Dynaudio still use material what does not have a fast response. When the response of a speaker is slower acoustic limitations become bigger. I sold Dynaudio for over 6 years of time. I would not recommended and sell it to my clients anymore. Beside this the cabinets are not the best and most thick either. I sold SA as well, not a brand who makes great speakers. Samething about the crossovers who are very limited. The middle freq. is not very open. Voices need to be more apparent.
Danish loudspeakers: Dynaudio & System Audio
Recently, I've auditioned a pairs of Dynaudio Focus 110, I'm pretty impressed with the sound, but if I choose to buy the Focus 160, I'm a bit worry on the bass resonance problem due to rear ported design, some Dynaudio users report such problem too. I'm living in a medium room, where space is very limited, thus I'm considering to audition a pairs of System Audio Mantra 5, same Danish loudspeaker design, seem well regarded from some of the feedbacks, though I have to contact them to check whether any audition available in Malaysia, from the Website I'm able to search out a location though. Anybody heard of the System Audio speakers, any opinions or impressions how it sound?
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@Bo1972 I agree with you Dynaudio cabinet build still less a bit top notch grade, if consider their cabinet port design and innovative ideas, something like transmission line, though I'm very impressed with the crossover and driver controls, it's very solid build, though lack a bit flexibility when comes to drum kicks sound. What other brands come close to that? With better flexibility in normal room listen? |
Wim1983 -- Though they're not of Danish hands, how about looking into a pair of ATC SCM19's (or SCM11)? They are sealed-box speakers, and should mate well in limited space environments. http://www.whathifi.com/atc/scm19/review |
I sold Dali for 8 years of time, Dynaudio is of a higher and better level in quality. These days we only sell 3 dimensional sound. This counts both for stereo and multi channel use. The reason is that all people prefer 3 dimensional sound over 2 dimensional sound. I owned many highend sets of over 100.000 euro and my clienst often said: The sound is awesome but out of reach for us. So I had to come with a sound what has the same exitement and emotion my sets had. Monitor Audio uses faster and lighter materials compared to competitors. Have better cabinets ( thicker) with less colouration. Superior crossovers. Monitor Audio is the only brand to day which all speakers ( in their price ranges) they produce can create a deep and wide stage like the best highend speakers can give. I use all Monitor Audio speakers to the max. When I send my clients to shops to listen to Kef, B&W, Dynaudio, Dali, Focal etc they all come back laughing. The presentations they get are always 2 dimensional. This is a lower level of quality in sound. I work like this for 8 years of time now. It is the most effective way of selling audio. I have spoken to many people in over 17 years of time about the sets they owned in the past. All people with 2 dimensional sets ( alomost all sets are 2 dimensional) buy after time a new set or new parts to hope for a higher level. Often they are still not satisfied. I brought many people from 2D to 3D in the last 8 years of time. They have one thing in common. They use their sets more frequently and longer in time. They also spend more money on music and movies. |
@Phusis: The price of SCM SCM19v2 is out of my budget, ATC SCM19 closer to my budget, but I'm not convinced what are the special about these 2 versions? sparkling high with more air without sounding harsh? I thought ATC speakers sound on high freq. is not quite their strength? Not? Even for bass I've bit concert if it will be too shy for sealed cabinet design, hmm... |
Bo1972, you're certainly entitled to your opinions but we've heard the same thing from you endlessly about '2D vs. 3D sound' and your preferred brands. Glad it works for your customers but not everyone agrees with your findings. Wim1983 - the two best DALI monitors are currently their top Epicon 2 and next best Rubicon 2 speakers. |
@Bo1972: oh, it's you again, "3D guys", haha I remember now, thanks for Monitor Audio poison, I'd heard a pairs of Monitor Audio BX2, the metal tweeter sound a bit edgy and harsh, even via Marantz PM6004 amp known for less sibilant kinda sound, personally I've gone through much troubles with metal tweeters, it's will be no no for me ever, lol. Though I'm sure there are some forgiving models like the silver series |
I am the owner of Dynaudio standmount speakers. I agree that the front-ported speakers (or compression ones) are more suitable for the placement closer to the rear wall or in a rack. ATC is becoming increasingly popular English speaker brand. I listened to them at the fair and I would recommend them. Another UK speakers just came into my mind, namely PMC Twenty 21, but it seems that they are out of your budget. |
