Anyone have/ordered the Job 225?


There's almost no consumer impressions of this amp on the internet... but the 6moons review is intriguing.
girlsgeneration
For all the high end qualifiers thrown its way, for me its a music lover amp. It is not ultimate high end amp. It runs hotter into 4 ohm, I currently use with 8 ohm. I also found it ran a little hotter with a passive versus active. Overall I prefer with active. A keeper, amazing solid state sound. 
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It's been a bit since anyone has commented in here, but I was wondering if people still have their 225's, and if so, are they still in love with them?

Got my Job 225 and Pre2 in September and loving them. I think folks are still holding on to their Job, hard to find in the used market back when I was looking. 
Kenny is right about the Job being system dependent. The LTA MZ2 did not work well with it, the Decware CSP3 did work well because of the input adjustment. The Job also can occasionally make a big pop sound when it decides to pass a little DC to your speakers.
Most have moved on from the job,I don't think it would be that much more neutral than a F7,could be system dependent though.

You got to remember that the job is a very high gain Amp,10db higher than the average of 26db for most solid state amps.The job pairs best with a passive or low gain preamp.

The benchmark AHB2 is probably a lot more closer to neutral than any other I can think of but is twice the price.

It can of course be system dependent and you didn't list the rest of your system.The F7 is probably the most neutral of all the first watt offerings that I have heard though.


Best of luck to you,

Kenny.
It's been a bit since anyone has commented in here, but I was wondering if people still have their 225's, and if so, are they still in love with them?

I have a Firstwatt F7, and am thinking about getting the Job to take me closer to neutrality. But (unless someone's willing to send me their 225 to evaluate 😀) I'd have to sell or trade my F7 to get it.

So how is everyone feeling about their 225's? 

Thanks guys!
I would want to try the Decware CSP3 preamp with the Job. It has an adjustment for incoming voltage and a volume control for out. Read about it on the Decware website. You can adjust voltage to sound the best or as a Steve Deckert calls it "riding the gain"
Attention GEORGELOFI

I noticed your post...

"And as for a tube amp and the Job not liking each other, it's not that they don't like each other it's the fact that there is too much gain, massive in fact, as Devilboy said way back about the Job "IMO, the 225's specs SCREAM passive"  You be nutz to put a preamp with it that has gain.

Remember what Nelson Pass said, (and he designs and sells active 
preamps.)"


Are you able to confirm exactly which tubed preamp that you were using,  that ultimately did not provide a usable gain-match with the JOB 225 please?  


Importantly, I'd like to understand how much gain that particular tubed preamp had, as I am seriously considering a JOB 225 to use with my own tubed preamp with 12dB of gain.  Appreciated.  


(I use 4-8 ohm dynamic speakers of around 90dB sensitivity...)


To my ears, I have found that all systems benefit from having tubes in the circuit, somewhere in the chain.  Of course, this assumes all other factors - such as impedance and gain matching are well and good.


I look forward to your thoughts...


glory1,274 posts10-02-2016 2:59pmBut is as good as the Positive Feedback Leavy guy says it is? Got one coming on Monday. Running 96db speakers

Congratulations! You'll love it. Please start a new thread when you get it set up.
But is as good as the Positive Feedback Leavy guy says it is? Got one coming on Monday. Running 96db speakers
Joeinid

Did you fancy the EAR 890?

Hi Glory,

Yes, I did. It's a great tube amp. When I bought mine there was a pinched wire that would cut out one channel. Once I got that straightened out, sound was warm (but not too warm) and wonderful, sweet and airy. A friend had to have it so I sold it to him. With the right speaker load (not to tough), it was a wonderful performer. I even had the 868 (?) preamp and that was a nice piece too.

Yes grannyring your output impedance of your pre at up to 1kohm, (which by the way is not far off a 10kohm passive for drivability) should be fine for any poweramp with say 33kohm or higher input impedance.

But you probably have gain in it also, it would be nice if you could configure it to have unity gain, if it stays stable, some opamps can be used as output buffers and are unity gain stable as well as being very low output impedance like 10-20ohms. eg OPA627.


