Have you ever reversed your opinion on a piece of gear?


If so, what pice and what, if you can remember, made you change your mind?

Discuss...
128x128jbhiller
"Have you ever reversed your opinion on a piece of gear?"


Expanded and expounded upon? Yes.

Reversed? No.

About 15 years ago I had given away my Sony CDP something UK tuned CD player and when the planned upgrade didn’t work out I borrowed one from a friend.

This was an an uber cheap Aiwa model that hadn’t seen action in years. It sounded flat and one toned, but it did the job whilst I auditioned potential upgrades on the Sony.

Anyway, I remember being shocked one day about 4 weeks later when it miraculously opened up tonally and became really engaging.

To this day I don’t know what happened. If it was the CD player, then ?
If it was me, then ??

Neural reprogramming? Wow!


Yeah. My Decca (London) Super Gold cartridge. I was actually going to throw it away after mothballing it in 2000. It never worked well on my LP12. Ten years later, I refurbished it and put it on a 401 and love it and would never part with it.

Interesting question.   I think I'd have to answer:  No.

My general assessment of a piece of gear has always remained fairly constant.   Even when it comes to speakers,  if a speaker doesn't have an "it" factor for me very quickly, I never really find it no matter what other set ups or conditions I hear that speaker in.  
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Technics EPC-207C cartridge. Came back to it over twenty years later and realized it was way better than what I had replaced it with because I thought it was crappy the first time around.
As a former dealer, I have reversed my feelings on a piece of gear many times for different reasons.  For example, as I have posted here before, EVERY piece of Nakamichi I sold broke within 2 weeks and had to be sent back for service.  They came back fine, but as a dealer, I had a TON of very unhappy customers, some of whom paid big bucks in the mid-1970's for this gear, and were NOT HAPPY.  That made me NOT HAPPY, so even though the only difference we could hear on an A-B with a direct-to-disc Mayorga record and the NAK 1000 was a slight "hollow" characteristic to the music, I changed my mind about Nakamichi's product quality control, thus the brand.

Other items--someone brought in the Marantz (RIP, Sol) early stuff--7's and 8's and so forth--and it sounded pretty bad compared to the Audio Research stuff of the day.  Doesn't mean I did not like Marantz--I sold a ton of it and it did NOT break--but I was let down by the earlier technology on speakers (Maggies/Fulton 100's) of those days.

As far as having something change as you listened to it over time in the store--weeks or months in some cases--sure, some characteristics and idiosyncrasies reared up in pretty much every component.  We had to decide if they were positive or negative and make decisions on the future from those impressions.  For example, BOth Crown (400) and Phase Linear (400 and 700) amps were very sensitive to load, sounded very "trebbely" and strident on some music, but were very powerful amps in those days.)  Sherwood used to make very nice tuners and receivers that never broke, Mc stuff was not very good regarding sound or dependability compared to some other high-end brands--Audio Research, Bryston, etc.

When a manufacturer was hard to deal with and gave me hard time, I would drop them, so I may have made a product decision based on BUSINESS rather than sound, and deleted these brands from my inventory. When you came to shop, you might ask where that brand's stuff was, and I would tell you.

It is a tough business, and even more so today when no one wants a good sound system any more.  My 23-year-old daughter will not even let me set up something in her apartment; they are fine with whatever they hear on whatever devices they use today.  Glad I am not doing that for a living any more!
Every new cable I've ever installed before it burns in....always freaks me out how congested and edgy they sound until 200 - 300 hour mark..I ALWAYS think it was a mistake until they burn in :)  
Yes, one piece of gear is notable.  The KEF LS50's, which are much heralded.  I had them for a month and could not stand them in my system.  They sounded harsh and my 175 wpc Plinius amp struggled to drive them.  I was happy to see them arrive and much happier to see them leave.  They were by far the most disappointing audio gear I have ever encountered, other than the silly uber expensive fuses I have demo'd... and sent back.  Just my take.    

I listen to records via an Ikeda 'Kai' mounted in on an Ikeda 'IT CR 407' tonearm on a substantial 40 kg turntable. I buy lots of second-hand vinyl and wanted a 'cheap' pickup to use for sorting out what records are playable and what are rubbish. After reading a review In Stereophile, I bought a 'cheap' Denon DL103 and a 'Musikraft' alloy body to mount the denuded Denon In. Anyway, the Denon sounded 'crap' and mistracked on records that my 'Kai' played, no problem. Very disappointing and a waste of money. I loaned it to a friend who used it for maybe 50-70 hours whilst he waited for his new pickup to arrive. Refitting the Denon into a spare headshell and giving it a whirl on some newly acquired vinyl, I had quite a shock. The mistracking was gone and the Denon now sounded Way better than any $250 pickup had a right to! I re read the review and, sure enough, the author said to give the 103 around 100 hours to breakin. The looks on friends faces when I tell them that the pickup making those amazing sounds cost me hundreds of $, not thousands, are priceless! 





I was about to sell my Martin Logan 13a (they sounded muddled, lacked definition) when I decided to play with the rake (tilt). I adjusted the spikes eliminating the rake. They now sound entirely different for the better. Definitely keepers. 
Absolutely. After being an audiophile since the 70s, I was about to sell my then-current system a couple of years ago because it sounded so "bad". By chance, I ordered Jim Smith's book Get Better Sound, followed all his setup advice, and installed acoustic treatment on all four walls and the ceiling, and placed a heavy rug on the wood floor. Amazing results. Been in love with the sound ever since. 

Tom