Class D amps aren't necessarily small, and/or at least not lightweight.
My Hypex amps I built have (1) 500va toroidal transformer per side, all Neotech solid core wiring, upgraded IEC, RCAs and binding posts. They are not light. And to answer the question above, my amps took hundreds of hours of PLAYING time to really shine.
I agree with Ciphercomplete. My amps sound nothing like how a number of professional reviewers have described them. I think their criticism is primarily snob appeal and protection of the well-established, high-end amp manufacturers who are clearly threatened by more efficient and cost effective technology. I can afford virtually any amp I want, but so far, I have not been tempted to purchase any other amps.
Hypex amps are the best I have had in my system (only after lots of hours) and Hypex has also announced a new amplifier, NCore, which they contend will meet or exceed the SQ of any SS amplifier technology available at any price. Time will tell whether this is simply marketing or if Bruno Putzey, has indeed, pushed the envelope on Class D.
As in everything implementation can mean success or not. Generally speaking, Class D amps have small size and little heat relative to the power they produce. Again, generally speaking, it is difficult to produce a very refined Class D amp that can compete in the higher echelons of Audiophiledom because of of their difficulty in the mids and high end of the audio spectrum. Vandersteen uses Class D amps to drive only the lows thus eliminating the problems and taking advantage of the benefits of Class D amplification. I believe there are many Class D amps that are incorporated to drive subs.
Eric... thanks for posting that!! I have been debating on jumping on the class D bandwagon in the next few weeks & have been wondering how to break it in. So what's the verdict, just having the amp on or does in need music/noise through it?
Kinda funny... I have old Adcom car audio amps & the local audio shop (getting ready to do a install again, Morel sub - Hertz mille components & Adcom) & the shop wants me to go the class D route (JL HD's) in place of my old adcom stuff which I just can's get myself to do. Looking for a new/used amp to power my main home speakers.... & class D is at the top of my list. I am leaning towards the wyred 1000w amp. Threads like this help me make my decision.....
Mapman, Thanks for saying what I meant to say. Reading your posts and the post of a few others here on A'gon is what convinced me to get over my fears of trying Class D and I am glad I did. After hearing nearly 10 different amps in my system I have nipped the upgrade bug with these new amps.
I think its funny that to my ears class D sounds nothing like what its naysayers claim. It has really turned me off to so called professional reviews. The best thing to do is just hear the equipment for yourself.
No one has mentioned the Kharma MP150s which (admittedly awhile ago) won Absolute Sounds shoot out of class D amps. I have a tubed Cd player with volume control (EAR Acute) driving the Kharmas directly. It is absolutely wonderful sound -- the best I have been able to produce in my system in over fifteen years of effort. I also very much liked a number of the Bel Canto amps previously mentioned. I have had better results with system building using Class D than any other kind of amps, and I have tried quite a few including some pricey ones.
Fidler, I'm familiar with Hypex modules. Hypex kits were very nice with low inductance slit foil electrolytic caps and big satisfaction of building it yourself.
I agree. My Hypex UCD400HG with H x R monoblocks I built took well over 400 to bloom. More like 600-700 hrs. Until that point they were okay, somewhat flat and lacking air.
Now they ere phenomenally 3D, tons of air, huge soundstage and incredibly detailed. Best amps I have owned.
Magfan, I remember IR but there are many others. The list is old.
As for rudeness, it would be very rude of me to ask on this forum if TT or tubes still exist, displaying total ignorance, especially when information is on the cover of most audio magazines and internet. One would have to make serious effort to avoid knowing that.
My Rowland 102 comes from the first generation and sounds incredible. As I understand it, there is very little difference between two generations and the reason for "big improvement" is to make easier for some people, including well known audio critics, to remove foot from the mouth.
Break in takes very long with class D and my amp started sounding much better (smoother, more refined) after 400 hours. The issue is not if class D amps are the best but rather if they are good for the money. Not too many amps around $1500 have such immediacy, transparency, smooth highs, liquid mids, and iron fist controlled lows as my 200W Rowland 102 - smallest of the Rowland family.
It is very simple in concept and offers a very high efficiency but has proved to be quite difficult to implement without running into problems more conventional amps don't face. Which is why amps which should theoretically be small and cheap end up as big and expensive as conventional amps. As you can see from the above comments opinion on the sound quality is really divided.
I may be the only other "gal" lurking around here apart from Elizabeth and I'm pretty darn nice! LOL!
Actually the question posed by the OP is of interest to me as I have the Wyred for Sound dec 2 and when my old Classe gives up the ghost, the Wyred integrated amp would be of interest. When I first began reading about amps and such years ago, no one ever spoke of Class D so I'm still a bit foggy about what it means, some of these posts have been clarifying.
Kij, Add to your list 'International Rectifier'. I have one of 'em out in the garage needing a power supply......it is one of the development boards given or sold to people contemplating using them in OEM applications.
