Do NOT Blow Your Entire Budget on Two Channel Audio
Yes, two channel audio is here, and is not going away. However, object based audio is delightful, widely available on Tidal and Apple Music, and should be in the listening room of every music lover on the planet, not just "audiophiles. If you plan to be a music fan a year from now start building your object based audio system today. You will need:
1) A receiver/processor capable of Dolby Atmos.
2) A subscription to Tidal or Apple music.
3) A Firestick, ATV, or Nvidia Shield.
4) A minimum of 7 timber matched speakers and a subwoofer.
Once you experienced stereo would you ever go back to only mono? No, you would build a system capable of either mono or stereo. Now that object based audio has arrived do the same thing. Build a system capable of mono, stereo, AND object based audio. When Elton John heard Rocket Man in an object based format for the first time why did he demand to convert his entire catalog to Atmos? If you don’t know, then you need to go listen to Rocket Man in a good Atmos setup ASAP.
So, take your budget, DIVERSIFY, and get a good Atmos capable receiver or processor. Object based audio is NOT last decades surround sound or home theater. It is for MUSIC first, if you need a recommendation on how to allocate your budget feel free to post a question. Most importantly, you don’t NEED two systems, one for music and one for movies. A good object based audio system can play two channel music just fine. A two channel system on the other hand can’t play object based audio without a proper processor or receiver.
In this Darko podcast, John talks to Jason Stoddard of Schiit Audio about the Urd CDT and the Syn Surround Sound generating Preamp/DAC (the discussion on the Syn is at the 38:00 mark).
Turns out, Jason is not a big fan of surround, immersive, object (take your pick) Dolby Atmos sound processing and goes on to explain why, giving examples of set ups where some found they preferred it to Dolby and considered their expenditures on it a waste of money. YMMV but it's something else to consider.
What I'd really like is a 7 channel system with all 7 speakers across the front, and recordings made with that in mind.
Check out the photo of my virtual system, 5 speakers across the bed layer in front (L-C-R plus two wide channels) and 3 height channels (L+C+R).
As for the mixes I agree, I don't like every mix in either format. I have found engineers/studios/labels that I like and are pretty consistent mixing for my taste in both formats
After listening to multichannel music I've found that I often don't like what they do with the mixes. I'm not especially fond of sound coming from way off to the sides or behind me. It's good in video games where you have to keep track of opponents outside your field of view. With music they often do a stereo wide mix, which either very meagerly uses the center channel, or doesn't use it at all. What I'd really like is a 7 channel system with all 7 speakers across the front, and recordings made with that in mind. Short of that, I'll just stick to 2 channel recordings and employ some crosstalk reduction. 2 channels on 2 speakers without crosstalk reduction is actually pretty bad, if you ask me. It's become a HiFi tradition but there's nothing technically correct about it, and it suffers unresolvable tonal problems for the phantom center. It's interesting that audiophiles who are otherwise exceedingly keen to hear differences in DACs and cables are capable of completely hearing past this problem. It's true of passive crossovers too. These are cases where it seems the roles get reversed. The objectivists will admit that these problems are highly audible, while the subjectivists will claim they are not, or at least suggest that they are not in any way audibly offensive.
Btw: Do NOT blow your entire budget on two channel audio. Budget? Whats that? An audiophile is supposed to have a budget now? Kinda takes all the fun out of it doncha think?
For the members here that are able check out Elton John's Diamonds in Atmos. Read more from his website here. Every track I have played is like visiting an old friend in person instead of just talking over the phone:
The idea I am championing here is not to have to choose, it is to budget to have both.
This idea of yours sounds just like another one of your dictums (we haven’t forgotten your badgering of members to post their system photos for you to admire or criticize). Your advocacy for "object", "immersive" sound has gone overboard into the realm of proselytizing, which seems to be your wont.
Both two-channel audio and ATMOS create an illusion. It's perfectly fine to prefer one illusion to the other.
The idea I am championing here is not to have to choose, it is to budget to have both. I prefer some mixes in stereo, some mixes in atmos. Generally the gap is quite large in terms of which I prefer, it isn't like just adding sugar to your coffee.
I guess the OP has not read about the coupling of BACCH filters and stereo speakers or headphone yet...
No one need atmos after the BACCH filters or even a home theater....
Not only for material cost reason in installation but because of sound quality...
It is the reason i give you this information about BACCH filters ...There is even a new thread about it right now in audiogon...
My 700 bucks system is perfect right now.... I tried to upgrade my amplifier without success so good the Sansui alpha is... The K340 is the best kept secret in headphone .... I only need BACCH filters... 😊 You too Kota... But you dont know yet...
