid) is used in

the context of ''intelligence'' , more in general as ''learnig capability''

while your and my ''social achivement'' demonstrate this capability.


Nandric, in case you hadn't noticed, my post on 12/10 10:37pm was addressed to Raul after he documented a lengthy attack. I commented on the substance of his post and ended:

"Despite any history you might have with Dertonarm AKA Dietrich Brakemeier, I think this cart should be judged on its merits. You might have a hard time convincing Acoustical Systems cartridge owners that their ears are deceiving them. The rest is history or conjecture."

Then you talk about those who like or dislike Brakemeyer, etc. etc.

Are you familiar with the term dummkopf?


Dear @fleib : """ 
I read a post somewhere that claimed, the CA protractor is flawed because the line of alignment to the arm pivots is incorrect  ...""""

and the Ortofon protractor is not better that than the CA. It's obvious that if any one makes a comparison against any accurate protractor as MINT LP, Freikfert or the smartractor all these wins showing lower overall distortion levels: not big deal. As I said very clever to puts in his site taking advantage of our ignorance level on that regards. 


"""  I think this cart should be judged on its merits. You might have a hard time convincing Acoustical Systems cartridge owners that their ears are deceiving them. """

First I don't want to convince cartridge owners when any one likes what they like according their music/sound ignorance levels. In the other sideI like to use common sense and let me explain about that " cartridge merits ":

any flagship LOMC cartridge in the market was voiced for its " manufacturer " and this premise always is a fact.
Now, he voiced the Palladian according with his personal " bible " he used over the years to " evangelize " every kind of audiophiles ( as the ones in his bandwagon. ) and you can read in very precise way what is write in that " bible ":

FR 66 ( as a fact he came to Agon as a " covered " FR seller ), FR 7 cartridge line ( the same. ), SUT ( seller of Jensen transformers. ), tubes and somewhere in the time horns and Orsonic headshell.

All that is what he touted here and everywhere ( he prepared the " land " with time. Clever. ). All those products are knowed today to generate higher distortions that other kind of designs.

He is accustomed to that kind of sound quality inferior level. Please tell me how could be that that voiced by him cartridge can sounds totally different?, no way. Even his " boys " that owns that cartridge confirm it with his reviews and comments about.

His real merit is that he has audio items on sale under AS company where he is the owner.

Btw, did you know that he is knowed as the audio items " copy-cat "?:


I  think his first product on sale was the headshell with the VTA/SRA mechanism that he presented as something " unique ": well that headshell has the Orsonic basic type " platform " but more " interesting " is that in reality is nothing unique on the VTA headshell mechanism.

The first true unique headshell with VTA/SRA mechanism was made it by the TT designers/manufacturer Dual ( this is a Dual's invent. ), very easy to use. This was many many years ago, you can see it here ( btw, before Dual cartridge AKG manufacturer invented the VTA/SRA mechanism direct in the cartridge body it its all time flagship model: AKG P100  LE. ):

https://www.google.com.mx/search?q=dual+vta+headshell&rlz=1C2LEND_enMX569MX569&biw=1600&...


the @bluewolf phono stage ( tubes/SUT. ) is a precise copy of an old French design.

One of his " boys " Eckart posted that he and Dietrich were in Eckart speakers design and manufacture of it. That design was and is a horns one and is a copy of a very well regarded UK propietary speaker designer/builder. 
Many of us here can remember this because some one posted the Eckart speaker picture ( Eckart was so proud that he posted his speaker picture. ) and the picture of the UK original today design!!!!

Now, we can see how easy is to make money taking advantage of each one ignorance level and good faith.

No problem with that, it happens in audio and in almost any kind of business.

Regards and enjoy the music,
R.
Fleib, I try to understand what you said about assessments and image of AS. You are refering to a WBf thread. why don't you mention the critical acclaims  and awards of AS in Japan, Germany, China etc.?








