Picking speakers 3000-5000 budget
Hello,
I'am new to the site and enjoying it very much so far.
I posted in the amplifier section looking to upgrade my modest 25 year old system.
I now have a Auralic Vega g1 into a MacIntosh mx110 tuner/preamp into a Adcom gfa545 (100 per chnl) power amp,then out to a pair of Polk monitor 10 speakers.I also have a Rega p6 on the way for my turntable needs.I think it has a exact cartridge.
I 'am trying to decide which speakers and amplifier I want to get to finish this portion of my upgrade.
To start my room is 20x13 and currently have my system on the right 20ft wall ,and move the speakers out from the wall when listening.
I can put them at the end of the long wall facing me if I want,and do sometimes.
I have a 6,000-10,000 budget for the amp and speakers,but would like to spend less if possible.
I do not have any personal experience with most of the brands of speakers I hear talked about here,but I have bought many guitar amplifiers by listening to YouTube videos and I will probably do the same for my home speakers.
The speakers I have in person experience with that I like are Klipsch chorus 2,JBl Jubal's and L100'sand Thiel's(not sure what model).and some old DCM Time Windows.
The one's that I really like from watching YouTube are Sonus Faber,Wharfedale,Tannoy,some of the B&W's.
I listen to about 40%classic rock,and about 40% pop,soul,blues,with the last 20% jazz classical and misc.
I really need my speakers to be able to rock at a pretty good volume,I know the Klipsch's would probably do that,but also would like them to sound great for pop,soul,and acoustic stuff.I really like bluegrass and Celtic acoustic music.
I need some help to narrow down my choices in the 3-5000 range for those genres.
I'am not opposed to speakers on stands or tower speakers,or needing a subwoofer to achieve the goal.
It seems to me a lot of the high end speakers have a over accentuated treble,but this just could be my background of blues rock music.I just want cymbals to sound like cymbals not a sizzle sound.
I think if I can find a amplifier I like for less I could spend more on the speakers.
Any guidance would be appreciated.
Thanks.
deeceeI have never heard of Aerial Acoustics.Will add it to my list. When you see you recreate a specific concert venue,how is that done? Are you using some kind of digital processor? Thanks |
unclewilburThanks for the heads up on the Proac speakers. I forgot about"Quintessence Audio." I will see what else they might have. |
dz13Thank you for the info. I will take a look at the Nola speaker. I have to admit I getting burned out. I had no idea there were so many speakers,or even so many types. thanks again. |
mbruflodt25Thanks for the input. I have switched out the Adcom preamp for a McIntosh mx110 . It seems to have helped quite a bit. I also just got a Rega turntable with a new cartridge and I’am in analog bliss. The human voice never sounded this good through my old Polk monitor 10’s I’am working on new speakers then we will get to the amplifier. Is the Cronus dark tubes or SS?
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@twangy57 No DSP. Venue reproduction is room and material dependent.. I'm currently listening in an unideal environment and they still fool my ears - I'm sure the current versions are even better. I was pleasantly surprised after a Gregory Porter concert that it came very close in my own room! Hope this helps! |
I have to mention the Usher Dancer Mini-Two that are beautiful and very high quality, and because they’re one of the few companies that manufacture their own drivers they use the same diamond tweeter as in their $42k flagship and they get down to 28Hz. This seller offers a return policy and a 10% discount that gets them down to just over $5k, which is a lot of very high-quality speaker for the $$$. Read the reviews. Pair them with this incredible McCormack DNA-500 amp and you’d have an absolute killer combo for under $9k without having to drive anywhere. https://soundapproach.com/usher-mini-two-2-x-7-2-way-diamond-tower-speakers-pair.html
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have you tried this? |
deeceeSo let me understand this. You actually physically modify your room treatments to match the acoustic properties of specific concert venues? For me to re-create most of the venues I saw my rock concerts at,I would need concrete and steel beams. You sound like a very dedicated listener.