Two channel audio is an illusion. You get an okay illusion of the sound in front of you ... Where ATMOS is most superior is recreating a live event ...
Both two-channel audio and ATMOS create an illusion. It's perfectly fine to prefer one illusion to the other.
Back at you @kota1 . Maybe some will take heart. All you can do is educate
Thanks, it goes back to my OP about budgeting. To put 100% into channel based audio as a consumer when the industry is moving away from channel based and toward object based is questionable in my view. I can tell by the responses in this thread that there remains a huge gap in not just implementation, but even understanding how to implement an object based system for MUSIC (not home theater).
See producer Steve Wilsons comments about how the music industry pivoted to Atmos when Apple began offering spatial audio:
Kota, I feel you are trying to promote technology to people who have the incorrect time flashing on their VCR because they don't feel like learning how to fix it.
I agree, object based ain’t gonna happen except for very small minority
It is already happening. It is happening in large numbers. It takes a lot of speakers to ATMOS, but we only have 2 ears. Most people will experience ATMOS and other object oriented audio by using headphones.
They grew up exposed to much more artificial, processed music than they were real, live music.
Two channel audio is an illusion. You get an okay illusion of the sound in front of you, but everything else, the sides, the back, above, is a poor illusion that by chance, maybe, but probably not, will sound like live music. Where ATMOS is most superior is recreating a live event. You get the sides, the back, the top as the real thing, not fake.
The side to side and front to back soundstage created in high end 2 channel audio is a superior 3-dimensional depth musical experience anyway IMO
You need to get out more. Seriously. Get out and listen to some high end ATMOS. Does not matter how much you spend on a 2 channel system. You can't get out what is not there. Sure, you can fake it and get something appealing, when the recording is just right for your system. ATMOS does not need to fake it. It has all that sound information you are trying to fake because it does not exist in 2 channel.
I think the requirement for a pair (or four) ceiling speakers will be the deal-breaker for nearly all audiophiles.
The kicker, but also a misconception about requirements and false knowledge. You spend 6 figures on a 2 channel system. The sound from the speakers reaches your ears and it is pristine. All great right? Hate to break it to everyone, but all those reflections off floors, walls, ceiling, book shelf, and everything else is far from pristine. Screwed up in time, things resonating, screwed up frequency, distorted. A total mess. ATMOS replaces those screwed up reflections with better right at your ears sound. No need for the same quality as the mains to get better quality than chaotic reflections.
Back at you @kota1. Maybe some will take heart. All you can do is educate.
... if it was a high enough priority for Elton John to convert his entire catalog to Atmos as a HIGH priority. I think every fan of music should have budget for both types of files ...
You sound very impressionable. Many people are not so easily swayed by celebrity culture and social media "influencers." Good luck to you, because the next Big Thing is just around the corner. And then the Next Big Thing will be just around the corner after that.
Not everyone needs to be in a Disney ride to enjoy and immerse in music. We are not children, needing to be gobsmacked and drooling at special effects.
Exactly! But that kind of faux excitement is exactly what many younger people have come to expect. They grew up exposed to much more artificial, processed music than they were real, live music. It’s the same with food, which in part is why you see some many obese kids these days.
@kota1Nope and I never will. I do not own a TV and honestly find your posts quite boring, same old same old, yadda, yadda, yadda. Try reading a book some time or if you are that lazy listen to one, I am sure they will be on Atmos soon. LOL!
Have you heard atmos capable soundbars yet? They are an upgrade over the traditional one. If I lived in a condo and was on the fence about soundbars I would snap up this atmos capable system by sony for around $1K in a nanosecond:
Ridiculous proposition based on a ridiculous premise. But, too each their own. However, don't present the gal to assert that someone else's choice is wrong for them.
Do you also seek to impose pregnancy until birth on those who don't want it?
Should? Really? You presume that a certain type of effect should be a high priority for listeners.
Watch the video I link to in the OP, if it was a high enough priority for Elton John to convert his entire catalog to Atmos as a HIGH priority. I think every fan of music should have budget for both types of files, channel based and object based if they intend to use a streaming service. What type of object based system is highly personal:
1) headphone based or just use your current stereo to play object based audio over your existing two speakers (yes, backwards compatible).
2) Sound bar based
3) HTIB based
4) An upgrade of your existing system
5) A swing for the fences, I want what they heard in the studio approach.
Yes, two channel audio is here, and is not going away. However, object based audio is delightful, widely available on Tidal and Apple Music, and should be in the listening room of every music lover on the planet, not just "audiophiles.
Should? Really? You presume that a certain type of effect should be a high priority for listeners.