Fleib, Speaking about ''what the court of public opinion is about'' you obviously overlooked the comment of bluewolf. This is usualy the

case with people who are convinced about their  own right. But

 Raul nor you have enything to say about Dertonarms products

because neither of you has any idea about them.  Both of you

are obsessed  by his charakter and don't care about his products. But what has his charakter to do with the sound of his products?

I don't believe that Einstein was an nice person but what has this

to do with his theories?  I very much like Ikeda's FR- 7 series carts

and don't care about his charakter.

Nandric,

*** ''the counselor'' which post ''do not help (his) friend''

is public so everyone is entitled to comment. As a ''counsellor'' I don't think that your witness (aka Raul) will make your post very convincing. Your pretended neutrality regarding Dertonarm is also not very convincing because of your insinuations that Dertoarm is a ''moral sociopath''. But more to the point is the fact that you has nothing to say about my arguments. This is usual in your reactions to my post. You deed not deny to have never seen or used any of Dertonarms products. What value should we put on your comments on his products then? Then I mentioned ''craftsmanship'' in the context of your interpretation of intellectual property. I teached intelllectul property for 30 years. I even mentioned ''know how'' which in no way imply patent as such . You also deed not deny my statement that Dertonarm is a professional manufacturer while you and Raul are amateurs. I hope for you that you will be never involved in whatever lawsuit without an councellor . With your kind of ''argumentation''  you will have no chance.***

Once again, what's the point, to dig a deeper hole for Brakemeier?

Raul is not the witness. He pointed the way to a 10 page indictment on What's Best Forum. Can you defend against it?  Those posts seem credible to me, but if you have evidence to the contrary.....

My "insinuations" were the logical conclusion of the moral aspect of the thread.  That was stated clearly in "looks like ..."

On the AS web site intellectual property is claimed for uni din.  LOL

I don't believe that past mistakes or problems should necessarily be held against someone. That's why I suggested to Raul that he might like the sound of AS carts, and the Palladian should be judged on its merits.

Want more bad publicity for Acoustical Systems?  That's what the court of public opinion is about.



Dear bluwolf,
For exactly the same reasons as you mentioned Dertonarm left

our forum while I have not seen any post from J. Carr lately.

Those were our , as you name them, '' experts''. Well why

should they if such autodidacts like Raul and Fleib pretend to

know everything better? You should not consider yourself as

an ''lonly wolfe''. The most people are not blind but have some

peculiar opinion about ''politeness'' by which ''critical remarks''

are not done. BTW you also formulated your disatisfaction very

carefull (grin).

Kind regards,



Dear Fleib, ''the counselor'' which post ''do not help (his) friend''

is public so everyone is entitled to comment. As a ''counsellor''

I don't think that your witness (aka Raul) will make your post

very convincing. Your pretended neutrality regarding Dertonarm

is also not very convincing because of your insinuations that

Dertoarm is a ''moral sociopath''. But more to the point is the

fact that you has nothing to say about my arguments. This is

usual in your reactions to my post. You deed not deny to have

never seen or used any of Dertonarms products. What value

should we put on your comments on his products then? Then

I mentioned ''craftsmanship'' in the context of your interpretation

of intellectual property. I teached intelllectul property for 30

years. I even mentioned ''know how'' which in no way imply

patent as such . You also deed not deny my statement that

Dertonarm is a professional manufacturer  while you and Raul

 are amateurs. I hope for you that you  will be never involved in

whatever lawsuit without an councellor . With your kind of

''argumentation''  you will have no chance.

Nandric,

I think you would have been better off letting this go instead of reminding me that I am not in the business, not a professional, which also means I'm not in competition with Acoustical Systems.  I can't remember having any interaction with Dertonarm on this forum or anywhere else, and have nothing against him personally, and I wasn't aware of his apparent sordid history as a cheat and con man. This is well documented with testimony, in Raul's link:

http://www.whatsbestforum.com/showthread.php?6502-Refund-problem

I also wasn't aware, but suspected that the principal of the company, one
Axinia Schäfer, is or was his wife.  This is to avoid past liability claims? If one believes these posts on Whatsbestforum, Daniel Brakemeier AKA Dietrich Brakemeier looks like a moral sociopath, someone thinking they are above judgment and believes their own lies.

