Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
I don't know why I'm getting so emotional in my old age?
Better than the other way around...;--)
Well, Miles is no longer with us either, but I am. (former trumpet player)

Cheers

There was nothing more important to Black African Culture than "The Drum".


      https://www.youtube.com/watch?v=0PM6sSXHL3E


    https://www.youtube.com/watch?v=WnAolJHTK3s


I stated "Explicitly and unconditionally" that before slavery, Sub Saharan Africans lived in villages. Villages consisted of 100 people. Each village had it's own rhythms and dances. (dances were also very important)

There were 12 million slaves imported to this hemisphere. 12 million divided by 100 equals 12,000. That means there were 12,000. different rhythms and dances that left the continent of Africa. Just as all of a certain people look alike, all of a certain peoples rhythms sound alike to some people; such is life.

I can distinctly distinguish between the rhythms of "Haiti", the rhythms of Cuba, the rhythms of Brazil, the rhythms of the Caribbean, and the silence of the USA.

If you can not distinguish the differences between those rhythms, it's not my problem; it's yours.
In what would become the USA, they encountered a superior culture, which they were smart enough to recognize as being superior, and were willingly absorbed by it.

In other places, they were left to their own devices, in what were essentially colonies to be exploited, not a country in the making as was the case on the North American land Mass. So they came as Africans, and remained so.

Cheers

When is your next concert Mr. Trumpet man, and have the tickets gone on sale yet?

If I may make a suggestion; I propose we critique the music Pjw mentioned,or any other "new music" that you would like critiqued.
Mr. Trumpet man

Ha, I was going to write the same but was afraid that he might be offended...

I really like "Newen Afrobeat"; they seem to have so much fun making music, I hope they survive Covid-19. It's hard enough for a musical group to survive without Covid-19, it's infinitely harder when you throw that in the mix.
O-10, I can’t know that and my temper tend to push too much. But glad to see it is just the matter of bed sides. :--)
Fortunately, 30 years in the US Military has prepared me for these pin pricks from the peanut gallery.

Cheers

Today is a good day for old school cool blues;


          https://www.youtube.com/watch?v=tnTdGw9jDVI


          https://www.youtube.com/watch?v=VhgUUe5czxc


I knew Sandra, she was one cool chick; even cool chicks get the blues.
In the late 90s, I was in London and hooked up with an old friend.  "Let's go hear jazz at Pizza Express in Soho" she said.  My American superiority complex kicked in, so I scoffed at the concept of decent jazz at such a place.  But of course we went.

Enter Joe Locke on vibes.  Great evening (i.e., American gets another lesson).  Joe Locke and Bobby Hutcherson:

https://www.youtube.com/watch?v=Gzdp2QYMNMM

https://www.youtube.com/watch?v=ZzSAKN3UdTI
@orpheus10 :

Right up your alley in so many ways.  Saw it while watching the French News tonight.

https://www.youtube.com/watch?v=0-l9KGBaG8I

Cheers
Fortunately, 30 years in the US Military has prepared me for these pin pricks from the peanut gallery.
Finally a man who cannot be scared off easily...
Post removed 
Keegiam, that “Old Folks” with Hutcherson and Locke is fantastic. Thanks.

Hutcherson was possibly the greatest ever vibes player and Locke, the young(er) lion. They seem to be having a blast playing together. Beautiful musical interaction between the two. I first heard Joe Locke several years ago when I went to hear Eddie Daniels play at The Iridium. Had never heard Locke and was knocked out.

This was the very band that I heard that night. Having concentrated on the clarinet for the past many years, some forget what a great tenor player Daniels is:

https://youtu.be/kVDo6zU7fbA

https://youtu.be/7iC1PkZYVdU

https://youtu.be/SYnZBrr7CCs

Speaking of Eddie Daniels and Joe Henderson, a young Eddie Daniels holding his own with Joe; not an easy feat.  It was in Thad and Mel’s Orchestra that Eddie started turning heads:

https://youtu.be/WOhaMFY0MvE

That's great, Tow a Way Zone. If I never got my car towed, I am allowed to listen it?
Funny titles never stops to amaze me. A piece about cars being towed, man...

Speaking of odd titles, a minute ago on local radio station

https://m.youtube.com/watch?v=iFq6eZBS1iM

Oh, that's jazz...

Ahmad Jamal is a jazz pianist who is one class act. I saw him when I was staying at the Holiday Inn, on North Shore Drive in Chicago in the mid 80's. He was appearing at "Ricks Cafe", which was located in the hotel. The place was designed to recreate the bar made famous by Humphrey Bogart and Ingrid Bergman in the movie classic "Casablanca."

