How many of you are digital only systems?


I currently have an all digital setup, streaming and stored digital files and ripped CD’s on my Innuos Zen mkIII via Chord Qutest to a PrimaLuna EVO 400i. I have been contemplating adding analog to my system, like a Clearaudio concept table. I am NOT hear to debate which one is better, so please don’t turn it into that, I understand the differences. How many of you are digital only? If you listen to digital as well, please tell me why. Is it because of sonic qualities or just the nostalgic reasons of spinning vinyl. I just don’t know if I want a turntable because it would be new gear to play with or if I think it has sonic qualities that I am missing with digital. I would have to buy new vinyl as I really only have a few of my albums from when I was teenager in the 80’s. Maybe I should just put the money towards upgrading digital components, even though I love my Qutest/Zen combo, I could move up in their line?? Am I missing something truly special in the audio world if I’m all digital? Thanks for your thoughts 
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From very early on, decades ago, I sensed that to pursue an analog front end would likely be superior sonically - at least for a while. However, that would impede pursuit of other aspects of the system, chiefly speakers. You’re only getting ahead in one sense when you dump big bucks on an analog setup, and then have to use severely compromised speakers. I should point out that for a long time, up until perhaps 15 years ago, I was a budget audiophile with quite limited resources for the system. Had I been flush with cash for sound, then perhaps I would think differently, or the outcome would have been different. Note how this difficult choice between front end and the rest of the rig is hardly ever conceded, and analog is given a pass in many respects. I’ll not elucidate that here, but my choice was to not dump major dollars into media.

My two-filter criteria (sound and moral rectitude of lyrics) obviously led to a smaller collection of CDs; after 4 decades plus I only have about 700 discs which are never played, but ripped to server. I estimate that I am able to put together a system approx. 2-3x the MSRP than I would have if I had put much money into vinyl. I would NOT be happy to curate a collection of media that largely sat unused, knowing that the system was severely compromised. Also not discussed is the fact that at least for decades, the time that would have been spent shopping for media was available to me for listening. Would I rather spend my time driving, looking through stacks of albums, or listening? That is an easy choice for me - listening! Thus, I am not a Mediaphile, which is a tangential hobby associated with being an audiophile.

Now, I feel vindicated, as first CD players, then transports and DACs, and now solely streamer/servers and DACs I use/review are giving premium sound. No collection to have allocated alternatively and be disappointed, no collection to worry over as it devalues, and only onward and upward on a steep trajectory for digital sound. Example; I have the Stacatto discrete opamps that I am assessing and will do a follow up article for Dagogo.com. It’s such a strange phenomenon that these confer quite a bit of the character of an analog setup in power supply devices for a DAC! Truly, the line between analog and digital has, imo, become so blurred as to be difficult to distinguish, as show goers can attest. One cannot tell at all when approaching a room whether a tape, album or streaming/file is being played.

To the point of some who have said analog takes some money. About 8-10 years ago I was enticed once again by the Ads in the HiFi magazines to try a turntable setup. I went economical to see if I could get far better sound than digital, and digital has come a long way since. It was a waste of my time. I quickly realized that for me, the playback quality was not terrific with a budget table, and I would have to spend LOTS of money to develop a collection. I repented of my error quickly, and though it cost me a few hundred, I reinforced my lifelong habits to stay with developing the rest of the system with an eye toward variety, especially in speakers.
Variety of systems has been the only thing that has brought unwavering satisfaction as a hobbyist. As great of a front end as can be imagined, I would become bored with only one expression of sound, i.e. only panel, omni, horn, dynamic, line source, hybrid, etc. My money went to speakers, and I have been quite content, and feel vindicated more each day.

