Looks like the OP is looking at the big Spendors.
It's the front wall.
Need to be out at least 18" or more from back walls because of the rear port
Tekton Double Impact Review
Thank you for posting a balanced and honest review of the Tektons. I heard them at a local seller's house last year while I was auditioning. I completely agree with your assessment that these speakers can hold their own against any speaker up to $5k. I don't know why others feel the need to engage in hyperbole by comparing them to speakers over $20k. This review provides the level headed, honest, and impactful feedback that Tekton rightfully deserves. Thank you. |
@millercarbon i think this shows that as long as you don’t talk about Tekton and /or Eric as being the lord and savior, then you can have a normal conversation about the speakers. The other topic of a guy looking for $20-$30k speakers and people saying “TEKTON” are the reason for all the drama and issues. They need to stop and just listen to their own music and stop pushing the dogma. The speakers are worth the money, not many speakers are. |
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Thanks for the thorough and honest review. To reiterate what's been said, I think you could do some upgrades to bring you even more enjoyment with the speakers. Of course, I guess this could be said about any of our systems. I think your pre and amp are pretty solid, so I'd leave them alone for the time being. A better DAC and analog front end would be what I would focus on. I assume your turntable comes with the built in phono stage since you didn't mention one. That is your bottleneck in my opinion. But not to stray too far off track. I'm glad you like the speakers and hope you continue to enjoy them. Oz |
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Thanks @jjss49 I appreciate it. You guys might be onto something, I went with the Treasure CV181-Z because they were said to add a bit more in the highs and that's what I needed with the Spatials, forgot about that....... Might try replacing those, even though those were by far the more expensive set of all the tubes I tried! |
op really appreciate the excellent review and writing, it is very balanced and sensical, and its seems the rest of your gear is also well matched to get good sound out of the di’s i heard a set of tekton floor standers once here locally when i considered trying them a few years back, a local seller had a pair and i was able to listen to them reasonably extensively over two sittings, and i came away with many of the same conclusions regarding the very lively, up front, forceful sound, as well as the poor ’waf’ and finish - but to be sure for 2500 bucks for a very decent full range speaker, you certaInly can’t have it all i also support @tvad’s comment re your source or tube choice in the freya potentially adding some harshness - it is an issue for brighter, more ’transparent’ sounding speakers such as these in the lower to middle price ranges... it is can often be challenging for the owner using commensurately priced gear to get a very pure very clean signal fed into the speaker to avoid a sizzly, harsh sound |
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tvad11,166 posts10-14-2021 6:09pmTerrific, thoughtful review. Thank you.Which part of the front end do you think would contribute to the brightness? Surely not my cherry amp, that will be the piece that will stay no matter what speakers I have, by far the best amp I've owned for the money. |
I agree with the positive things you said about the DIs. They are really good. I also agree with the one negative that at high volumes they get harsh, shouty, whatever. It is 90+ db and mine were early versions and there was a crossover change after that apparently. Kept them for prob 2 years which is longer than usual for me. |
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Awesome. Tekton are indeed transparent. Mine are the most transparent speakers I have heard, period. This as you alluded to makes them VERY hard to get a handle on. Because they are so transparent, every single record becomes its own little world or universe. Listen to just one it is easy to go away thinking they are forward, or like you thought too harsh or bright. Put another one on they will be recessed and rolled off. Only after a very long time does it sink in, this is not the speakers. This is the source material. The way they are made and the way they look is a glass half full kind of thing. It would be nice if they were more elegant, beautiful. But then as you say, the money it takes to do that has to come from somewhere. It comes right out of the sound budget. So you can have eye candy or ear candy, never both. Love the way you talk about them disappearing into the room. Everyone here including the women notices this. I think part of it has to do with the array, the way the sound comes from a larger area. But at the same time if you look at your DI, notice the array is flanked by mid-bass drivers. Only the center driver is a true tweeter. The array handles midrange. The mid-bass drivers lower midrange and upper bass. This configuration is in effect a large co-axial driver. In terms of frequency it is a coaxial driver. But a very large one, the sound emanating from a larger area. I think all these things work together, along with superb transient response, to produce that feeling of disappearing into the room. Whatever it is or however it happens I know what you mean, it is remarkable. We had some little monitors here, very expensive ones too, exactly the sort of thing we are all told disappear better than big speakers. Not when the big speakers are Tekton Moab! The Pendragon XL I heard were similar. My guess is so much of the magic comes from the array, DI are even better. Thanks for taking the time to write it up. Thanks for being willing to subject yourself to all that. And now, I hope you bought the Costco size Orville Redenbacher, yer gonna need it! |