@Mr_bill, @Lowrider: Thanks for the suggestions, Epicon is way out of my budget, both the Epicon and Rubicon is rear ported @Jafant: You mean the Dynaudio / System Audio is "okay" speakers? How would you describe Thiel standmount at best? My thought is Thiel need very careful matching with gears, not an easy to cope with even in terms of price @Amater: Great suggestions, I've been looking forward to hear some ATC or PMC, but doubt the 2 brands' tweeter can sound as good as Dynaudio tweeter? Especially on high? Still, my current top 3 standmounts shortlisted: 1. Dynaudio Focus 160 - I dun see any issues here as long as you give enough clean power, space and resonance could be the only biggest concern here 2. PSB Synchrony One B - For 30 years on loudspeakers design, I think these are pretty all rounder that worth serious considerations, I'll try to arrange for auditions soon 3. ATC SCM19 / PMC Twenty 22 - It's British loudspeakers, I expect they sound romantic and musical, but I'm a bit hesitate on dynamic capability, high freq. air energy and price Again, I'm using a transparent JDS Labs ODAC and full blown Class D Audio SDS-400C power amp, so it would be very obvious right on audition if the speakers does not suit me well |
Wim do your self a favor and contact Bob Gross @ speaker art and see if he will build you a pair of speakers and be done. Yes they are out of your budget but its a small price to oay for everything your are asking for in a standmount. I am familiar with your amp as I own a class d audio amp and the combination is spectacular. There is no speaker I know of in that price range that can touch the sound or build quality. Bob is widely regarded as one of the best two way speaker designers of all time. Either that or continue to post on here about Speaker A vs Speaker B. Best of luck. |
Wim1983, The PSB Synchrony One B, like all PSBs, has a very nice warm feel to it and a huge soundstage. It's very enjoyable to listen to and capable of smooth mids and deep bass, but it's rear-ported and needs to have room away from the wall. Too close to the wall and you won't get detail in the bass. That's due to the 6.5" woofer. I hope you like them, but the Focus 160 is the better speaker. You'll need to use some room treatments for any speaker you choose. |
@Chrshanl37: Thanks for the info, asides from price, I'm doom even to consider the shipping fee in USD, haha, not very worthwhile for me to buy any American product right now, unless some of the small affordable gear like JDS Labs ODAC @Lowrider57: Most probably I'm going for Focus 140, I've been considering System Audio Mandra 5 / Harbeth P3ESR too, but I think these 2 will cost more, the first I'm on the process to ask for an audition, it's not available in Malaysia. While the second definitely over my budget by a fraction... |
We judge every single part of a set on what we call Total Sound. When we audition sets from 'new' clients, at shows or at another audio shop in almost all situations it is what we call 'incomplete'. In most 'new' sets we need to bring in parts of Total Sound to make it complete. At the end it is so much more addictive to listen to any set we 'repaired'. It is the most effective way of getting the maximum quality out of a set. All parts of Total Sound influences our emotion. So when you create a set what will have all the parts of Total Sound it is so much more addictive and exciting to listen. The Monitor Audio speakers in the lower prices own more parts of Total Sound. So when you use all the parts you will have a more complete sound. This is what it makes it so easy to sell. Audio is all about shootouts and comparing. This is how we sell it. People always will choose the sound what convinces the most and is most liked. Parts of Total Sound: - Soundrealism: you want and need an instrument to sound like in real. I use Pass labs amps to the max for this. It is the focus on sound of each different instrument and voice. For example: you want to hear the difference between 2 acoustic guitars of a recording. I always want to hear the full palette in the mid freq. The timbre is an essential part of listening to music - 3 dimensional soundstage: this is the most exiting part of audio in general. This sets your beloved music in full 3Din front of you. During listening you can focus on each individual part of a recording.The best sets can even give instruments the shape as in real. - Intimate sound:instruments and voices are very small in dimension and very direct in sound. You want a realistic proportion of instruments and voices. Intimate sound has a very big influence on our emotion. During many acoustic classical live concerts I learned how small a vice and instruments were in proportion. - Blacks: The space between the instruments and voices with their acoustic information during the