Classical Music for Aficionados


I would like to start a thread, similar to Orpheus’ jazz site, for lovers of classical music.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
  Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.

I’ll start with a list of CDs.  Records to follow in a later post.

Berlioz: Symphonie Fantastique.  Chesky  — Royal Phil. Orch.  Freccia, conductor.
Mahler:  Des Knaben Wunderhorn.  Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev:  Scythian Suite et. al.  DG  — Chicago Symphony  Abbado, conductor.
Brahms: Symphony #1.  Chesky — London Symph. Orch.  Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova.  Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.

All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.


128x128rvpiano
Listening to Munch conducting Berlioz Requiem.BSO (i think), best orchestra I have ever heard live.
One of the best American choirs singing one of the best Scottish songs . Sublime !
https://youtu.be/9PTZG2cHM5g?t=2

(Vaughan Williams Arr.)
Jcazador

I heard Ormandy conduct the Philadelphians in the Berlioz Requiem
in Ann Arbor in the late seventies.  I was unfamiliar with the piece.  My seat was in the balcony and boy was I surprised when the guys sitting two rows in front of me dressed in tuxedos took out their horns and proceeded to blow the roof off the place!
Mahler, what a nice surprise!
I heard Philadelphia Orchestra once, in Philadelphia, Thanksgiving concert, 1960.  Tchaikovsky violin concerto was part of the program, featuring Nathan Milstein.In the last movement, Milstein's bow began shedding, and whenever he had a second, he would reach over with his left hand and strip the loose ends.  The first violinist stood next to him and offered his bow, Milstein rejected the offer and proceeded.  When the piece ended, the crowd erupted in applause, and Milstein was so excited that he reached up to Ormandy (on his pedestal) and nearly dragged him over, as Ormandy was somewhat impaired (hips? maybe).  The crowd gasped, and then resumed applause.Remember it like yesterday, that was 60 years ago.
@schubert
Len , I listened to the choir and yes it was a very refined and smooth sound. Brings back a whole lot of memories when my sister used to sing in the Arran choir back in the sixties and I used to go to their rehersals.

@jcazador     Jeremy i used to love Nathan Milstein and back when I used vinyl I had the main violin concertos and the Bach Sonatas and Partitas and I just loved him. You are talking about the Tchaikovsky Violin Concerto and the last time I heard it in person was up in Glasgow and it was going to be Ida Haendel playing it. Unfortunately Haendel was ill that night and she was going to be replaced by someone called Nigel Kennedy. Well we sat back and out rolled this little boy to play this tiger of a concerto and all we knew about him at the time was he was a student at the Menuhin School. He dully launched into the work and astonished us with his prowess for a boy he was certainly some player. I am really saddened by what has happened to him over the years because it seems that he squandered his talent but I suppose that is what burnout does to us no matter what you are good at. So sad.
Konstantin Scherbakov
Been listening to his Shostakovich preludes, Liszt and Lyapunov Transcendental Etudes, and now his Rachmaninov, mostly especially the
Morceaux de fantaisie (5), for piano, Op. 3
and
Variations on a Theme of Chopin, for piano, Op. 22 .
As good as it gets.
Here is a review (or two):
https://www.amazon.com/Rachmaninov-Sonata-Variations-Morceaux-Fantaisie/dp/B06Y18QWFY


The Russians always say it takes a Russian to play Russian music .
After hearing this small but great masterpiece of Rachmaninoff I am
inclined to agree .


https://youtu.be/XfDreatXYeU
I heard Milstein in recital months before he died, in Chicago.  The outstanding memory is of hom playing the Bach Second Partita (the one with the great Chaconne), simply staggering playing, particularly for an Octagenarian.  After he died many CDs were issued on labels such as Doremi of live Milstein concerts through the years, and that Bach Partita was a staple of through the years, so it must have been firmly in his fingers until the end.
   Milstein DG set of the complete Bach Sonatas and Partitas is still my favorites.
Same here , Milstein was my favorite for many years .Still listen to the 30 or so LP.s I have .
Julia Fisher is my leader of the pack these days .
@schubert         Len I share your views on Julia Fischer She shares a triumvirate I think with Maxim Vengerov and Leonidas Kavakos and I think those three reign supreme at the moment. Kavakos at the moment has a recording on Idagio of him playing and directing the Beethoven Violin Concerto and at times the playing verges on the impossible with tempos and his control of the orchestra . Have you heard his playing of the Sibelius Violin Concerto in the original manuscript and the revised one, no wonder Sibelius revised it, it must have been the very devil to get your fingers round it. And Julia Fischer who as well as beautiful playing is quite a beauty herself , the Bach unacompanied sonatas and partitas will be at the very top of the pile for quite a time. She is also nearly as good a pianist as she is a fiddler.
A great case for "less is more" from the most popular classical composer alive .Spiegel

