Streaming is no more of a theft to artists than record labels, or any other middle man between the artist and the consumer
Tom Petty has a line that sums it up when dealing with record labels, I'll get rich you'll get famous
John Fogerty had to fight in court that his solo material sounded too much like CCR and not a violation of a contract that he singed in his early 20s with the CCR label
There are too many Cadillac Record stories to count over the years
On Tidal I get a report each month that shows how much of my subscription was paid out to the artists that I specifically listened to that month
As a consumer I kind of prefer that model, artists are paid for the songs that I listen to not all the songs that are sold to me on a record or CD
Not the filler songs that are rushed and added to get an album to market to meet a contractual deadline, or holiday release schedule, or to support an upcoming tour, not a compilation of greatest greatest hits put out by the record company because the artist is no longer relevant
How many CDs or albums do you only listen to 3 or 4 songs, how many sit in your collection having only be listened to once or twice?
In my collection, while not vast though substantial, it's at least 50%
Once again in this hobby of ours, we all get to be right and there is no wrong answer because it's about personal preferences and each of our own interpretations of what sounds best to the ears and wallet of the beholder
I've rationalized that streaming is the best ROI and price performance route for my playback at this time and I'm enjoying the best SQ that I've reproduced in the 40+ years of building my system and collecting albums and CDs
When the same 40 year old songs sound better than they ever have, does the format matter?
I would submit to you, for the layman listener that 90% of what I'm streaming is the best version of the song that they've ever heard, and not by a small (only stuff dogs can hear) margin
Happy listening and enjoy the journey