recording. This is the level of physical appearance. You want to touch every single instrument and voice of the recording. Germans use the word'darstellung'. - timing and speed: it is a very important part for authorityand control of the overall sound. Better timing will give you less acoustic limitaions. But also a more natural sound.Biside this you also can reveal more layers of the low freq. - Resolution: you want to hear all details of the recording.And it needs to be physical apparent. - Air: This part gives the instruments and voices the freedom during listening. Separation makes your music so much more appealing. - A big freq. response: When your system goes deeper in freq.response you will hear more information of a recoding. Thisalso has a big influence on our emotion. People can heartill maximum 20 khz. But...the freq. response above it still influences our brains. - articulation of voices: how clear you can hear word endings, breathing of singers and moving lips. - heights: When I received 2 sets of the Audioquest Wel Signature xlr's it became more clear than ever. It makes listening to music different and even more appealing. |
We don't focus on a brand, but we test and compare in each price level. And only choose those products what give the best results during testing. The best quality wins and we don't care about a name that much as others. We can get all flatscreens we want. For each client or project we only choose the best picture quality you can get for the money people what to spend. We use it as a protection for all clients to get the best possible. We do a lot of testing and innovation and when we find better products this will be the new benchmark. It changes a little over time. We don't know other people like we who uses audio this way. |
Bo - It appears that your evaluation process and product selections are working for you and your customers, so congratulations on that. However with all due respect the process of audio component selection and for speakers in particular is a very subjective process. We all hear differently and have different preferences and priorities in our desired system's sound quality. Listening environments also vary widely, so it is not possible for one solution to be the best for everyone. If it was only as simple as you suggest it would be much easier for us all, but that is not the case in the real world. Each user should evaluate and select components based on their own sonic priorities, as there are no absolutes in audio. |
When you become aware of all the different parts you judge sound for, you also will understand what these parts do with our emotion. The way we work we use for all brands. It is not focussed on a brand. The only reason why we use Monitor Audio is that it owns more properties/talents. The biggest limitations of Dynaudio is response/timing. When they would use lighter and stiffer materials they can make a big step forward! |
Wim1983 there is such a instruction in my Dynaudio owners manual: "To minimize low frequency reflections, which will be heard as a thickening of the sound, the loudspeaker models can be adapted to the room’s acoustic character by using foam plugs in the bass reflex port." The same (and more about placement) is written in Dynaudio Focus speakers manual: http://www.dynaudio.com/media/1923/dyn_focus_manual.pdf |
To minimize low frequency reflections, which will be heard as a thickening of the sound, the loudspeaker models can be adapted to the room’s acoustic character by using foam plugs in the bass reflex port. Yes, that does help in certain situations. If you are getting bass boom in very low frequencies, use the plug. At a higher bass frequency, and I'm just guessing above 60Hz, when using the plug the speakers will not sound as open. I think it's better to use bass traps or some acoustic treatment. As for reflections causing a thickening of the sound, and I think we all have experienced this when setting up a room, the answer is to treat the room and/or move the spkrs further from the walls. There are other speaker manufacturers who use port plugs, or at least recommend stuffing foam rubber in the port. I played with the plugs on my PSB Synchronys and they ruined the sound of Classical music, but were very effective on heavy Rock basslines. And I was also using room treatments. |