Respectfully your's. |
@twangy57 you’re welcome if any of that was helpful to you. I totally understand that getting on the road again to Chicago must feel like a full blown busman’s holiday. I’d also like to acknowledge that it is awkward these days to go to a showroom of increasingly stressed brick and mortar audio stores to take advantage of their time, space and gear with the main intent being to educate your ears on what’s currently available, and then with all likelihood walking out empty handed determined to take what you learned and apply it to an online or private party purchase. It was a bit awkward 15 years ago, and it is even more awkward with the increasing dominance of online venders. Visiting an audio expo is an alternative but only available once a year if you’re lucky enough to have one in an area nearby. From my experience, assessing the sound signature of any piece of gear based on YouTube videos is not that helpful. I usually laugh at myself when I try to do this knowing that I have now added the deficiency of the microphone and ADC used, Internet signal compression and noise, and the unique sonic characteristics of my system playing in my room on top of the sound signature of the gear on review. If you have access to a decent headphone set up, you can reduce the number of variables at play, but you will also likely lose some meaningful portrayal of soundstage if that is preserved and important to you since that is not really a headphone thing. But when shopping for gear in the price range you’re looking at, differences between speakers and amps can be subtle, and I assume the pieces under consideration are more capable than what you’re currently using to play then back with. Evaluating those subtleties is I think the whole point. My take only here, YMMV. In light of all this, perhaps it is just best to buy and try in your place, even if speakers and amps are a hassle to ship and shlep in and out of the house. In all seriousness, I wish you the best of luck in your search and will be curious to continue hearing about your journey and your destination. kn PS +1 for Aerial Acoustics speakers. |
@knownothing I feel like something has to change. You can't buy stuff blindly (deafly). Ordering gear I only read about, sending it back, having 50 pound boxes travel 1000s of miles so that I can figure out if I like it seems inefficient. Showrooms are not just for dealers but also for the audio companies to show off. I know they don't invest in the dealers, other than letting them profit but I also understand how dealers don't want you to test equipment without the intention of buying from them. This impedes and hurts everyone's interest. |
knownothingYes,as far as driving,I try to avoid it. I bought a old convertible last year and spent a sizable chunk of change fixing it up. I drove it around a lot the first months or so last summer and haven't even thought about driving yet this year.Maybe when it gets hot out. All things considered,I have been satisfied with what I have now for 25 years and I’am sure any of the speakers that folks have suggested will be a nice improvement. Thanks for your insight. |
tommypenngottiI have heard those,only on you tube but they sound nice. I think I'am buying a pair of Dynaudio Focus 360's. The price is right and I really do like them. Thanks |
I would like to thank everyone who gave me their suggestion’s on what speaker they thought would be best for my system. It was my first real thread here,and it was a lot of fun, I had no idea I would get so many suggestion’s. I also had no idea there would be this many different opinions. I started out thinking I would end up with either Klipsch or Sonus Faber. I still wonder if Sonus Faber might have been the best choice. Time will tell. Any way,my final 3 choices were Paradigm 100FS Founder,Elac 249 BE,and the Dynaudio Focus 360. I ended up with the Dynaudio focus 360. I just kept going back to it,and comparing it to the others,and liking it more and more. I also liked the Dynaudio special 40 stand speaker,but by the time I would have added a sub,the cost would be more then the Focus 360’s. I have started a discussion in amps to figure out which one will power these speakers the best in my budget. Thanks again.
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@twangy57 Not to add to your list of To Do's but I have found Erins Audio Corner to be a great review resource. I think he's reviewed a few of the speakers mentioned here as well. He's big on subjective first impressions, then measuring with a Klippel scanner and comparing what he heard with the measurements. As others have said, take the recs here and listen in person if you can. Otherwise, buy from a place that allows returns if not satisfied. FWIW, I recently purchased the Wharfedale Super Lintons. About 75hrs in so far and very neutral with plenty of bass for most any type of music you throw at them. Also best near the wall which is great for my space.
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@twangy57 great choice! I will be interested to hear about your amp selection and journey through set up. Enjoyable thread. |
Markloft: I am also a big fan of Eric's stuff. I have a boxed set of Double Impacts, that I can't sell. ( don't want to sell, that good) Just rock and roll music, Wanted to jump up a level or 2 or 5. Eric and I discussed an upscale model that he had just started, The Encore model, Special edition, larger Italian woofers and upgraded mid-ranges, serial number 5&6 with Ber-ilium tweeters. Add a nice Pass X-250 amp listening to in class A, Benchmark LA-4 line amp and a Bricasti M1SE DAC with a network card with Qobuz and Audirvana, and a pair of SVS SB 4000 subs. You have just been delivered to HEAVEN! Robert TN |
I recently acquired a set of MoFi Sourcepoint 888’s and am thoroughly amazed by them. Our musical tastes are similar, although I have a particular soft spot for female vocals. Coming from Kef R3 Meta’s and an SVS SB1000 Pro sub, the MoFi’s are even more detailed without the analytical feel of the KEF’s. Imaging and soundstage are remarkable with a very wide sweet spot. The bottom end totally eliminated the need for a sub while making the top to bottom coherence so much better. The speakers do that wonderful disappearing act that I’ve personally only heard with planar and electrostatics. My average listening level is around 75-80db but they are totally at ease both at 90db+ and background levels as well. While I cannot claim to have compared them directly to many of your current recommendations, but as someone who’s knocked around this hobby since the 70’s, been a high end manufacturer’s rep, a musician and recording engineer, I can’t say I’ve heard many speakers that best them. Really worth an audition. |
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++! More for the Klipsch Cornwall they sound great even if needing to place them in a corner or near wall, (that's why they are named corn walls) I have a set in my living room system about 16' apart and they sound great with many different types of music, and if you want them to play loud, not an issue. The Luxman 507 or 509 series integrated amps would be an excellent option paired with them, and I think this could be done for $10,000 range if you find a pre-owned Luxman. Happy Listening! |