But why is that? Not everyone needs to be in a Disney ride to enjoy and immerse in music. We are not children, needing to be gobsmacked and drooling at special effects. For the real music lover, for someone who already knows how to concentrate, isn’t it just a bit of distraction?
Remember the whole "tall food" craze? That was fun, but not for people who necessarily liked food.
Shouting from the mountain top but no one is listening. 5.1 has given way to a sound bar. Atamos is to cumbersome for most.
Have you heard atmos capable soundbars yet? They are an upgrade over the traditional one. If I lived in a condo and was on the fence about soundbars I would snap up this atmos capable system by sony for around $1K in a nanosecond:
My dedicated 2ch system in a dedicated room is 10x the cost of the 5.1
Again, exactly why I started this thread, a question of budget. For someone with a large collection of software like LP’s, CD’s, blurays or SACD’s your setup makes perfect sense. For someone who streams their content maybe allocate some budget to try object based audio in the 5.1 channel room by making it a 5.1.4 channel room with a firestick and a tidal subscription?
A lot of the material is distributed in 5.1format and no ATMOS.
First of all love the pics you posted and yes, I get it, channel based audio must sound fantastic on both systems. This takes me back to the OP, re: budget. When I bought a $50 Firestick that was 4K/Atmos capable recently with the wifi 6 upgrade I set a $50 expectation. Whoa! The ATV and the Shield are not capable of streaming hirez content, the firestick is. I think amazon loses money on the firestick like kodak lost money on cameras, to get you to buy the film. Martin Logan has atmos speakers on crutchfield you can audition for 60 days, might be worth checking out for the man cave:
True, my desktop system is "good enough" but if you look at the virtual systems here WOW, I guess we all have different standards of what "enough" is. For the "good enough" community you have Spotify, a phone and ear buds. Even this community can get a "good enough" upgrade by getting an apple music subscription and some air pods.
Object Based is the opposite: very complicated,
Again, exactly why I started this thread, to raise the veil and shine a light on how easy it is to consume the object based content many members already have access to via streaming. Are atmos capable processors more complicated than a turntable? Nope, I could not install a cartridge without some type of training either.
100% true, I get that, but as you can tell, the content is already widely available so that isn’t an excuse. If you look at my system that would NOT be a fit for the majority of people, it’s setup more like a mix stage, I get it. My point is to allocate some budget to object based audio given it is so refreshing and becoming widely adopted by the artists and content producers, it may as well be enjoyed by as many people as possible. For people that already have a 5.1 system it is as simple as mounting some small speakers high on the wall in the front and back of the room.
That's exactly why I started this thread. Object based audio is NOT surround sound and many music enthusiasts such as yourself got burned by "surround sound". The content is already available on Tidal and Apple Music.
@roxy54 and @oddiofylhave made valid points. It’s not gonna fly for many of us, IMO.
I have multiple systems in the house (4). I will limit this blurb to my 2-channel “A” system versus my “HT” 7.1 system herein.
- My “A” system is high-end 2-channel ($50 grand-ish) that is great for audio via cdp, or streamer / network NAS server. I also prefer QUBOZ streaming over TIDAL and APPLE.
- I’ve also got a 7.1 channel separate and discreet “C” system down in my HT mancave. But it is now limited only to multichannel BluRay movies and concerts. A lot of the material is distributed in 5.1format and no ATMOS. It’s a decent enough system FOR ITS INTENDED USE ( about $20K …half for MARTIN LOGAN 7.1 system speakers & half for electronics (2&3 channel YBA power amps, discrete all digital AV 7.1 preamp processor, & 7.1 channel digital player )
KEY POINT
Without prejudice to:
(i) the many logistical hurdles and the like already brought up in this thread about ATMOS speaker placements challenges etc,
(ii) the music industry following Elton John to re-recording in multichannel is still very limited in product choice or availability.
Simply put, there isn’t an AV multichannel receiver on this planet that can compete with a high-end 2-channel system for premium audio performance …. Not even close …. Full stop. I had the very top model CAMBRIDGE AVR and an ARCAM in prior iterations of my current HT system.
If eclectic multichannel audio stirs your drink .,,, fine …. Carry on, sir! But it is not going to influence the overwhelming cohort of mainstream 2-channel hi-fi fans, - especially the high-end audio enthusiasts - to steer away from mainstream 2-channel.
The side to side and front to back soundstage created in highend 2 channel audio is a superior 3-dimensional depth musical experience anyway IMO
We have a modest 5.1 in our shared living space for TV/movies. It is satisfying enough. My dedicated 2ch system in a dedicated room is 10x the cost of the 5.1
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