How much am I missing with SL1200 mk2?


Hi everybody,

Hope you are enjoying your Labor Day Weekend.

My system is:

Anthem 225i (using phono pre in rec)
Musical Fidelity A5.5 CD player
Usher CP 6311 speakers
Clean SL mk2 with AT cartridge 120e

How much am I missing with my SL opposed to a $1000-$1500 including cartridge more modern setup like Rega RP3, entry Clearaudio, VPI, etc?

I'm pretty happy with the current setup but have been told I am giving up a lot with the SL.

Your opinions are appreciated, just curious.

Thanks in advance,

Gary
uncledemp
For two or three hundred dollars, you could upgrade your SL1200 to compete with $1500-2000 turntables, and exceed many of them in certain parameters.

The SL1200's strengths are high torque combined with low noise, rugged construction, speed accurcy, and smooth, slick, user-friendly controls.

The high torque combined with low noise provides good dynamics, bass extension, and rhythmic drive.

The cheap'n'easy tweaks include:

1) A better platter mat; Google around and check some recommendations here. The Herbie's Way Excellent mat is a good place to start, and so are some of those leather or hair-oncowhide models.

2) Get a low-cost record grip; you'll get more consistent tonal balance and s/n ratio regardless of record weight.

3) The stock feet look effective but they aren't. An easy and inexpensive solution is a set of Vibrapod Cones set on top of Vibrapod #2 Isolators. You unscrew the stock feet, set the threaded sockets (that used to hold the feet) onto the steel balls of the Vibracones, and then set those on the Vibrapod Isolators.

4) Wrap the tonearm in Teflon (PFTE) plumbers pipe thread tape. It's one or two bucks a roll; you need about 18" of it, tops.

5) Upgrade your headshell to a ZuPreme from LPGear.

6) Place the turntable on a hardwood butcher block style cutting board. Mine is 3-1/2" thick and made of end grain rock maple. You can also put gel pads or more Vibrapods under the cutting board to improve isolation and vibration reduction.

For a bit more money, add the following upgrades:

7) Have KAB rewire your tonearm with at least OFC copper, or get his very reasonable hyperlitz cable, or the Cardas.

8) Get and install the KAB tonearm fluid damper trough. Fill the trough no more than 1/3 full.

I have done all the above except the tonearm rewire because I have an SL1210M5G, which has OFC tonearm wire.

For a sanity check, I visit my high end store's annual open house where I hear state of the art systems including some pretty sophisticated turntables. Across the street from them is a store that carries Pro-Ject, the full Rega line, and Roxsan. So I'm regularly exposed to $2000-10,000 belt-drive turntables. I never come away from these sessions wishing I had a better turntable. In fact, I marvel at how well my 'table does certain things and how well it holds up against the Rega and Roxsan's strengths.

Oh, yeah: the Audio Technica AT150MLX is wicked fast, articulate, musical, extended, quiet, and linear. Great match for your turntable. I've been using mine for seven years.
I don't have any recent experience with a 1200. The last time I used one was as at college radio station 35 years ago.......but I would think that a WTRP would be a good change. You could even get a WTTT or classic at a decent price used. Forget the 103 and go with a 301 mkii when you up grade your phono stage.....or grab a 110 until you have the extra cash for a phono stage and cartridge up grade.
If you insist on a high-output cartridge, try a Goldring Eroica High-Output. You're cartridge is fine if you just want to hear some sound, but if you want to get more out of your system, you're going to have to spring for something much better. But not so much that the arm can't take advantage of it. I think the Goldring would work well. They're good carts.
"I've heard good things about the Denon. However, my built in phono stage is suited best for MM or high output- ruling the 103 out. Correct me if I'm wrong."

Yes. Unless you can bypass the internal phono stage, you'll need to use a MM or a HOMC.

"I'm jealous of you that have shops that are willing to loan gear, etc. I'm surprised it's not the case in my hood. Maybe someday!"

If you live in the US, you can always use The Cable Company. They will send you demo units of anything they carry before you commit to a purchase.
Chayro,

I've heard good things about the Denon. However, my built in phono stage is suited best for MM or high output- ruling the 103 out. Correct me if I'm wrong.

When I upgraded from NOS Shure I noticed a pretty big difference, so I'm not opposed to changing cartridges. I prefer a lively sound, so my current AT cartridge is a good match, for me anyway.

I've considered the KAB Ortofons that basically set themselves up. Anyone here tried any of those cartridges? They appear to be a Concord body with an audiophile stylus.

I'm jealous of you that have shops that are willing to loan gear, etc. I'm surprised it's not the case in my hood. Maybe someday!

Thanks again for the insight/ advice.

Gary
I think you would get a lot more out of your TT if you upgraded the cartridge to a Denon 103. It's a very good match to the Technics arm and it's not too expensive.
Why not spend some bucks on a new cartridge then you can always take it with you when you get a new table later down the road.
I also agree with Zd542, but with that said I do truly believe your SL1200 mk 2 is a better TT then you or others might give it credit for. There are a number of inexpensive tweaks you can perform on it if you wanted to.
If you have not done so, check out the KAB website: http://www.kabusa.com/frameset.htm?/accesss.htm
On the other hand, if you have the desire to purchase something new or different have at it, but I'm not certain there will be improvement within the price range you mention.
Thanks guys, I guess the only way to know is to try it out. The closest brick and mortar dealer is probably 200-300 miles. It may be worth a shot to demo one via an Internet dealer if agree to pay frt, etc.

I was curious what others had to say to see if it motivated me to take the next step.

Thanks for your thoughtful feedback

Garth
Zd542 is dead on.

This is a very solid table not prone to delicacy splashing lots of audiophile terminology about. It is a solid performer with an AT cart. What you are 'missing' is lots of air around the instruments, imaging and a black background. it should have great impact. I know, I've sold the table.

It is a direct-drive table with inherent problems of that design. I know, I owned a very high-end Denon table with a Denon 103 moving coil cart. But perhaps these are not goals and that is okay too. It is a bit of a blunt instrument. But if that is your sound, it is far from a criticism.
Everyone's going to give you a completely different answer. And the motivation's behind the answers will be different, especially since your current TT is pro gear. If you want the right answer, borrow a TT to try in your system or bring your TT to a store where you can try it next to something else.
Thanks, that's good news. I've been a drummer for years, my ears aren't golden. If the difference is minimal I'm not sure I'd notice.

Regards
I had a SLmk5 but I don't think there is any real difference. I also had a Luxman PD131 with Grace 707 Tonearm. These turntables cost the same but the Luxman was more detailed. I used a Ortofon 2M black on both. I changed the tonearm on the Technics to a Jelco 750D, but the Luxman was still clearly more musical and detailed.

I have sold both and now have a Denon DP6000 and a DP80.

You can get very nice TOTL vintage turntables with a cartridge well within your budget that will easily best the Technics.