Despite this, I suggested that the cart should be judged on its merits. You, on the other hand suggested that I shouldn't post on Raul's MM/MI thread because I, at the time, did not own enough qualifying carts. This is despite the fact that in the past I owned a TK10 MLII, Kisiki Blue, M20FL Super, and numerous others -  currently an AT15/20SS, 980LZ, Z1/SAS, Genesis 1000, etc.

As a past mfg. I submit that any company is constantly on trial in the court of public perception. Counselor, your last posts do not help your friend.

Sincerely,

nandric,

I think your last post sums up most of the critique, if I can call it that, in this thread. What never ceases to amaze me is how people with little to no technical knowledge and experience pontificate and personally attack the few experts that post on forums. I used to frequent the 993 forum on Rennlist. You would think that such a forum would be narrow enough not to warrant personal attacks. But no. The most bitter thread was between staunch supporters of Mobil 1 who technically collectively knew a pinch of the proverbial, and 2 experts (one an oil specialist and the other a highly experienced mechanic) who for the best interests of owners advised that the reformulation of the oil to meet EU standards required no zinc and therefore had resulted in premature wear in oil cooled engines. We never saw those experts on the forum again. Why should they bother giving highly valuable advice only to be personally attacked by people with little to know actual technical knowledge and technical experience?

I know that I do not have the technical knowledge or the technical experience to evaluate designs on a technical level, and so never attempt to. What would be the point? Who would I be kidding? I guess I would first have to work out how to kid myself. But I can listen to a product and tell you what it sounds likes to me, and that is what I innocently tried to do for the benefit of those who might want to take advantage of my experience.

All the best,

Addition, I forget to mention the clear diffrence between the

dramatis personae in my last post. Dertonaram is without any

question an professioanal manufacturer while Fleib and Raul are

amateurs like the most of us.

Dear fleib, ''value judgment'' are not truth functional. That is why

we are allowed to like blonds or brunettes or whatever cart we

like. So what is subjective or objective (aka ''scientific'') is difficult

to practice in our hobby. Anyway one can easilly discriminate

between those who like and dislike Dertonarm. Those who don't

like the guy use terms as ''innovation'', ''patent'' ,''intellectual property''

  etc. in order to denay his merits. There is however  the term 

''craftsmanship'' which we do use in the context of the retips and also

by those ''grandmasters'' like Takeda, Ikeda,  Allearts, etc. by

 whom we don't care if they ever made any  patent application.

As we know or can know Dertonarm designed and produced

Apolite TT, Arche headshell, Uni Din, two tonearms and 4 MC

carts. His most rigurous critic, the Mexican however never

produced anything. What he claims is desigend and made by his

Sanco Panza. Those who are familiar with the Mexican oracle

 know this by the so called ''inside information''. Your ''scietific

approach'' is alas not relevant because you have no experience

with any of Dertonarm's products so you can only guess or

 speculate about them in the best philosophical tradition with

 many ''ifs''. 

Raul, good documentation. I wasn't aware of those threads you linked to. There's always a danger in trying to justify subjective opinion(s) with science, especially when it's phony science. The posts by Mark Kelly are interesting. 

I already resolved the alignment thing, at least to my satisfaction, without bothering to verify anything. Here's my post a few days ago on Audio Circle:

***
My previous comments about UNI DIN alignment might be incorrect. Brakemeier claims Analog Planet nulls are wrong. My comments are based on Fremer's published information or misinformation as the case may be. Maybe his friend Wally Whatisname screwed up?

I'll cut to the chase. Although Brakemeier claims that one null can not be calculated from the other and they don't conform to traditional geometry, I think he's full of it. This is a smoke screen. If there is one null, there has to be another or the alignment would be unlistenable. I suspect the point of alignment on his template is not actually the null and that's why Mikey screwed up, if in fact he did. 