It may sound easy but it is very difficult to play .
https://youtu.be/FZe3mXlnfNc?t=4
No, I haven’t heard him on either Sibelius Jim. Will get after him on that and LvB .
Been on a Part , Byrd and Du Fay binge lately .
I've always liked Part , but never knew he had a piece with a Scottish tinge .
Takes a few  listens to get it  IMO .
https://youtu.be/x3Y77YHGakQ?t=3
I hi haven’t heard any Julia Fisher recordings since she left Pentatone, but I have all those recordings and play them in MC constantly.  I also got to see her live at the Aspen Music festival back when she was making those Pentatone records, once playing the Brahms Concerto and once in a Mendelssohn Tirol with Muller-Schott and damned if I can remember Pianist now...anyway, in concert she sounds a lot more electric than in the studio 
Schubert
Wow, thanks.  I am on a search for a flac version of this piece.So beautiful.
Story about music and unwell child:
When my son (now 6.5, 210 lbs) was very young, he had terrible earaches, agony.  We watched.  Finally I got out my stand up bass and played really simple tunes, and the sound penetrated his body, and after awhile he stopped struggling, stopped crying, began listening, and finally fell asleep.  This happened many times until he finally "outgrew" the problem.  Some medication helped too.
God didn’t give us music just to entertain us , it can cure our body and soul as well . Many hospitals now play Mozart in the child rooms .

Part can stand with the best of religious composers of any age .

Your story makes my day , so glad to hear it jcazador !

Schubert,

Thanks so much for sending this to me.
It indeed is a distinguished performance!
One of  the very few pieces written in the second half of his life.
Makes one wistful for what could have been.
@schubert     Definitely my most favourite symphonic piece by Rachmaninov, these pieces are so dynamic ,colourful and vibrant.
Arvo Part
Wiki says he is the most popular living composer in the world!
Downloaded a dozen cds, listened all night.
Lots to love, including horns that rival Wagner.

Thanks again Schubert
rv, not exactly classical  but whats you take on  the little lady on the machine
gun , aaah piano ?
https://youtu.be/1rxYw7Y45Eo?t=3
Great piece twoleftears . I’ll watch for Tabakova !
IMO what you hear is the depth of the Orthodox Church, the oldest branch of Christianity .(no, Rome is not)
I’m Anglican myself but have been to many Orthodox services .

I can honestly say that if you haven’t been to a four hour ,standing up, Orthodox Easter Service you haven’t been to Church . Were I younger I would be Orthodox .
                                                                         Here is what she would have heard as does Part ..
https://youtu.be/o81A31hlgEA?t=2
Schubert,

Wow!
Fabulous piano playing!
I really like the music too.
Hiromi is a name I have to remember.
Also, my system never sounded so good!
She is usually stuck in as a jazz player . IMO she is beyond genre and is just a very creative musician of the highest order. She writes much of
her stuff and doesn’t have a phony bone in her body .

Check her on this !                    https://youtu.be/rCp3qGzkxig?t=3
I'm chiming in with a few of my favourite recordings:

Mahler Orchesterlieder, Montreal/Nagano/Gerhaher

Mahler 5, Berlin/Rattle

Mahler 9, Berlin/Abbado

Shostakovich 5, Berlin/Bychkov

Beethoven Piano Trios--du Pré/Barenboim/Zukerman

Schubert Die Schöne Müllerin, Wunderlich/Giesen

It's too late for me to go vinyl.  I have these and many others on CD.  I get them used for 2-6$ a pop at a wonderful place in Montreal.
I'm also a Schutz lover. Once you get someone who listens to choral to hear him, they're converted.
Though not nearly as popular as the big four or five, Mendelssohn string quartets are very fine.The same could be said of the Sibelius quartets
I attended a very interesting concert last night in a local venue with a not very sophisticated audience.
Royal Philharmonic, Wigglesworth conducting.
Soloist was Khatia Buniatishvili, one of my favorite pianists playing Liszt’s 2nd Piano Concerto, my least favorite concerto in the literature. {That’s the nicest thing I can say about it.) She was brilliant, as was expected. Audience barely applauded enough for her to squeeze out one encore (a ravishingly played Schubert impromptu.)
Second half of the program was Rachmaninoff’s 2nd Symphony, in my opinion (possibly aside from Mahler’s,) undoubtably the greatest 20th Century symphony.
Performance  of the great work was so-so, but to my great surprise, the audience who inappropriately clapped after each movement, was wild with enthusiasm at the end, eliciting several returns to the stage by the conductor.The spontaneous reaction of this audience to Rachmaninoff brought tears to my eyes.

Mompou  "Complete Piano Works"
it is Mompou himself playing piano!
a sensitive delight

Simple rv, people who are raised on rock like noise , the louder the better.Thrill yes , refined solo no .
Glad Ragland that you enjoyed the Concert, RVW.  I share your lack of enthusiasm for the Liszt Concerto but fail to have more than a middling interest in the Rachmaninoff Second Symphony.  Nice clarinet solo in the slow movement, rocket theme in the start of the scherzo, otherwise not my cup of borscht.  Ymmv
Schubert,

I’d like to think that the universality of Rachmaninoff’s music moved the audience,
but you might be right.
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Although, there were more canes and walkers at the concert than I could count!
I'm afraid the canes and walkers are commonplace at all classical concerts now. I hate to think what will become of our music when our generation dies out.
I have seen significant young classical fans in an audience in only two places , Tokyo and Budapest .  In Hungary were at least half the audience .
We have two world-class symphonies here in Twin Cities , average age
at concerts  is well over 70 .Seats are full but that is drawing from a population of 4 million .
I've been in Cleveland twice in the last decade for Cleveland Orchestra concerts.  Both times I was amazed at how many young people there were.   Seemed like 40-50% looked to be in their 30s or 40s.  Elsewhere, mostly late 60's and older.