The need for variety and endless search for new details


Humans often crave variety. In our plays, books, hair cuts and even cooking. Reliable is good but there are usually some areas where we simply don’t want the same thing every time. The same dish at the same restaurant every day would sadden most of us. The same hair cut every time for many leaves us depressed. We don’t feel the same excitement the second or third time we leave the salon.

The problem comes in the illusion of new details I often read about audiophile writers chasing, especially in speakers, combining with our desire to hear more and more.

IMHO there are good and bad ways to create more detail. Bad way are to use uneven frequency responses which tickle our ears differently than whatever we were last listening to. "I’m hearing things I’ve never heard before!" is a key phrase. The problem is that it’s not really better, it’s just different. It’s a game of rock,paper, scissors played with large, heavy and expensive objects with explanations easily found in ragged mid and treble responses.

Legitimate ways of creating more detail IMHO are to improve room acoustics and or tailor dispersion to control reflections. This includes horns, planar speakers and wide-baffle speakers (Snell A/III, SF Stradivari, etc.), line sources, D’Appolito configurations, open baffle designs, etc.

I’m not against tone or loudness controls, at all. I’m concerned about fellow enthusiasts chasing an illusory "better" without fully understanding what they are looking for. For some of us, maybe we are better off with multiple amps and speakers we can cycle through rather than replace in order to find long lasting happiness.

erik_squires

You make some great points.

I think detail chasing can be a fools game. Although it may simply be the first stage of pursuing high quality audio, along with slam. In many ways the most obvious characteristics. Once you get lots of detail… and these days it can be gotten pretty cheaply, many folks move on to the the many numerous other characteristics that one needs for a system to sound great. There is a great amount of experience needed to figure out what you want… so some changing is required the get the experience.

For me, knowing what I wanted came from steeping myself in live acoustic music for over ten years and listening to it like an audiophile. Not everyone has the time or interest to do something like that. But for me I don’t want my system to sound different… I worked for decades to get a system that sounded exactly like it does. This by no means is this right for you or anyone else… it’s just me and my personality. There are lots of ways to enjoy this pursuit.

I really like the idea you brought up about variety. In the days when buying an album was a significant investment. I remember times when I would look forward for a week or two to going out and buying an album I wanted. Greater appreciation of the small library you owned could be a driving factor or system change… making the library new. An artifact of music ownership.

Now with virtually unlimited access to music with streaming, I find that I get tremendous variety through new music… in fact I seldom listen to music more than two or three times any more.