Brakemeier is a cleaver fellow and he claims intellectual property for this alignment. Good luck with that one Mr. Brakemeier. I think you might have delusions of grandeur.
Anyway, the giant table looks awesome and I suspect Acoustical Systems will sell a bunch of their carts at $10K/pop, maybe some arms and alignment devices. They will have to settle for that.***

http://www.audiocircle.com/index.php?topic=88878.1520#msg1574075

It's also interesting that the protractor was compared to the Clearaudio  device. I read a post somewhere that claimed, the CA protractor is flawed because the line of alignment to the arm pivots is incorrect - misplaced.  This looks like it's the case, but I've never used or seen either of these.

Despite any history you might have with Dertonarm  AKA Dietrich Brakemeier, I think this cart should be judged on its merits. You might have a hard time convincing Acoustical Systems cartridge owners that their ears are deceiving them. The rest is history or conjecture.

Regards,




Dear @fleib : Don’t " distress with that " touted " alignment true information with facts that can prove what he said.

Let me explain on that, a little:

as I said he is more a marketing expert and " talk man " than a true analog expert.

In the past when posting here he always talks of: " the master him self " in reference to some one in Japan ( he never gave the name. ) or "" for man years every one in Japan knew that FR alignment " in reference to change the pivot to spindle distance for around 2mm. ( only a manipulation. ) but the first time he posted he gave him the primice to thing on that ( discovery by hi9m self ) but latter on and trhough the net appeared that he was liying endorsing him as the author. He always: bla, bla, bla, thinking all the people around the world are stupid or have not internet or he think no one can navegate through to read the true.

Here you can read of what I said here:

https://forum.audiogon.com/discussions/micro-sx-8000-ii-or-sz-1/post?postid=368218#368218

https://forum.audiogon.com/discussions/micro-sx-8000-ii-or-sz-1/post?postid=368205#368205

https://forum.audiogon.com/discussions/micro-sx-8000-ii-or-sz-1/post?postid=368215#368215

all those were coments on what dertonarm osted.

We can read even on his " scientist and engeneering " so high levels here:

https://forum.audiogon.com/discussions/why-is-the-price-of-new-tonearms-so-high/post?postid=369362#3...

https://forum.audiogon.com/discussions/why-is-the-price-of-new-tonearms-so-high/post?postid=369383#3...

in that thread kirkus hitted him too. Where are his scientist/engennering high level?.

He never showed and even today inside his products he still can’t. He is a clever person taking ( always ) advantage of audiophiles high ignorance level as his " bandwagon gentlemans ".

Look how clever. In his site he shows a comparison made it by Gecom of germany between his Smartractor and two other tractors to show that his product is " unique " and this is what we can read there:

""""

First we made a measurement of a combined alignment with the Ortofon and Clearaudio protractors. The summary klirr factor (distortion factor) was measured and weighted over the whole record side.

The result was 1.22 % distortion.

Following this we aligned the very same tonearm/cartridge combination with the SMARTractor and repeated the measurement.

The result was 0.48% distortion. """


for any rookie that was : OOH!. First that was an average measure and second the spindle hole in those protractors are wrong and they showed this:


"""

One of the least expensive protractors is from Ortofon.

With this protractor the spindle hole was way too large. """ and the other:


"""

the protractor made by Clearaudio.

The effective length of the tonearm is marked in steps of 1 mm - with a resolution of 0.2 mm.

The center drill for the spindle has significant play - approximately 0.5 mm """


MINT LP protractor that’s very inexpesive and highly accurated can meet at least that 0.48% distortion touted by him in his Smartractor. Again bla, bla, bla and more blabla.

Over his audio life that’s what he did it and not only taking advantage of my ignorance level but the in good people faith like this:

http://www.whatsbestforum.com/showthread.php?6502-Refund-problem

@chad-rutherford , interesting all those.

