I don’t believe that you can go wrong with that purchase. I’m interested in your listening impressions of the Western Electric 300b.
Charles
Original Cary 300B Monos Reliability?
Anyone have long-term experience with the original Cary 300B monos (with the single 6SL7 tube)? I'm looking for feedback regarding reliability. I've read that the engineering choices made in the design should have the amps failing on a regular basis, along with eating tubes.
Outside of a few DIY complaint/discussions, I haven't really seen this brought up as an issue.
I'm not concerned about the sound qualities or speaker compatibility as I have heard the combination before. Just looking to see if any of you have experiences to share regarding technical issues. I realize that these amps are now 28 years old, but they are point to point with basic parts. If the chosen values have worked for years, replacing defective caps/resistors should be straightforward.
Thanks for sharing!
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I’d certainly agree that it’s wise to check with the manufacturer regarding approved and compatible tubes for use in their amplifiers. If for Cary the W.E. 300b is the recommended or safer choice then so be it. By many indications it’s an excellent current production 300b. The EML XLS has been nothing short of truly brilliant in my Coincident SET mono blocks. But surely better safe than sorry. Charles |
I’m listening to "3 tube" Cary monobocks as I type. I run WE 300Bs and they are stunning. The WE tube was what Cary originally supplied in the amps. Your concern about XLS fitment is well taken. I had a pair of KR 300BXLS and they would not physically fit into the chassis; the openings are too small. The KR 300B XLS was offered by Cary as a separate model monoblock in the day, not as an optional tube. I suspect there is a reason and I strongly suggest you check with Steve at Cary before you run XLS tubes based on other’s opinions. As my amps are auto bias, I am more than happy to run Western Electrics since they were OEM. As far as reliability, these are 1999 vintage, had the original tubes until last year and have had no service. Eventually caps will dry out, but I suspect alleged reliability issues may come from people suggesting the use of tubes Cary did not recommend. Equipment can be fussy about which 300B tubes are used. I have a preamp whose maker told me to use Electro Harmonix as supplied, no exceptions and no warranty otherwise. Another integrated of mine with auto bias tried to red plate a set of WE 300Bs, but is perfectly happy with KR tubes. My point is no one cares about the price of a signal tube, but if you are paying $750 per tube, you may want to ask the people who designed, built and service your equipment rather than people who tell you their tube will work "just fine."
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@leahy Hopefully you won't have issues with the Cary monoblocks, While I can't speak to those exact amps, I did run SLM 100 monoblocks back in the day. The Jentzen coupling caps Dennis was using at the time were known to leak, sure that's been addressed in yours. I applied diy repair here. I also had issues with bias circuit, don't recall the exact issue as I sent in for repairs.
As far as running power tubes hard, not all that unusual. Between running higher voltages in the amps and lesser quality of many new tubes, failures happen. I'd stick with the EML XLS or Western Electric 300B's in more difficult amps. |
Charles - I found the information regarding concerns with the Carys running the 300Bs near their limits. It came from the EML web page. They suggested the XLS as a best option for Cary. Those tubes may draw more amperage, so I would check with Cary to confirm that the power supply will have no issue. Might also be a question about the base fitting into the tube cutout (a little on the lean side). I know the WE will fit and be a great tube, but I wouldn't mind paying a bit less. Current preamp is a Croft 25 w/ phono. It's quite good without complaints, but other options might bump things up another notch. Two-Left - thanks for taking the time to reply. I won't go wrong if I get the WE, especially based on your experience. If they last 10-15 years, it will be a great investment!
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@leahy For many years I ran a Cary CAD-301SE (a little-known model) with ProAc Response 2.5’s. I used the first reissue WE300B’s that came out in perhaps the 1990s--not originals, and not the new ones. I found the combination excellent. It didn’t plumb the bass (just as much the ProAc’s "fault" as the Cary’s), but with the midrange it provided it was easy to forgive. Here’s one of the few photos I’ve found of a 301.
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Congratulations with the Cary SET and Finale Audio speaker pairing. I use the Coincident Statement Line stage (101D tubes). You are wise to consider the upper tier quality 300b tube such as Western Electric. I'd also recommend you consider EML XLS and the Elrog 300b as well. There are very good word of mouth reports in regard to the Lanlai Elite 300b tubes. Charles |
Update: somewhat disappointed with the Cary monos/ProAc R2 combo, BUT, my 16 ohm single driver speakers (Finale Audio: Vivace Mini) are an excellent match. I'm missing a little bit of the mid-bass weight from my JBL L112 along with ultimate volume. For most daily listening, these Cary's are just what I was looking for. I am looking to max out the 6SL7 and 300B tube options. I'm thinking new WE 300B ($1,500!!!) and some nice NOS 6SL7 tubes. Any thoughts on these options would be appreciated. Charles, what's your preamp with the Coincidents? |
I do not doubt that your CJ CAV 45 amplifier is serving you very well. However the "reach out and touch " tactile quaility you're seeking is in my experience a true strength of good quality output SET amplification. As good as my previous push pull amplifiers were, my Coincident Frankenstein 300b SET just took this characteristic to an upper level. I'm curious to see how this plays out in your audio system given the inevitable variables and the Spector of component/system synergy. Charles |
Thanks all, for offering your feedback. I understand schematics, but I'm not good at all with the math for circuit design. The discussion centered around too much capacitance after the rectifier, and they also thought the 300B was run quite hard. Many who chimed in "knew" that Cary had made dubious circuit decisions through the years. I was just looking for any real-world issues with former owners of the first iteration of the monos. Charles, I was hoping you would check in. You weighed in on my Cary/ProAc questions a little while back. I have an Audible Illusions M3B lined up to borrow when I get the Carys, so I'll be duplicating a system I heard so many years ago. I really like my CJ CAV45 S2, but I still want a little more of the reach out and touch them midrange that I recall from the Carys. I'm closing in on a deal for a nice original pair with the additional 14 capacitor bank - just have to work out shipping for three boxes $$$. I also acquired a pair of Response 2 speakers, so I'm ready to get this going! Will let you know when things come together. |
Agree with @russ69 , these are very straightforward well designed amplifiers that have successfully withstood the test of time. One of the primary assets of SET is their simpler circuit and relatively low part count. The Cary 300b SET would not have its establhed longevity/reliability it they were built cheaply or poorly implemented. Charles |
I don't really know but Cary has made those amps for a long time and I have never heard anyone say they are problematic. Generally speaking some people have trouble with tube amps and other amps by mismatching and over-driving the product. I don't think they are inherently not reliable. Remember some people drive tubes hard even when they have heard a sonic issue and ignore it. That will stress a lot of amps. Keep an eye on bias and don't try to blow them up and you'll be good. |