Cheers George  

Yes George, that's precisely what I meant about the "not liking each other"comment. Too much gain.
George read my post above yours and give me your thoughts on the Rothwell. Hard to part with my preamp as it was a three month DIY project. They sound fantastic together. I do want to reduce the hiss and think you are absolutely right about too much gain.

I can also  reduce the gain in my preamp by changing out the plate resistor value I suppose.

Lightspeed is around 10kohm Grannyring, it mimics similar parameters as a 10kohm logarithmic potentiometer. So sources feeding it should be less than <1kohm, as I believe in the >10-1 ratio rule.

And as for a tube amp and the Job not liking each other, it's not that they don't like each other it's the fact that there is too much gain, massive in fact, as Devilboy said way back about the Job "IMO, the 225's specs SCREAM passive"  You be nutz to put a preamp with it that has gain.

Remember what Nelson Pass said, (and he designs and sells active
preamps.)


Nelson Pass,

We’ve got lots of gain in our electronics. More gain than some of us need or want. At least 10 db more.

Think of it this way: If you are running your volume control down around 9 o’clock, you are actually throwing away signal level so that a subsequent gain stage can make it back up.

Routinely DIYers opt to make themselves a “passive preamp” - just an input selector and a volume control.

What could be better? Hardly any noise or distortion added by these simple passive parts. No feedback, no worrying about what type of capacitors – just musical perfection.

And yet there are guys out there who don’t care for the result. “It sucks the life out of the music”, is a commonly heard refrain (really - I’m being serious here!). Maybe they are reacting psychologically to the need to turn the volume control up compared to an active preamp.

  



Cheers George   

I am sure my rig is passive friendly, but I really want to keep my self designed and built tube preamp. The output impedance of my preamp varies with the volume setting. I use a shunt style stepped attenuator made by Khozmo. I measured the output impedance over the volume range I listen to and it changes from 360 ohms to 1k ohms. According to George this may be to high for proper matching with the Rothwell attenuators. 
???
What's the output impedance of your source?
Do you have any music that starts off VERY quiet and then SLOWLY increases in volume? I think it's Arthur Salvatore who calls it the "Bolero test". He connects a source directly into his amplifier and plays Bolero to see if a system can support a passive preamp.
*****BE CAREFUL!!! *****
Obviously volume is wide open here so make sure you stop the music before you do some damage.
I'm guessing your tube preamp and Job don't like each other.
I wonder what the input impedance of the Rothwell devices are as George makes a good point. I believe the input impedance of the LSA is 20k and that is not a good match for the output impedance of my tube preamp. 

I’m sure if you used two of my or any passive pre’s in series the sound would be crap as well without using the Rothwell’s.

I'm sure the Rothwell will be fine on the input of a high input impedance (>47kohm?) poweramp, if the pre before it had a low output impedance of below say <50 or a 100ohms.


Cheers George

@grannyring 
i haven't used the Rothwells personally but have heard that they aren't the last word in transparency.  I can say that the LDR pre in my application was completely transparent, and enabled me to perfectly dial in the amount of attenuation needed, unlike the fixed in line units, such as the Rothwell.

It’s not that the Rothwell’s themselves can "change the sound in not such a great way"

But what the Rothwell’s can do is change the perceived impedance as seen by the previous stage, as then not to have a good impedance match. This can mainly happen with a tube or passive preamps, most solid state preamps should not have this problem

Cheers George

Seems the Rothwells do change the sound in some not so great ways. Great LSA idea. 
Thank you very much srosenberg as this is a mighty fine idea. I was thinking of just using Rothwell attenuators, but they may degrade the sound? I have not used the Rothwells before. I love this little amp. Best value in high end along with the Lightspeed attenuator.
@grannyring...i use an LDR preamp effectively as an attenuator at the Job inputs. the LDR piece is set at a specific level and simply left there. input switching and system gain adjustments in use are still handled by my Modwright preamp. rick schultz made this suggestion when i contacted him to build me a set of his evs ultimate attenuators. works perfectly - DRAMATICALLY reduced the noise floor of my system and enabled me to dial in the system gain such that the VC in my preamp now offers very fine control of overall system gain.

