@justmetoo if your friend couldn't get enough bass out of the MC452 there is something seriously wrong. I'm using a MC452 with great results on my Olympica 3s. The O3 will actually play lower than 34hz.
Which Amplifier for Sonus Faber Olympica 3 Speaker
I own a pair of SF Olympica 3 speakers and have narrowed my choices to 2 amplifiers. My tastes lean toward the warmer richer side of the fence. The Hegel 300 or 1 of the LFD amplifiers. On 1 hand the LFD is lower power but quite balanced. The Hegel is approximately the same price but has 250 wats of power plus a built-in DAC. My speakers rquire some power at 90DB efficient but its a 4 ohm load. I have heard the Hegel but with Magico speakers. It sounded good with nice detail and never tipped over the edge. The LFD is playing on my speakers now but drawing comparisons is difficult given different speakers. Any thoughts re these 2 amplifiers is most welcome.
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fortitudefive Hi, $5k for an integrated, look at used Gryphon Diablo 120 or 300 or new Parasound Halo Integrated Hint 6 or even the older Halo Integrated which both have dacs in them. Both of these makes have bi-polar output stages and can come "close" to doing the doubling act down to 2ohms. Cheers George |
I have to agree with George’s take on that issue. A friend if mine has no satisfaction, what ever he tried, driving Olympica III with a 450 watt McIntosh MC452, specifically regarding the bass performance. This by trying all the different taps available, NOTHING would solve that issue. For me it confirms what’s being discussed. He was hankering for the Pass X350.5 power of mine, yet struggled to let his MAC go. He tried Everything, with all sorts of cable and front-end changes, nothing would improve the lack in bass performance. Drove him quite bat’s. I’m sure by now he finally did change to a more suitable amp, as George mentioned, i.e. doubling current delivery down to 2watts. If not that SF delivers just a fine ’book shelf’ performance, a total waste. My 2 cents :) M. 🇿🇦 |
fortitudefive Read what I’ve said and showed here, and the other posts around it I made. You will see that the Prima Luna has no chance of getting the best out of these speakers. https://forum.audiogon.com/posts/683963 Cheers George |
@ppack I had driven Vaugn Cabernet speaker by Lyngdorf 2170 with excellent result. http://www.stereomojo.com/Onix%20XCD-50%20and%20XIA160%20review/XCD-50ReferenceCDPlayerReview.htm SInce I also have Lansche 4.1 and Scaena 3.1, I can sell Vaugn Cabernet speaker at good price, If you are interested, pm me. Thomas |
I used a Rogue Audio Stereo 100 amp for the Olympics III with tremendous success. I fed the Stereo 100 with the Rogue Audio RP-7 also extremely good. I compared this pair at my local dealer with the McIntosh and I liked the Rogue sound better-- more neutral and articulate than the Macs. No issue driving the speakers. Recently I traded the OIympicas for Sonus Faber Amati Traditions. Still enjoying the Stereo 100s. I listen to classical and jazz, no rock and that may make a difference. |
Responding to an old post, but what the heck, I'd love to hear what other's have experienced. I purchased a pair of SF Olympica III in the fall as the price had fallen through the floor having been replaced by the Nova. I was not convinced in the tonal difference, that the $11K I paid for the Olympica III's, whereas two months earlier they were $19K, were somehow less than the $18K current model, Olympica III Nova. I ended up pairing them first, with a Moon 600iV2, and then though their 100% buy back program, with their 700iV2. Neither of these amps is suffering in any regard with respect to driving these speakers. At 4 ohms, the 700iV2 puts out 350 watts per side, more than enough to drive the 3-4 ohm Olympica III's. I'm interested in what the OP found out, and anyone else who was after similar info. |
J have s custom dual mono block Pass Labs F-6 which is 50wpc pure class A and stable into 2 ohms. Do the Math depending how loud you need it Class A will bring a Tom more grip Then a AB amp of 2x the Power. 90db@1 w. Personally 90db at output Is ear damage level and the speaker will use roughly over 30 wpc on driving music. Many people think ,I will need just 1 w to get 90db output. There's a lot more to the equation. These speakers dip fine to about 2.8ohms At their lowest. The model 3 ,is actually slightly more efficient then the 2 . |
Nightfall This is my first Pass amp so I can't compare the .5 vs the .8 series. Mark at Reno HiFi is a good source to consult with. I find nothing lacking in my .8 amp. Better bass than the A21 or Bel Canto REF 1000M monos. SET like mids, huge soundstage, delicate and extended highs. I'm investing in additional power supplies for my pre amps at this time. I think my amp cravings have been satisfied with the Pass X150.8. |
I'm now in the same position as the OP, having just purchased a pair of new Olympica 3's, on a great, year end deal from a dealer that badly needed to move some product. So now I need an amp too. markmendenhall, can you describe a bit more about the sound you got from the X150.08 with your O3's? My understanding is that the Pass 08 series is more dynamic and palpable than the Pass 05 Series, but lacks the richness and fluidity of the 05 series midrange. |
