Not sure which forum to place this, but since speakers are the most important in the audio chain besides the room, I'll start here. I know most audiophiles including me set live music as the reference to guage reproduced music in their homes. But I've come to the conclusion I enjoy my home system better than most live music. I can count on one hand musical venues that I think absolutely outclasses any system I've heard, but in most cases live music is just sounds bad. Is it just me who feels this way?
The ops premise is "liking" your home system better.
You don't have to think your home system sounds as good as or better than live to like it better than live. People like what they like for whatever reason they like it. Nothing else really matters.
Also live music can be recorded and listened to tbut you are listening to a reproduction, not the real thing.
Studio music can only be listened to on a system. Live versions can simulate but again are artistically interpreted reproductions.
With unamplified music of small combo's, your home system can sound as good as live (in the optimal situation). Large unamplified (symphony) orchestra's will have a problem in your listening room, simply because you don't have the space of a concert hall.
My experience of live amplified music in relatively small clubs is quite different. It's far too loud.... is this a trend or do the guys at the mixing console a bad job ?
I love to see energy on stage and the interaction between musicians. But it often ends in a contest of decibels. In this case, I prefer the sound of my home system !
I always get a chuckle out of audiophiles who think that their systems actually sounds better than real live music. You must not leave your homes and listen to live music very often. Elizabeth makes valid points about smoke, drunks etc, but when it comes to the music itself you simply cannot reproduce live music. I know a person who has invested a quarter million dollars in his audio systems (and even more on a custom room), and his system (one of the top systems in the nation) still doesn't sound like real live music. I go out on a weekly basis and listen to live jazz and/or classical music and there's simply nothing like it. I have a nice stereo system however I would never try and fool myself into thinking that it can reproduce (or replace) live music.
I suppose that there are photographs of the Grand Canyon that could be said to look better than the real thing. You know, the kind of photo where a photographer camped out for six months waiting for "the" moment as opposed to a real life experience on a lousy day. But come-on, to even suggest that a photos are preferable to the real thing, per se, is nuts. Likewise with this thread IMO.
Classical symphonies can sound better live than all but the best home stereos, depending on the hall and where you sit. But often things which should be unamplified, like classical guitar, are run through a p.a., so you do not really hear the beautiful tonality of the instrument. Rock almost never sounds very good at a live event, except in a few smaller venues. Stadium rock always sounds terrible. Mordante is glossing over all the jerks at rock concerts,and standing up for hours at a time, surrounded by drunks (or worse) is no fun. For some reason, people at rock shows seem to think a quiet song is their big chance to talk loudly about trivia, spoiling the show for everyone interested in the music. At least classical fans have the decency to shut up while the music is playing. We go to shows for many reasons, but quality of sound is usually not high on the list.
"I recall reading somewhere that this was one of the (many) factors that dissuaded The Beatles from performing their later material live. There are many recordings that I love which need to be pretty thouroughly reinterpreted for live performance."
That was true at the time. With modern technology however, not so much the case.
I've heard various Beatles cover acts that are able to deliver performances of later Beatles works these days that are designed specifically to sound as much as possible like what is on the records. It is still of course not EXACTLY the same, but as close as you can in a live performance delivered in real time.
There's another dimension, here, especially for pop music.
Some of it is essentially impossible to recreate outside of the studio. I recall reading somewhere that this was one of the (many) factors that dissuaded The Beatles from performing their later material live. There are many recordings that I love which need to be pretty thouroughly reinterpreted for live performance.
Nevertheless, there's nothing like live music in my book. Rock, jazz, folk, blues and - let's not forget - kid's concerts. (That multiple marimba band at McCabe's last year was great fun!)
Elizabeth you are so wrong about the crowds at rock/metal concerts. They are the most friendly easy going people I know. At jazz or classical concerts everyone is so uptight and full of themselves. At a rock concert you can have a friendly chat with almost anyone and share a beer.
I love going to concerts, especially rock or metal. The vibe and atmosphere is just great. If you go to a rock or metal concert just to hear music and see a band play you go for the wrong reasons. You go there to have a nice time. To have a beer talk and get drunk with friends and to see a band play. I want to be entertained when I go to see a band. That is why seated rock or metal shows are a failure and should be avoided; also seated rock/metal shows never happen in Europe thank God.
Some bands like SUN O))) can only be really enjoyed live.
Also live music classical or whatever is a totally different medium from recorded music. Two totally separate entitiesÂ’. I don't want a PA sound at home neither do I want a hifi sound a concert. At the end of the month IÂ’m going to graspop for the 10th time. ItÂ’s a 3 day metal festival with about 200 bands playing.
The best live music I've ever heard at a concert was Pink Floyd at Ohio Stadium 1988.. I was actually outside the stadium (didn't have tickets). We decided to just go down there to be around the event. and the sound was absolutely incredible. Clear, powerful, thundersous, precise. Never heard anything like it before or since. No home system could ever touch the clarity and power of the music that day. But that was an exception for concerts, not the rule.
Forth row center at Symphony Hall (Boston), has been my reference for the past four years. I can tune and tweak my home system, but the BSO live is my reference point.