i agree that the 225 is a fantastic sounding amp, but does require some care in implementation for the gain and sensitivity.  once worked out, it's truly excellent.
George, my speaker is 84db and the input impedance on the Job amp is 51k. Amazing sounding amp. I have read that older units had a grounding issue that caused the noises I am having. 
With my volume control at 9 the music is at 80db at 10:30-11 the music plays at 90db or so average weighted C scale. No real noise to speak of until I get to 11AM and then it starts be become loud. If I play my music under 85-90db all is well. If I turn the volume up to 2 or 3 the noise is quite loud through the speakers with no music playing obviously. I hear a moderate buzz combined with loud hissing. The hissing sounds like tube rush, but I hear none of this with all other amps I have paired with my DIY preamp. 

George knows I have owned, modified, and built LDR passive units so I know them well. I also know they would be a great match with this amp. Problem is I  a/b'd my DIY preamp against a Tortuga LDR and my active was just more pleasing. I love George's LDR also. However, this was with a different amp and speakers. It may be time to try that comparison again as things have changed. 

My preamp does not send out a spec of DC as I measured one, twice, and even a third time over a span of time. 

I have written  Goldmund and hope to fix the issue myself. 
I read one if your other posts again. In it, you say the heatsinks get much hotter the louder you go. I'm wondering if the Job might not like seeing an 84db speaker. I find this hard to believe, though.  I've read that the 225 puts out more power than its 125 w/ch spec says.
Again, I doubt it. I'm just trying to think of any possible scenario here.

Granny, I agree with George in that the 225 is very "passive friendly" as long as output impedance of source isn't too high. However, its input impedance is 51K.....not 100K.  Also, most every source has at least 2V output.
What concerns me is the tube preamp. I'm pretty sure Srajean at 6moons said to be very cautious pairing the 225 with a tube preamp. The 225 has no DC protection so any DC leakage goes straight to the speakers!  Not good.
IMO, the 225's specs SCREAM passive. I'm not going to get into the passive vs active debate hear. That's another topic for another thread. 
What puzzles me is at 84db, your speakers are not efficient. I would think you would hear LESS hiss and hum beacause of that. 
That said, I think your active preamp is putting out too much gain for your extremely sensitive, 35db job.
Like I said, im FAR from an expert with this here.  Just my 2 cents.

0.75V sensitivity for full output! With all this gain and 94dB speaker why use a active preamp with gain?? Most sources give out more than 2v these days, even phono stages, and the Job I believe is 100kohm input impedance, all this is a perfect match for a passive pre such as the $49 Schitt Sys

http://schiit.com/products/sys

Then you will not have any hum or noise problems and as a bonus zero colourations that all actives have.

Cheers George

  

How did you bleed off gain at the inputs? Speakers are 84db effecient and my tube preamp I am not sure about. It is not high gain however. 

The top cover is warm, however I am talking about the heat sinks on the back of the amp only. These sinks get very, very hot. 
@grannyring...
what is the sensitivity of your speakers and the gain of the preamp you are using?  this matters much with the job's 35db of gain and 0.75V sensitivity.  i found that i also had a hiss with my 94db speakers and modwright preamp until i bled off quite a bit of gain at the inputs to the job.  after doing so, the noise floor was back to where i expected - ie, no noise whatsoever.

that said, my amp gets warm, but never too hot to rest my hand upon, even after several hours of use, so it's possible there may be more going on with your amp.
Hmm.
Like I said, I'll check tomorrow in the a.m. and post my findings.
At the temp you're describing, it's like it was class A or something.
Understand. The heatsinks are only warm at low volumes, but very, very hot at high volumes. At idle, just warm. 
Well, you DID also say it was a hum, so that's why I suggested grounding issue. 
I could be wrong. I'm nowhere near an expert on this.
Jesus! Sorry to say, but sounds like you have something going on there. 
I never felt the heatsinks, but I'll do it tomorrow morning.
Devil boy, my heat sinks get so hot I cannot keep my hand on them for even a second when I crank the volume. Do you find this to be true? burning hot. 

