So do I!
Do Interconnects need to "warm up"?
My system is left on most of the time and sometimes on standby. I noticed that when I first start to listen the sound is a bit bright. All of my IC's are balanced and single ended Silver Streaks, the components are Krell. It seems to take almost a half hour before the system seems to calm down where it then sounds smooth and sweet. So I was wondering, is it possible that IC's may need to warm up as some equipment does - your thoughts? Thanks!
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Blkadr (Black Adder perhaps) brings up a point which I reject, at least in part. Audiophilia is terminology used to explain those of us who care ALOT about our HiFi systems and their capabilities to re-create musical events well enough for us to suspend belief. We experiment and choose what we find works best, without being overly biased as to any particular pursuits predilection for failure. In other words, the proof is in the puddin' my dear fellows. Those on the other side of the coin, who have pre-determinations already formed as to the efficacy of any particular avenue of audio enhancement, are the blindly religious zealots. We audiophiles are not necessarily religious.....just passionate for the advancement of the auditory arts! |
Wolf_garcia, Spacial Coherence tried to do this with their linestage which took a very long time to settle down. It didn't work. I would not use the phase, warm up, but when you disconnect cables or move them around, they definitely require some time, perhaps an hour to settle down. This really means that you need to A-B-A comparisons for cables to assure that cable A isn't advantaged. Or do long term A-B comparisons. |
Well mister "Ted Denney III"...prior to a show you should rent a truck, put the entire entire system in it powered with a generator, drive it fired up all the way to the audio show, carry the whole damn thing in there while it's still running, and then quickly switch the AC to the room power. Then you'd get some respect! Yours as a musician, Wolfgang Amadeus Garcia, Esq. Phd BFD WTF Unleaded Designer, Wolfdroppings Music Inc. ASCAP BMI WWF |
Prior to doing a show (CES, RMAF, T.H.E. Show Newport, ect) we get the system together we are going to use for the venue and set it up at our factory at least ONE MONTH prior to the show and leave it on repeat 24/7 while changing the material on a daily basis. Then we ship all components, speakers and cables to the venue for set up. The first day we just get everything in place and put the system on repeat. It always sounds dark muddy and closed in and we don't sweat it. The next day the system has opened up dramatically and this is when I begin to fine tune speaker placement and then acoustics. Then with each successive day the system sounds better and better until the last day when it always sounds its best. System warm up, cable warm up it's all the same. Biased cables like my Actively Shielded cables suffer less but all cables / components / speaker sound better when they are used on a regular basis. Yours in music, Ted Denney III Lead Designer, Synergistic Research Inc. |
I read someplace that Eric Johnson claims to sense different tonal characteristics in his guitar sound when comparing various brands of 9 volt batteries in his effects boxes. So there. And, interestingly, since I'm not actually wiring up all these batteries to the cables, I can use any battery I want...they can even be dead and thus require NO break-in...I'm cramming little fake wire leads under the cable plug casings to lend an air of legitimacy to the whole thing. I really think the sound has improved. |
That's the ticket! Yeah, batteries...I have some special audiohile edition batteries for sale designed by Professor Lipschitz from We Hosem Inc. Correction, I of course meant to say there are "none better" than the MIT PC's for non digital applicaions IMHO:O) FYI, I found only a 29% increae in efficacy in the AQ balanced cables after a couple weeks, but it did improve to 35% by week 3! Of course I used a special automated tube based measuring device with zircon encrusted contacts for minimal experimental error. It's always in the details...let me know about the batteries. |
No to the battery DIY thing...you need an Anode and a Cathode wire for each one running inside the cable bundle. It expediates the dielectric warm up/breakin effect. In other words, the cable is always ready to go full throttle with no warm up or lengthy breakin process. They still need about 48hrs bur in however, despite what they say. The PC's are superb for digital gear, but for all other applications there is one better than MIT...experience and tons of cash went into my decision so don't even start!! |
"AQ has an entire technology based on cables staying "warmed up" (DBS) from batteries (at least I think that's what they do)...I like it! I don't own any...but hey...I STILL like it! " Yes, I have a pair of these. I like them too. I have never been able to attribute any identifiable sound difference to the DBS devices, but I still like the way the wires sound and the DBS gadget in theory at least. Where's Rod Serling when you need him............... |
I suspect AF is correct. My technical gut instincts (which usually serve me pretty well) and personal experimentation with ICs tell me that what matters is the physical configuration of the IC, its impedance characteristics within teh system it exists in, its ability to transmit all frequencies in phase and ability to shield/protect against external EM fields when needed that mostly matters. USe of exotic materials just ups the cost and snob appeal perhaps but probably is not a major factor in sound. Just my technical gut assessment. VEry little relating to ICs is proven in the usual scientific sense. |
I could have you audition 10 cables of various compositions and you wouldn't have a clue if they were copper, silver, gold, or a combination. No way, no how. But nobody else could either. The conductor material plays a very minute part in the sonic signature. With more experience you'll understand this. |
Copper vs Silver is akin to listening to a performance at the BSO vs The New York Philharmonic (at the original Avery Fisher Hall). One is gloriously musical, while the latter was hard, bright and cold sounding. Metals have a sound. Pure silver cables add too much of that sound for my taste. I've heard some silver fuses and hybrid cable designs that are musical. |
Audiofeil - I would take what Dave_b to mean that silver is not the most musical conductor material all other things being equal. While this may be a difficult claim to make since it's unlikely to find identical cables, your response about geometry, purity and deilectrics have nothing to do with a claim about a material choice being superior. What is your experience with, say, silver vs. copper conductors? |
Oh Wolf you crack me up. I try to describe my system to some of my party guests and they look at me like I'm crazy. They are either bored or thinking why didn't I just buy something from Bose to keep it simple. I pretty much listen to the same kind music all the time and don't have different kinds/genres of music so I think I often am not working out my speakers enough in the other frequency ranges so I got the Isotek System Refresher Disk to make sure I'm covered. (I can picture you all laughing at me now) Here is a link about it if you want to know more info. http://www.6moons.com/audioreviews/isotek/cd.html |