Regards and enjoy the music,
R.

Btw, he said that Analog Planet is wrong about the unidin alignment comparison.

Two things there: first was not M.Fremer but Wally ( the Wallyprotractor designer. ) and second why if is something wrong ( as he stated. ) with a public comparison in a product he has on sale not go there and posted why is wrong???? at the end M.Fremer site is very well regarded.

makes sense to you?

Sitll more bla, bla, bla




Dear @bluewolf : Yes, this is a hobby and for some one of us a really serious hobby.

Btw, not here but everywhere I can't remember that some gentleman whom invested megabuks dollars in an audio item dislikes it or comment against it.

 Please, follow enjoying that: what you like because at the end what is important is exactly that and not what other people could think about.


Regards and enjoy the music,
R.


Dear @fleib : """  Given your criteria for a great cart (sounding live), you might like the Acoustical Systems offerings? """

NO, I do not and for very good reasons:

knowing the audio history of the AS owner his products is and reflects ( can't do in a diferent way because if diferent then all what he personally  " touted " was totally a lier/false ) his music-audio preferences/priorities: mega-heavy weigth BD TTs, love for FR 66 tonearm performance quality level, tube and SUT technology on electronics, etc, etc, and his extremely high marketing level along : bla, bla, bla, bla with out evidence that can prove what he said/say ( here on Agon he never gaves any single " scientific " evidence of what he " touted " and when he always said he had a very high scientist/engeneering levels. ).

The today members of his " bandwagon " here in Agon and elsewhere in the net are the same for years. Ignorant people about real and true music/sound reproduction, nothing more.

The reviews here reflects exactly that, all them including him : LOVES VERY HIGH DISTORTIONS .

In the next links we can read what true cartridge designer experts contribute and contributed ( real knowledge levels and its own growing up history with real facts as foundation. ) through many many years doing that, even VDH invented the VDH stylus profile/shape: VDH 1 and VDH 2 that are under patents. Read this and read the Palladian description and you and any one else can understand what I mean about:

http://www.ortofon.com/hifi/products/hifi-cartridges/mc-anna/magnet-and-damping 

http://www.dynavector.com/products/cart/frame.html 

http://benzcartridges.com/products/gullwing-s/ 

http://lyraanalog.com/atlas/   

http://www.vandenhul.com/products/phono/the-colibri


Btw, any one can " make " a new cartridge: you, Halcro or me can do it, just ask one of the few builders out side as Scan-Tech and that's it: the new FLEIB cartridge flagship.

Regards and enjoy the music,
R.
**Why do they dominate the high end? **

I think you know. Despite their limitations, "they do have the undeniable virtue of costing more."

You've both got it.....😎
When those with 'means', have $200,000 speakers driven by $160,000 monoblocks with $40,000 line-stages preceded by $20,000 phono-stages driven by $120,000 turntables with $35,000 tonearms......it is unthinkable to run it all with a $600 MM cartridge...😱
So I don't blame the cartridge manufacturers.....
They essentially have no choice.
It's not a question of 'how' a cartridge sounds.....
The only question is...."Does it sound good enough to justify a $10,000-$18,000 price-tag?"
Because no-one who buys a high-end LOMC will ever compare it to a $300 vintage MM or even a $1,500 vintage LOMC in their 1/2 million dollar systems.
And those that do......will rarely be taken seriously 😴
So of course the 'wannabe high-end' audiophiles who can never afford the costs associated with a full-blown high-end system, can just possibly stretch to the 'same' esoteric LOMC (or its close relative).
In this way.....having a $4,000-$6,000 LOMC on their $3,000 tonearm on their $2,500 turntable makes them believe that they are approaching the analogue 'nirvana' of their brethren.
While the majority of audiophiles running their $200-$900 modern MM cartridges are wondering if they will ever taste the 'joys' of the LOMC elite.....
And so it will continue to be.....👐

**Why do they dominate the high end? **

I think you know.  Despite their limitations, "they do have the undeniable virtue of costing more." 