11-12-15: Wim1983 Although I like the active version of SCM19 (ASL20) even better, it's the midrange and what ties so neatly together around it that had me particularly interested in this speaker; it's very insightful, dynamic, and rather authentic sounding. To me high frequencies leave higher marks when well-integrated, unforced, and not drawing attention to themselves compared to a more distinct, "impressive-sounding" nature. The previous ATC's (prior to incorporating their own iteration of tweeters) may not have been the last word in ultimate resolution in these very upper regions, but I felt they completed the whole satisfyingly. Concerning the bass of the ATC's I find the same essentially holds true as with the tweeters: it's well-integrated into the mids, and has an agile, clean, and muscular imprinting. To some ATC speakers may sport a slightly closed-in top end and bordering an anemic bottom section. If it has any bearing to it I find them to be more natural this way compared to a lot else with "perfume" wrapped around it, and it's something that leaves the mids to really shine through that more effectively. It's not only about the midrange, but many factors can detract from the qualities found herein, and prevent a coherent presentation. Hopefully you'll end up being inspired by some of the posts here - only you can decide. |
I have heard and owned many of the higher dynaudio models. Sure their tweeters are nice. When I listened to ATC though it was an ear opener. It remains one of the most natural sounding conventional speaker. You do not feel like dissecting bass and treble when atc is playing. It plays like one driver which is a huge achievement. It is way more dynamic than even the dynaudio confidence series speakers. All this talk about tweeter and bass quality is irrelevant until you hear it. Though it is sealed box it has terrific and authentic low frequency presentation. Not the typical one note boom. And yes PMC though seems to be in the similar game, it actually is not. It is a lot more colored than the ATC. By the way I have moved on now to horn speakers else ATC remains my favourite. |
@Pani: hmm, I'm a bit skeptical about the dynamic you mentioned, apart from speakers material, amp & source also play a role in distortion and dynamic measurement, I'm not sure the statement that ATC speakers is more dynamic than Dynaudio Confidence series, to me they should be only reach the same level if both put their efforts & technology right on. And when you mention about natural sound, I'm thinking that's in a way "coloured" sound, just a matter of taste, another concern I'm not considering ATC is the price point is way out of my budget, especially the ATC SCM19v2 |
Wim1983, are you saying all good speakers have same dynamic expression provided the amplification is equally good ? I am sorry that's not even close to my experience. Effortless dynamics and scale is one of the toughest act to get right. Very few speakers do it. ATC is one of them. And when I said it is very natural sounding, I meant it presents instruments and voices with a very realistic tone and timbre. It is actually one of the least colored speakers around. Just read about it even if you can't audition it. The best studios in the world swear by ATC. If you are not fixated by tweeter quality alone the SCM 19 v1 is just as terrific. I have not even heard the v2. The good thing about this brand is it doesn't categorize sound by the price of the speaker. Every ATC has what makes an ATC great. A basic SCM 7 sounds remarkably close to an SCM 100 albeit at a smaller scale. They don't make inferior speakers deliberately unlike most other brands. When you hear it you will probably get what I have been trying to convey. |
Taters, ATC is not big time into marketing. As a result of that they don't appear on stereophile, TAS, RMAF, CES and the likes. In the UK, Europe and Japan they are extremely well respected, more than Wilson Audio btw. I would suggest instead of asking counter questions or say counter productive questions, please make an effort to audition them some day. |
Taters, ATC is not big time into marketing. As a result of that they don't appear on stereophile, TAS, RMAF, CES and the likes. In the UK, Europe and Japan they are extremely well respected, more than Wilson Audio btw. Well put, Pani. ATC is a brand not catering to marketing mechanisms that would have us believe the wheel is reinvented with every new speaker iteration coming our way. Look at their 75mm "Super Dome" midrange driver introduced almost 40 years ago, by many still regarded as one of the best direct radiating mids ever made, and used/produced essentially unchanged today. In a sense ATC's sonic imprinting can be seen as a natural extension of their non-efforts into marketing: a rather authentic sound that speaks for itself and would have us discover it on those terms, vs. how marketing-driven products would often have us believe something should sound like given this or that particular (branding) trait. |
@Pani: I'm not saying ATC is not dynamic enough, indeed I think it's a speakers that generally consider to be on the top if come to mid range presentation, but the crushing kinda high freq. sound with more air is more of my liking, and I'm not sure ATC is good at that, Dynaudio may not the best for mid range, but the mid clarity of Dynaudio Focus 110 did surprise me, regarding the dynamic testing, I will arrange an audition, I've got some crazy tracks which I believe not many speakers can withstand hehe xD |