Thanks. More of a tube rush sound as the hum through the woofers is slight. The tube rush sort of hiss is strange? Hiss is a ground issue? I know a 60hz hum is grounding, but hiss? 

I know the unit is two years old. Perhaps the seller will pay for it. 

This is amp sounds amazing on my Harbeth 40.1 speakers! Wow. 
Hmm.
My 225 was an early unit which had the grounding problem.  Not to worry though. It is an easy fix. I sent my 225 to a place in NYC as instructed by Goldmund/Job. Mine was covered under warranty but since yours is used, you'll obviously have to pay the labor.This is, of course, if you have the same problem.
My 225 did it with the volume turned down though.
I just received a used unit here on the Tom. I hear a lot of hiss and hum out of my speakers and my system has been dead quiet with all the other amps I have owned. Is this hissing noise and hum somethinhpg you guys hear? I hear it at moderate to loud volumes.
There are a couple of guys over on Audio Circle who have paired the 225 with a cryo treated iFi iTube ($300) with a modified to 9vdc Astron SL 11A power supply ($120) with very good results. Astron will do the mod from 12v to 9v for free.
I use the iTube/Astron with a TBI MG3 amp/Astron and like what it does. Hope to take the plunge to a 225 soon.
"I've already traded emails with Chris J. at Parts Connexion, and he expressed willingness to have me send in the Job for evaluation of a further upgrade path. I'm seriously considering doing so, as I don't possess the expertise to tackle such an undertaking myself, and have enough respect for the Job's basic design that I'm disinclined to just "throw darts" to see what sticks. It'd be helpful to me to hear from any other Job owners/fans who have considered these sorts of upgrade and may have arrived at some solid conclusions."

I was thinking about having the speaker terminals replaced until I read the 6 Moons review of the new JOB preamp and the interview with the designer who stated that the stock terminals sounded better than other more expensive ones, so I left well enough alone!

Your best bet to improve the sound would be to go with the Sweetcord or some other high end power cord and an upgraded fuse. Other than that, I would not mess around. It is a great sounding amp! if you are still hankering to improve the sound, wait until later this year and spring for the new mono blocks. You will likely spend less on them than spending your hard earned money on some of the after market upgrades. My 2 cents.
I hear you Audioexcels. Your words speak to me but to each their own of course.

I decided to post the link to the Audio Circle company because they are local to me plus I thought some folks might want to upgrade their Job 225, if funds allowed, to look the part of a high-end amplifier.
No two ears are the same and I think Srajan is out to space. I don't want to bash on the guy, but he's the most artsy fartsy thing I have ever read...it's "very difficult" getting through a sentence without laughing. This said, you could have purchased a used Job amp for a price you can basically sell back and get your money back. You could have done a borrowing of the Modwright KWA-100SE and only pay the shipping to have the amp returned. This would have given you the correct answer as to which amp sounds how it does and it could well have been similar to what Srajan had to say, or completely the opposite, or somewhere in between. Point in case is I know people that have heard both, and prefer the Modwright, so it is to say, after spending what you have been spending on all these mods, you could have had a KWA-100SE from a used sale and not required sending it in since the amp has exceptional caps, transformers, etc. etc. etc.

Back on topic here...why would "anyone" pay $3500 for that link above to the Audio Circle company for a hot rodded "anything" that is out there amp? I just don't get the logic...pay $1500 for an amp, then pay well over 100% of the cost to have it modded to death...just ludicrous really.

I wonder if the dual mono version Job is working on will be a $7K amp by this hot rodding company LOL!!!!

It really makes me question the sanity levels of the audio world when you have a very fine Job 225 amp, and make so many claims about it, yet you need to have it modified??? I "never" see owners of Goldmund/Pass Labs-First Watt/name your amp company of choice...modifying their amps.

Why can't someone just offer a $200 mod for the amp that does the basics. I don't think it costs much more than $200 to achieve 99% of whatever is left to gain from modding it.