What would you use on your Thorens  or Goldmund Reference, a Shure V15?  How about a beautiful Koetsu to adorn that throne, and when the tip wears you get a replacement for half price. The sound is lush, and dare I say romantic?  Not your cup of tea?  Maybe a Veritas will get those high frequencies for the hard of hearing. Too forward?  Then the Benz is for you. You'll get perspective like you wouldn't believe. It sounds as if your stereo is across the street, but it's perfect for those Altec horns in that small room of yours above the garage.  It's a shame, but the wife is sensitive you know.


For me, it may be no coincidence that the MC cartridges I like most have tended to be those with high-ish compliance, compared to their brethren.

A pensive post Lewm..🤔
And one which I think the 'High-End Cabal' (which includes reviewers) would like dismissed 🙈
I have just today, conducted a mini-shoot-out between the Sony XL-55, Sony XL-88 (both renowned LOMCs from the Golden Age of analogue-70s-80s) and one of my favourite MM cartridges (also from the same age)..the Victor Z1 fitted with the SAS stylus.
In two words.....no contest 😎
The Victor has all the immediacy and involvement of 'live' music combined with the delicacy, depth, spatial imagery and speed that are commonly used to describe LOMCs....
Yet I have perhaps a dozen other vintage MMs which are virtually as good as the Z1/SAS and each one can be had for a maximum price of $400...😝
The real question is.....how does the Victor compare to the Palladian....❓👀

Maybe because I have to be concerned with exact calculations and minutiae of other kinds in my work life, I tend to be lazy about facing exactitude in my hobbies.  Seems to me that no matter what anyone can do, no matter how great a genius or how creative or innovative, it is only possible to achieve tangency to the groove wall of an LP at two points on the playing surface, given a conventional pivoted tonearm that is mounted such that the stylus tip overhangs the spindle and employs a headshell with offset angle.  Optimal mounting geometry would seek to place those two null points such that tracking angle error up to and after each of the two null points is minimal.  From what I can gather, Lofgren and Baerwald published the best solutions to this problem, and maybe now Dietrich has done even better, but I have to wonder how large a difference alignment alone could possibly make in the listening experience, when we are comparing solutions that are very close to each other.  I am dubious, and I do own and use a UNItractor.

If the AS cartridge sounds wonderful, it is probably because it is a very good cartridge, maybe a great one, but I doubt its excellence has much to do with alignment per se.

Now as to the discussion of cantilever movement.  It's interesting to me that MC cartridges, which are generally low in compliance, lose again. Add this to the other drawbacks: (1) The moving mass of an MC is not as low as that of an MI cartridge. (2) The low signal voltage necessitates one of a few tricks to add gain, any of which inevitably also add distortion of one kind or another.  Why do they dominate the high end?
They do have the undeniable virtue of costing more.
I am sitting back basking in the sound of my Palladian, aligned to UNI-DIN, which gives me an unprecedented amount of information for my senses to process. The additional information is in so many regards: ambience, all parts of the frequency spectrum, changes in voice pressure etc. And this, coupled with excellent macro and micro dynamics, and a balanced frequency response, all add to make my listening experience the more believable and enjoyable.

Somehow it managed to do all of this regardless of the debates that are raging around its design fundamentals and alignment and the personal dislikes of some for its designer. To give full scientific context to my listening experience, I should note that my personal cantilever (not to be confused with the Palladian's cantilever) started off highly flexible (and therefore I would think reasonably damped?). However, with heightened enjoyment (listening that is) its tensile characteristics firmed considerably. I would presume that it therefore became less damped? At all times it remained hollow throughout.

Riddle me this. Approach A is superior as per the laws of physics to Approach B. However, regardless of which approach is used, it will have to interact with other areas. Also, the quality of the execution of the approach will also determine the result. So even if I know that Approach A is scientifically superior, it does not mean that a componet following A will sonically outperform one following B. I therefore use my ultimate approach, my EARS to determine the final result for me. If you have the opportunity to hear a Palladian, I would suggest that you do. It is an excellent cartridge.