He was appearing with Frank Gant on Drums, and Othello Molineaux on steelpan. Those are two of the musicians I remember because we had drinks together after the show.

As always, he put on a fantastic performance that was made so unusual by including Othello Molineaux on steel drums. Miles always admired Ahmad, "Play like Ahmad,” Miles Davis would tell his pianist Red Garland in the 1950s."

It was in the mid 50's that I first became aware of Ahmad; I was staying with my cousin who lived two blocks from the Pershing Lounge on the South Side of Chicago. That was about the time he made his most famous album, "Ahmad Jamal At The Pershing" with his unforgettable version of "Poinciana".


      https://www.youtube.com/watch?v=Z0e2G32f3IU


I had followed Ahmad Jamal's music from that time, till seeing him live in the ambiance of a night club that was modeled after "Ricks" club in the movie "Casablanca". it was by far the most memorable evening I can recall, as far as seeing a musician live. Once you enjoy the experience of seeing one of your favorite musicians in a nightclub where you are so close that you can see the changing expressions on the musicians face, there is no way you can relate to that "arena thing" anymore.

After the show Frank and Othello joined me for drinks where we had a long discussion in regard to a jazz musician making a living in the States. Frank told me he had tickets in his pocket for Japan, and it would be tough without fans outside of the US.

Othello was in very high spirits because he had almost stole the show; while Chicago fans had seen Ahmad many times over the years, they had never seen him with a steelpan drummer, and Othello could jam. (Why else would he have been with Ahmad). He was still high from his fantastic reception in Chicago, and said he hoped they would return after Japan.

As a "jazz aficionado" I have so many fantastic memories to reflect on, and they come in handy during this "Covid Lock down".


Speaking of odd titles, a minute ago on local radio station


What year is it, in the People's Republic of Croatia?

Cheers
What year is it, in the People's Republic of Croatia?

I wish I can tell it's the same like in song but currently we are more like somewhere in the period between the 5th and the late 15th century, moving towards Stone Age in our minds...

Frank Gant, Othello Molineaux, and Ahmad Jamal are still with us and performing; that's a relief. It seems that almost all of the jazz musicians that I know are dead; I'm so glad they're alive and well.

It will take forever to bring you up to speed on my Ahmad Jamal collection, but I'll start; one at a time;


        https://www.youtube.com/watch?v=sZ_Op8dP5Iw
Django lives!...on the Adriatic coast.
https://www.youtube.com/watch?v=NEVyUdFBMV0 
You mean Croatia. Lead guitar - Orsan Ridanovic (happens to be my FB friend):

https://m.youtube.com/watch?v=gflyKpeblzc

*jazz connecting people*

Mary_jo, That is so incredible. Any time you were very close to a musician, there is something special about each and every note emanating from your speakers when you hear them.

I'm sure his music keeps you warm on these chilly evenings.

Vince Guaraldi is my go to guy this time of year. I once got stranded in a hotel in LA for Thanksgiving. No matter what you might think about LA as a fun city, it's not the place to be on Thanksgiving; everybody has vanished, especially in downtown LA.

The only thing I had to let me know it was Thanksgiving was some Vince Guaraldi cassettes.


        https://www.youtube.com/watch?v=kQ0XTlof8bc&list=RDndnvgBdPms0&index=2


This is the music I heard at home with family and friends plus a giant turkey, every Thanksgiving, and now it was all I had in a hotel room to let me know it was actually Thanksgiving. To this day I cherish Vince Guaraldi's music over the holidays.
In keeping with probably the most important tenet in Jazz, Bill Frisell plays like no one else. A true original. Isn’t it interesting how his attitude when he speaks is very much like the way he plays? I always get the feeling that there is much more there than meets the eye. Might explain the statue of a screaming Sam Kinison on his desk.

With apology to cat lovers, “there’s more than one way to skin a cat“:

https://youtu.be/WxjE6V8OMfs

https://youtu.be/YTybBPWpJNM


Happy Birthday, Paul Desmond!

A bit of a stretch, but in a way Paul Desmond is kind of like Frisell. Not “swingy” in the usual way and understated with unusual beauty in the sound. On certain days I might say he’s my favorite alto player:

https://youtu.be/eTfEfV917U0

https://youtu.be/DS51jwmqpO4

Worth waiting for:

https://youtu.be/9zDhtEPIFg0
Btw, acman3, I think you’re right. Looks like Basie.  Makes sense; can’t think of a more understated piano player than Basie.

On another “connection”, Jim Hall (Desmond) was one of Frisell’s teachers. Definitely makes sense.