Although the Olympica II looks similar the lack of another bass driver could make it an easier load in the bass compared to the Olympica III. The Lux 590 class A intergrated is a nice amp and it looks like it can push current as well, as from what I've seen it can do 30w into 8ohms and double to 60w into 4ohm and maybe double again into 2ohm. This is the kind of amp that is great for bad loads, like the Olympica III and should sound great up to a given volume level because of it's low wattage. See it's not really about the watts, it the ability to double those watts for each halving of impedance. I think I said it before one of the best amps for doing this is the old 25w (yes only 25w) Mark Leveinson ML2 monoblocks, they can give out big current, as they double watts to 1ohm (200w) http://www.wtconcept.com/levinsonml2/ Cheers George |
That's what I said, out of the two the Hegel is the better option, but now that the test state the speaker is really a 3ohm design and has is a 2.6ohm load for the bass(100hz) and an amp sapping EPDR of 1.7ohms at 81hz Then even this amp though it will sound fine, will most probably not get the best out of this SF Olympica speaker. It sounds like the OP is into intergrateds, these two from a quick look I did would be better options for these speakers, and I dare say there will be many others. Simaudio Moon Evolution 700i Krell FBI integrated Cheers George |
George - the review is useful. Thanks. What has typically made SF hard to drive is not just the impedance but also the phase angle. The Miller report does comment that the phase angle is well controlled, so the speaker may not be as hard to drive as the impedance along would indicate. This would be consistent with the fact that the Cremona M is much easier to drive than the Cremona. And the Olympica is the follow on to the Cremona M. I agree that I would be careful with a lower power amp, but the Miller comments seem to indicate that a monster amp may not be needed to drive the speakers. Unfortunately, I do not know enough about the amps the OP is considering. The Hegel 300 is 250 watts at 8 ohm and 430 at 4 ohm. Does not double down but it may well have high enough current to drive the Olympica. I would not dismiss it, especially given the Miller comments. |
DTC this may be true for the cheaper SF's but doing some more searches reveals the opposite, that the Olypia 3 are really a 3ohm design and has 2.6ohm dip at 103hz. And at 81hz it has an EPDR of just 1.7ohm load to the amp. Sorry but this model is a b***h to drive and needs big amp/s with good current delivery that can nearly double the wattage all the way to 2ohms, "if" you want to hear the best out of these speakers. . Just look at the lab report from Miller Audio Research Labs in the link http://www.absolutesounds.com/pdf/main/press/05:14_SF_OlympicaII_HIFINEWS.pdf Cheers George |
For what it is worth, I enjoy my Concerto Grand Piano speakers paired with an Anthem 225 Integrated. May not be in the same league with other gear mentioned, just an opinion. The GP's have sounded lackluster with some of my gear /cable combos. The Anthem brought out the best as did Morrow SP4 cable. My apologies if my comments were off topic. Kind regards |
George - the older SF were, as you say, notoriously hard to drive due to impedence and phase angle issues. However, the newer designs are typically much less taxing. The Futura graphs look more like the old designs, which may simply mean that they kept some of the old design. Stereophile did review the Venere 2.5 and found it much easier to drive than older, higher end models. That is not surprising since it is meant to be a more entry level offering. I believe part of the design criteria for the Cremona M was to make it easier to drive than the original Cremona. I believe they probably carried over that philosophy to the Olympica design. Since Stereophile has not measured the Olympica 3 it is hard to know how easy or hard it is to drive. But my guess is that it will much easier to drive than the Cremona or Amati Futura that you reference. Venere 2.5 Measurements |
I can't find impedance/ phase graphs on yours but: Typically the Sonus Fabers I've seen the impedance and phase graphs of have been very difficult in the bottom end to drive, even though they are efficient. They have needed amps that can do good current delivery, that is almost double their watts each halving of impedance from 8ohms to 4ohms to 2ohms 100w 200w 400w you get the idea. Here linked are just 2 Sonus Fabers read the first few parragraphs and look at the first graph. http://www.stereophile.com/content/sonus-faber-cremona-loudspeaker-measurements http://www.stereophile.com/content/sonus-faber-amati-futura-loudspeaker-measurements Quickly looking at the two amps you mentioned neither are going to do your speakers justice, the Hegel 300 is probably the better proposition, as it has bi-polar output devices which will try to do the doubling trick. But even it looks a little light on if your Sonus Fabers are anything like the others to drive. Cheers George |