I now have the courage to write this having purchased and applied copious quantities of LOTFR (Lord Of The Flies Repellent).

All the best!
And "enjoy the music" even if you do not listen to my type of music on my type of equipment! I think this is meant to be a hobby.

Not so fast Raul.

Okay, here's the deal; I saw a PDF written by Dietrich Brakemeyer in 2015. It kind of explains the design criteria of uni din. It gives a brief history of alignments (I won't bore you with the details) and talks about his alternate alignment as an option.

As a preface to the PDF he says the published nulls (Analog Planet) are wrong. I want to make this clear. I have not been in touch with Acoustical Systems or Brakemeier directly, or Fremer, and I have no vested interest in any of this.

I saw this late at night and at first I thought  perhaps the nulls change with eff length. After a second reading I'm not sure, but probably not. Check this out- to paraphrase:

**
 Uni-Din does not follow the standard calculations for tangential curves as we know them. It also features very unusual resulting offset angle and overhang for the effective length. Uni-Din was first designed, then calculated.

You may be tempted to recalculate Uni-Din based on the known second null point with the calculation tools offered in VE or similar websites.

However, this inevitably leads to the first null point being more than 20mm away from reality, and thus leads to a curve that is anything but Uni Din.**

I'll be honest. I don't know what the hell he's talking about because there's not enough info. I don't have an AS alignment device to debunk this. AFAIK this is like a Dennesen or Feikert protractor which gives you the inner null?  One of these protractors automatically gives the outer null. If one null can not be calculated from the other, it can be measured.

This requires a novel device called a ruler, or you could go to VE and download a Chpratz protractor which is just a calibrated straight line.

Uni-Din owners - measure your nulls.





Dear @fleib : Here are the calculations to achieve those null points that every one can have and use in any tonearm:

http://www.vinylengine.com/tonearm_alignment_calculator_pro.php?arm1=Arm+1&l1=el&a1lv=270&am...

you can read the null points values in the number charts under Löfgren B status.

@halcro there is the " invent " of your " friend " !!!!!!!!. As usual with: a fraud.

Now, that you know how to do it you can play " inventing new " kind of alignments.


Regards and enjoy the music,
R.

Raul, Given your criteria for a great cart (sounding live), you might like the Acoustical Systems offerings?  I try to keep an open mind, but like you, won't endorse something I haven't heard or jump on some bandwagon. Have you heard any of the other AS models?

I have to withdraw my analysis of uni-din alignment, at least for now. I have reason to believe it might be based on false information - the 63.3 and 112.5mm nulls.  More on this later.

Regards,


Halcro,  Even if the movements on the stylus end are similar, I think we  need to look at the stylus/cantilever as a system, a vibrator.  That might sound funny, but that's exactly what it is. That little guy has to vibrate 20,000 times per second to achieve 20KHz. To think that some carts have response to three times that or more is hard to conceive, but it's true.

Regards,
 

Halcro
It's late, a long day and I have an early flight to your country. I assume that it is hot?

Compliance  measured in um/mN
I think I have the units right? Please excuse me if I haven't.

Anyway.... 
So for a given force we have a measured deflection.
It takes more force (effort) to move a low compliance cartridge a given distance.

So when playing a record, a low compliance cart will need a higher force applied to the stylus to make it move. We want the cart body to stay still while this is happening so it must absorb this energy. Which in turn means the arm has to deal with this as well.

When playing a record, a high compliance doesn't necessarily mean more movement at the motor end of the stylus. The opposite is also not necessarily true. 
It depends upon the geometry of the suspension and where the mag or coils are.
This with all the usual caveats of compatible arm, etc

cheers 


Low compliance carts are stiffer, so it takes more effort to deflect the suspension when playing a record.