I worked my long term plan, the Lord blessed me abundantly by bringing reviewing my way and opening access to knowledge and equipment I never would have reached for if not for the privilege. I am SO happy I do not have shelves of albums to concern myself about, or to wonder what could have been if I had not spent so much on them! Collectors will vehemently disagree, which is expected, as they love the chase, the tactile part of it. But, for those just entering the hobby, do not let "Music Lovers" or other pejorative phrases or attitudes sway you to feel the necessity to do analog. The hobby can be tailored to your tates, and phenomenally satisfying sound can be had if you lock in on your preferences for enjoyment. For me it was variety of systems, and I have been able to achieve that more satisfactorily by a narrower approach to the front end of the system.

As none of this is divinely mandated, nor physical law of the universe, YMMV :)

Plinths & platters & clamps & cartridges......tone arms & phono pre's & cabling oh my! I'm all digital.
About two years ago I gave my LP records, about 400 of them, to a relative and focused on going through my CD and SACD collection (currently about 800 discs) and replacing the dogs with the best available mastering. By now, most of the collection has been ripped. When I rip a disc, I measure and record its dynamic range using TT-DR Offline and check it against the online dynamic range database. I own a streamer but use a Denon DCD-A110 SACD-CD player most of the time.

I took this approach based on the following:

1.) The dynamic range of the best-mastered CD’s and SACD’s is essentially equal to that of the best-mastered vinyl. If the DR of the vinyl release exceeds that of the CD/SACD, it’s seldom more than a point, a difference generally considered to be insignificant. Weaker bass is often associated with slightly better DR. This is a key reason why mid-1980s CD’s tend to sound a little thin but often have better DR than later on--they were mastered to sound like the records they replaced. Records were mastered to fit the RIAA curve, suppressing bass sufficiently to keep the needle from jumping out of the groove, especially nearer the center. The trends in recent years--first the loudness wars, then the shift toward mastering recordings for car stereos and earbuds--have not made it easy to find releases with good DR, but it’s still possible.

2.) SACDs and steady improvements in players closed the sound-quality gap vs. vinyl. Nothing that can be said about jitter or light scatter, which are better managed now than twenty years ago, compares to the problems of the RIAA curve, decreasing sound quality as the needle approaches the center of the record, wow and flutter, or the effects of dust, dirt, and wear on the record and the needle.  YMMV.  To each his own.

3.) More recently, advances in the use of interpolation-based algorithms have dramatically improved playback of redbook CDs. I have owned four SACD/CD players: a Marantz SA-8004, a Denon DCD-A100, a Denon DCD-1600NE, and a Denon DCD-A110. Each new one has been a step up from the previous one. Each of the Denon models I have owned came with a new version of the company’s "AL32 Processing," which smooths the jaggies, so to speak, of 16-bit redbook CDs. These improvements have practically closed the gap with SACD.

My DCD-A110 is mated to a pair of fully-restored solid-state Sansui amplifiers--the AU-717 and BA-F1--from 1979. An AU-919 is undergoing restoration at this time. The combination of latest-model player and retro amps works for me.

I have some pretty nice digital stuff, Marantz hd cd-1, Marantz sa8005, audiolab cdt6000, v90 dac, border patrol dac, grace digital streamer, etc. I like the convenience of it all...however, I have way more vinyl and cassettes than anything digital. There is no way I would ever part from my analog rigs....I find it more enjoyable to play analog formats, and at times, it sounds better to my ears. 6 turntables, 10 cartridges, 3 cassette decks....keeping them all. Heck, I still listen to FM radio...you would be surprised how well it can sound with a good antenna (winegard in attic), a quality radio station, and a good tuner. I own 4 tuners....going all in on digital is way too limiting to me...variety is where it’s at, and it’s fun as all heck to have so many options at my disposal to play music. Plus, having a physical media library that is neatly stored and displayed is cool.
Sold all of my analog about25 years ago and went digital. At the time my analog was mostly McIntosh. I went with Nakamichi and enjoyed it for years. Atsome point I got out of audio and stored all of my cd's till about a year ago and started building another system. I decided to go analog again and added a turntable and began buying some of the vinyl I gave up many years ago. Really love the sound of analog especially my jazz albums.