The Mozart Flute/Harp Concerto. Mozart clarinet concerto. Mozart also wrote a lot of chamber music for winds. I have always been struck by how beautiful and ingenious Mozart's writing for winds is. His Grand Partita is one of his most famous works for winds. In this piece he uses the Bassett Horn. Its timbre is similar to the clarinet's, but darker and has an extended lower range. Beethoven's string quartets. Bartok's string quartets. Mozart's string quintets. Brahms string sextets are things of beauty. |
A number of critics and many classical music aficionados consider Schubert's String Quintet, Op. 163, D. 956, also known as his Cello Quintet, to be the greatest piece of chamber music ever written. It's certainly among the greatest IMO. Also, if a solo piano work is considered to be within the category that is being asked about, I would suggest Chopin's Piano Sonata No. 3, Op. 58. Regards, -- Al |
With my own ears I heard the great pianist,Arthur Rubenstein, say the Schubert Op 163 Quintet is the greatest piece ever written and that he wanted it played at his funeral. My own personal favorite piece, period, is the Brahms Op 78 Violin Sonata in G major. My favorite recording of same is the Josef Suk/Julius Katchen ,Decca 466 393-2 . |
The Julian (Bream) and John (Williams) guitar duo albums are great (Assad Bros. duo also excellent). Violin/Piano: I like the Prokofiev Sonata #2 (originally flute) and the Saint-Saens Sonata #1. String Quartets: Debussy or Ravel (Guarneri has a fairly recent high-quality LP of the Ravel w/two movements per side). String Quintet: Schubert Quintet in C--give me heaven before I die |
Excellent chamber music performances in superb sound - some specific recommendations among many more: Yarlung 95990-787V - Petteri Iivonen, violin, and Kevin Fitz-Gerald, piano: Music of Ysaye, Debussy, Bach and Lefkowitz - Available from: http://www.yarlungrecords.com/180.html# Yarlung 09261-819V - Ciaramella: Dances On Movable Ground - Renaissance & Baroque dance tunes - Available from: http://www.yarlungrecords.com/180.html# Philips 835393/4 AY - Schubert Piano Trios, Beaux Arts Trio Philips 4769648 - Rossini Sonate a Quattro: Nos. 1-6, Accardo, S.Gazeau, A.Meunier, F.Petracchi Hyperion A66171/A66172/A66173 - The Chamber Music of Malcolm Arnold, Volumes 1, 2 and 3 - Nash Ensemble . |
As Tostadosunidos said above, the John Williams, Julian Bream double album is great and one of my favorites in my entire collection. Beautiful guitar work by two masters of the instrument. Its a live recording on RCA and it puts you right in the recording venue. As your system improves, so does this wondrous recording. Here's what you'd be looking for: http://www.ebay.com/itm/Julian-Bream-John-Williams-Live-DOUBLE-LP-1979-EX-/111690932246?pt=LH_DefaultDomain_3&hash=item1a014c6016 Happy listening ... |
Lots of good suggestions above. I am in agreement that the Schubert D. 956 Quintet is one of the truly great works in the chamber genre (the second movement is devastatingly sad and beautiful). All of the Beethoven quartets, particularly the "late" quartets are also in the "must have" group. All of his other chamber works are terrific. I particularly like his Violin and Piano sonatas (e.g., "Spring" and "Kreutzer"). All of the Haydn quartets are essential too (check out "Hunt" as an example). Ditto for Mozart (check out "Dissonant" for something somewhat strange for this composer). For something unabashedly romantic, Rachmaninov's Sonata for Cello and Piano is a nice treat. Now on to more "modern" stuff that is still quite approachable. One of my all-time favorite pieces is Shostakovich's Piano Trio no. 2. The Beaux Art Trio version is particularly nice, but hard to find except in box collections. I am also a big fan of the chamber works of mid twentieth century British composers: check out the quartets of Britten, Vaughn Williams, Alwyn and Tippett. For American works, check out Amy Beach's chamber works. I like a compilation CD called "Music is Confession" which features the works of Schulhoff, Ullmann, Busch and Kaminski (composers silenced by the Holocaust). Some of the more modern sounding composers that I like might be a bit less approachable, but, I bet most listeners could appreciate the chamber works of composers like Schnittke and Berg. |
Larryi, just read your 6-11 post. Not only do I agree about Schuberts D. 956; I feel just the opening bars are worth the price of admission. As I write I am listening to the effort by the State Borodin Quintet and am too entranced to write more. I am reaching for my brandy as we speak...Cheers to all who feel these enormous musical contributions- and a huge thanks to all who have posted ^<. Pete |