Some of you guys (gals maybe-not you Elizabeth, you're cool) need to learn to be nice. I'll bet you'd have better manners if Nordic587 asked you face-to-face. Jeez.
I've been a music lover and hifi hobbyist for almost four decades and it still seems like there are sharks lurking to pounce on my posts sometimes. I'm a big strong guy and I could probably kick your butt.
New to Audiogon since April 2010 isn't new. And the initial post was not as much a question as a statement that was not true.
I would be more tolerant of an innocent question compared to an inaccurate statement. There is already too much misinformation and repetition on this site.
Please don't let the rudeness exhibited in some posts scare you away from the forums...plenty of good folks here willing to help. I don't use D-amps but I have a friend who replaced his older VTL tube amps with a great pair of D-amps he created from a kit (I think audiocircle.com has a fan site) and I gotta admit they give the VTL's a run for their money and certainly beat them in terms of speed and dynamics. Given the kits were sub $500, I think we'll see more great D-amps to come. I tried the Bel Canto M1000's but they were a bad match for my system.
No reason to beat up Nordic, we should welcome newcomers to the forum. Two comments on postings so far:
(1) Class "T" is really a class "D" amp. Tripath was one manufacturer of chips for the technology, and ARC called their amp a class "T" simply because they used the Tripath chip for their 150.2, 300.2, and 150M amplifiers. When Tripath went bankrupt and the chips were no longer available, ARC discontinued those models. The new ARC class D amplifiers, their "DS" series, use in-house developed chips, so the class "T" designation no longer exists.
(2) As was mentioned earlier, the combination of tube preamp and class D amp is primarily a matter of synergy. In my case I use all ARC components, and, at least to my ears, the combination of an LS-17 tube pre feeding a class D 150.2 and Maggie 1.6QR speakers, sounds very good. Of course, ARC components are made to mate well with each other.
The digital amp company makes a really good class d amp. They have a model called the 4800a which is being discontinued and the cherry plus is also a very nice amp from this company, I think if you are considering getting a class d amp you should put them on your short list, just my opinion, Kent
"Alot of owners of tube preamps don't like the tube/class D combo"
I have a tube pre-amp and like the combo.
The thing is, you have to pick a Class D amp that is designed to work with a tube pre-amp (ie higher input impedance). Same true for other SS amps in general.
For example stock IcePower Class D modules are 10K ohm input impedance unbalanced. Not great for a tube preamp. Older BelCanto Ref1000 falls into this category. Many lower cost Class D amps do as well.
Wyred 4 Sound and newer (and more costly) Bel Canto ref1000m using similar 10K ohm stock Icepower modules are designed to work with a tube pre-amp. Input impedance of Wyred is ~ 64K ohm I recall. BC ref1000m is 100K unbalanced and 200K balanced.
There are class T(TriPath) that I personally prefer over the class D. Being a studio tech hobbyist, got used to clinical and clean sound to evaluate a recording quality. Learned to appreciate Sunfire class T amps for these abilities of thin details, instrument separation, speed and muscle power. Amps such as W4S have high enough impedance to be driven by any tube preamp with ease. I would though recommend to use fully balanced tube preamps.
There are and many are quite good and worth consideration.
The Bel Canto ref1000m monoblocks I use are one good example. These are competitive soundwise with some of the best SS and tube amps I have heard and the combination of small size, weight and low power consumption along with bleeding edge power output and solid current delivery is hard to beat.
Nordic587 did you just come out of a coma? This site and others are full of comments on Class D amplifiers used in 2-channel and home theater applications. Some of the brands are very well known.
Obviously you have not been paying attention so I will give you one piece of advice. Beware of postings that do not identify which iteration of a product is being discussed and under what conditions. For instance the person posting may have heard the first generation of a product that is now in its third generation. That is particularly important for Class-D as that technology is still evolving.
It really is YMMV. I got a pair of Wyred 4 Sound class D monoblocks about 4 months ago and they are the greatest things I have heard in my system thus far. IMO they are extremely transparent and convey what is exactly on the source material which to me is the highest complement you can pay a amplifier UNLESS you want your amp to color your music. I don't have any issues with its high frequency performance and they sound just as extended as any other amp I have heard in my system. The alleged high frequency issue kept me away from class D for years until I decided to hear it for my self.
I suspect the high frequency issue has more to do with impedance matching between components rather than something that it is intrinsic to all class D amps. Alot of owners of tube preamps don't like the tube/class D combo. Class D amps tend to get their best reviews when paired with low output impedance solid state amps.
Actually, there are a number of Class D amps available for Home Audio. Bel Canto, for example, offers a number of Class D amps. I believe NuForce does so also. There are others as well.
The real issue has been acceptance of Class D by audiophiles. The amps have a mixed reputation -- some listeners enjoy the detail Class D amps reveal in recordings, while others do not like the hard edge many Class D amps add to higher frequencies. I, for example, briefly owned a Bel Canto amp -- I didn't like the sound at all. But it is a matter of taste, so YMMV.
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