Sound quality varies tremendously at live concerts, but it varies tremendously on recordings at home, too. Sound quality is only one part of musical enjoyment, though. I appreciate live music and recorded music as related, but separate, artistic expressions. And so I need a lot of both. No matter how good my home system is.
I prefer live concerts for classical music. Here, the Colorado Symphony performs in a hall with sub-par acoustics, but I find even poor halls enhance classical performance. I attend many bluegrass/folk/acoustic music concerts, too because the performers are so good live (headed to Telluride for the bluegrass festival this weekend, as a matter of fact). But I wear ear filters for virtually all live non-classical concerts because they are all TOO LOUD. Live music provides unique enjoyment, and so does my home system. Also, I can turn the home system down!
I listen seriously only to classical music. The worst live sound I've ever heard is light years ahead of the best home-audio system I've ever heard. They are just two entirely different realities.
Never heard an amplified concert at any kind of venue that comes close to my setup in any way. Would be concerned if any PA system or any venue for dozens to thousands could. Close your eyes at those concerts and much of the magic disappears. Can't remember the last non-amplified concert I went to because that's simply not my taste in music.
I am familiar with live sax, which I used to play for years, and many acoustic instruments played in various homes and few audio systems I've known seem to capture the resonance of a violin, much less a grand piano, in those environments. Then again, haven't listened to a recording of the same and can't directly compare to a filtered recording with studio acoustics. A violin from 3 feet away in a small room sounds a lot different than it does from 50' away. Same with speakers.
Jmcgrogan2 and Mapman, my musical preference leans towards classical, small jazz bands, and female vocals, mostly unamplified music. The best sounding halls I've been in is the Boston Symphony Orchestra and a small classical music hall at my university long ago. I've been in Orange County Performing Arts Center (terrible acoustics), Dorothy Chandler Pavillion (OK acoustics), Houston Symphony Orchestra (OK acoustics), etc. I love rock, but forget live rock. It has damaged my ears when I was younger I think. I remember a Japanese heavy metal band called Loudness I went to when I was a teenager. It was so loud I was getting headaches with ear plugs. Never again.
I think many recordings are recorded in good acoustic venues and sound darn good through my home system. So 80-90% of the time I prefer my home system over live music.
I agree with some of you above, I would rather invest in my home system @ music than dealing with all of the other stuff. Having tinitus also plays a roll, I can control my listening environment.
Agreed. But a decent sounding live concert at which the performers are really putting out is a treat which can't be measured against the advantages of home audio. They are different experiences. While my stereo usually sounds, in some ways, better than many live concerts, it does not necessarily provide "life" that one gets from singers or musical instruments at a live concert. Coincidentally, this is the exact subject of the first page in the current Stereophile issue.
Forgot to mention that even paul McCartney concert last year at FedEx Field, DC (football stadium) surprisingly had very good sound, however, I was sitting RIGHT in the sweet spot at ground level between the two speaker columns. That was an unbelievable ticket score and most SWEET!
BTW, Recorded music I have heard during games at M&T bank Stadium (ravens) is darn good sounding. Modern NFL football stadiums seem to have some of the very best large scale SOTA sound systems installed!
I love live performances for the performance, but I can't recall ever being fully satisfied with the sonics - whether it be due to my seat location, the venue acoustics, audience distractions, or the performer's poor mix setting - it's never as good as you'd like, with rare exception. In your home, with carefully engineered source material, you can control those things.
Rock concerts are the most problematic in general.
Still, I have heard several in recent years by major acts that were quite excellent in regards to sound quality:
Yes (with Symphony Orchestra) at Wolftrap in Vienna, Va Porcupine Tree at Rams Head Live The Musical Box also at Rams Head Live Savoy Brown at Rams Head Tavern (Annapolis) The Church at rams Head Tavern (twice in recent years)
On Sunday I saw three local bands and Theory of Flight at Studio Seven in South Seattle. (Unfortunately I got paged and had to leave before Marcy Playground took the stage --grrr!)
Studio Seven is a great venue that can hold up to 750 although I suspect only half that were at Sunday's show. We sat in the balcony and while possibly attributible to the inexpensive beer, I remember thinking that the sound quality was terrific and visceral. No stereo system I have ever heard remotely approaches that sound...
What kind of live music are you listening to? I like to attend regular performances of a local Orchestra, and though my listening preferences are for jazz, blues and rock, nothing sounds better to me than live, unamplified orchestra performance of classical music.
I do like listening to my own system, because I can control the volume and musical selections, which I cannot do at a live performance.
Live music runs the gamut from spot on to very poor.
Lots of factors affect how a live event sounds, including venue, how the production is set up/configured and where you sit in it among others.
Even within a single excellent venue as a whole, I've heard the full range from excellent to poor with different performances and listening from different locations.
The thing with your system is you can control everything except how the source material is recorded. I agree that as a whole, a good home system can be and often is more consistent and rewarding. There are fewer variables out of your control in play.
Having said that, I do not know if the best live events can be reproduced as well on a home system. A good system, can come pretty close though with a good recording.
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