Schubert, Janacek #2 IS a terrific modern piece, and # 1 (Kreutzer) is worth mentioning too. For modern American I would add Carter's Quartet #3 and Ives #2. For another "modern" composer, but, composing more in a late romantic style, Schoenberg's "Verklarte Nacht" is a basic item. I know this is intended to be a basic list, but, can we add mention of obscure or odd-ball items that are worth tracking down? In that context I would throw in Somei Sato's "Birds in Warped Time II." |
+1 Borodin Quartet #2 Schubert Quartet #14 D810 The Andante movement starts out as a death march and changes to different expressive moving moods throughout, the 2nd a lilting sweet violin expressing something lighter, and more hopeful maybe, I've always wondered. Usually a movement stays within a certain context or mood but this one does not, it is really brilliant, never heard anything quite like it as it is so completely unpredictable. Wonder what he was thinking when he wrote it? This piece had such a profound impact on me when I first heard it that doesn't diminish on subsequent listening. |
Think about it Tubegroover, Schubert had written more now acknowledged masterworks by his death at 31 than Beethoven or almost any other composer had by that age. No less a figure than Brahms, who may well have been the most learned of all composers, with the music of 400 years at his fingertips, said Schubert was the greatest composer who ever lived. |
Well Schubert I'm not one for deciding good, better or best of anything, it's more a parlor game than anything BUT Schubert's string quartets are so very special as a genre of music by a single composer that, to me at least, as a body of work they have such a unique special character that can't be decribed or put into words, just an amazing accomplishment for a single human being. His deep sensitivity is keenly projected in his music. He isn't alone but he certainly is quite special in his own unique way. If Brahms say he isn, well I sure wouldn't argue with that! |
Many great suggestions. Glad to see mention of the Nielsen Quintet and of Janacek, one of my favorite composers. Janacek's "Mladi" (Youth) for wind sextet is a gem and highly recommended. Schubert's "The Shepherd On The Rock" for soprano, clarinet and piano is one of my favorite chamber works; as is his "Octet" for winds and strings. Poulenc's "Sextet" for piano and winds is fantastic. Prokofiev's "Sonata" for flute and piano. In a more modern vein (beauty is in the eye/ear of the beholder): Ligeti, "Ten Pieces" for wind quintet. Elliot Carter, "Sonata" for flute, oboe, cello and harpsichord. John Adams, "Road Movies" for violin and piano. |
Frogman, re Janacek, on hope you've played him or looked at scores. I keep trying to spread the gospel on Leos but folk find him too "dissonant" . I hear him as the epitome of that old-time Czech tonality , as far as my amateur ear can tell he writes at both extremes of the staff and through fabulous technique makes the whole seem right down the middle. To me he is sui generis exemplified , ever fascinating . A true musical genius ! |
Schubert, I have been privileged to play several of Janacek's works over the years; most recently "Sinfonietta". "Mladi" was a staple of my woodwind quintet's repertory; with the addition of the bass clarinet, of course. Janacek was one of the most individualistic composers in all of music and while his music is, as you point out, dissonant it always remained tonal and rooted in Romanticism and the folk music of his native Chekoslovakia and of Russia. For me, one of the most fascinating aspects of his music is that he is sometimes referred to as the first Minimalist composer with the use of short repetitive or recurring motifs throughout a composition. Truly a musical giant. |
Frogman, I'm presently enjoying the exquisite tension in the opening movement of Mendelssohns' Octet Op. 20 played by Academy of St. Martin-in-the-Fields with Neville Marriner,Hugh Maquire,Ilona Brown recorded in 1968 ! (I'm playing the Decca 96khz - 24 bit remastered CD 475 7716 which does thee job for me). That Mendelssohn wrote this at 16 astounds me. The passion,intensity, and use of the double quartet at that age is for me a prime example of intense genius. Talk about "feeling it to the bone!" |
Frogman, I am eternally in your debt. "Miladi" was one of the pieces I had read about but never heard. The version I found locally was by Ensemble Walter Boeykens on Harmonia Mundi . Both the group and work are of the highest order, reminding me of that master of masters in Janacek,Rudolf Firkunsy, playing "On an Overgrown Path" with even more color than a solo piano could. I swear Janachek could give even Schubert lessons in dynamic graduation! It took me several minutes to compose myself after "Miladi". I would think it one of those pieces where a knowledgeable classical audience would pause before putting hands together? |