Hang on......
We've agreed that the deflection of the stylus at the groove is the same for high and low-compliance cartridges.
Which means that the end of the cantilever must move more with high-compliance and less with low-compliance.
Where does "effort" come into play in a physical sense?
I don't understand the term "effort" in a structural sense either?
Can you put it in an equation?
Halcro

Low compliance carts are stiffer, so it takes more effort to deflect  the suspension when playing a record.
More energy in that has to be controlled by the arm.
 

Cheers 

Fleib and Richard,
If we agree that the movement is the same at the stylus for both high and low compliance cartridges......wouldn't the greater movement at the end of a high-compliance cantilever cause an equally larger reaction (Newton) which the tonearm sees?
Wouldn't that then put greater stress into the arm?
No-one can explain by physics.....why it is claimed that low-compliance cartridges put greater stress into tonearms....🤔

***Why would a MM cart have any difference in stylus movement than a MC?***

I don't think you can attribute any differences there to generator type, seems more like a function of stylus profile, contact area, groove height and that sort of thing. It might be nonproductive looking at it that way.

There's another traditional line of thought as to energy transfer and motor type and it has to do with the nature of the beast.  Because the coils are moving they transfer more energy and are more subject to returning energy. This kind of makes sense. The fixed coils in a MM are gigantic in comparison and you have a small magnet or two, wiggling.

One thing is for sure, MM's are much harder to load, but they're tunable. 

Flieb.  Yes I was talking about movement at the stylus end and I'm pretty sure that this is what Halcro meant as well. 
There is the very real risk of us all talking past each other here. 
To rephrase my original question to Halcro. Why would a MM cart have any difference in stylus movement than a MC? This assuming both are set up correctly in a compatible tone arm. There was no hidden meaning in my question. What happens at the other end of the stick is, of course, a whole different story. 

I could not agree with you more on your comments re resonant frequency.

cheers. 

Seems to me this conversation is getting a bit strange. Someone is saying the mechanical amplitude of cantilever movements should be the same for different carts, or types of carts?

That's a bizarre notion. Maybe you're looking at the stylus end of the stick? What really counts is the generator end. That's where the cantilever delivers the goods - excites the generator and converts mechanical movement to electricity.

Compliance is a measure of springiness. Would you expect 2 cantilevers with different springiness, made of different material, and of different lengths, to vibrate/resonate and deflect the same? 

I think the reason you can get decent results with a 64S, is because the arm/cart resonant frequency with a 'normal' cu cart goes down rather than up.  If you have a stable platform you can tune the combo with compatible headshell, tonearm wrap, damping, etc. and whatever works as long as it tracks and your woofers aren't jumping out of their baskets.

If you use a low cu cart on light arm, the resonant frequency goes up and approaches or enters the audible band which results in intermodulation distortion. IMD can sound euphonic here, reinforcing the bass or midbass, although it can cause involvement many octaves above the resonant frequency.

Raul
yes, yes of course. I was not and Halcro was not talking about individual carts arms
We were talking about different families of carts, MM and MC

Further, I did not use the word "Exactly"

cheers 
 

Dear @dover : You posted to richardkrebs:   """  That statement is not correct... """

and he posted:  """  Because if the movement of the cantilever (at the stylus end) is not the same, then the stylus is not following the groove..."""

things are that never is the same because the stylus cartridge follows the grooves in tiny different ways. 

Compliance, cartridge cantilever/stylus effective mass and output are different as is each cartridge tracking abilities, amplitude can't be exactly the same.

Regards and enjoy the music,
R.


Dear @dover :  """  Halcro you have suggested before that effective mass does not have an impact before but you are wrong...""""

obviously totally wrong but is not his culprit, things are that he just can't hear it: it's now aware of it. This is the problem with this gentleman is that unfortunatelly is a self negation/deny for him and just is not willing to change, willing to learn.

Dover, what you said about you and every single true audiophile learned when we studied  audio in the very first steps: kindergarden.

Some of us are way sticky to " something " and we can't do nothing to be unglued.

Regards and enjoy the music,
R.