Capacitor log Mundorf Silver in Oil


I wished I could find a log with information on caps. I have found many saying tremendous improvement etc. but not a detailed account of what the changes have been. I have had the same speakers for many years so am very familiar with them. (25+ years) The speakers are a set of Klipsch Lascala's. They have Alnico magnets in the mids and ceramic woofers and tweeters. The front end is Linn LP12 and Linn pre amp and amp. The speaker wire is 12 gauge and new wire.

I LOVE these speakers around 1 year ago they started to sound like garbage. As many have said they are VERY sensitive to the components before them. They are also showing what I think is the effect of worn out caps.

There are many out here on these boards I know of that are using the Klipsch (heritage) with cheaper Japanese electronics because the speakers are cheap! (for what they can do) One thing I would recommend is give these speakers the best quality musical sources you can afford. There is a LOT to get out of these speakers. My other speakers are Linn speakers at around 4k new with Linn tri-wire (I think about 1k for that) and the Klipsch DESTROY them in my mind. If you like "live feel" there is nothing like them. In fact it shocks me how little speakers have improved in 30 years (or 60 years in the Khorns instance)

In fact I question Linn's theory (that they have proved many times) that the source is the most important in the Hi-Fi chain. Linn's theory is top notch source with lessor rest of gear including speakers trumps expensive speakers with lessor source. I think is right if all things are equal but Klipsch heritage are NOT equal! They make a sound and feel that most either LOVE or hate. (I am in the LOVE camp and other speakers are boring to me)

So here goes and I hope this helps guys looking at caps in the future. Keep in mind Klipsch (heritage Khorns Belle's and Lascala's especially) are likely to show the effects of crossover changes more then most.

1 The caps are 30 years old and
2 the speakers being horn driven make changes 10x times more apparent.

Someone once told me find speakers and components you like THEN start to tweak if needed. Don't tweak something you not in love with. Makes sense to me.

So sound
Record is Let it Be (Beatles)
The voices are hard almost sounds like a worn out stylus.
Treble is very hard. I Me Mine has hard sounding guitars. Symbals sound awful. Everything has a digital vs. analog comparison x50! Paul's voice not as bad as John's and George's. Voices will crack.

different lp
Trumpets sound awful. Tambourine terrible. Bass is not great seems shy (compared to normal) but the bad caps draw soooooo much attention to the broken up mid range and hard highs that are not bright if anything it seems the highs are not working up to snuff. I have went many times to speaker to make sure tweeters are even working.

All in all they sound like crap except these Klipsch have such fantastic dynamics that even when not right they are exciting!

Makes me wonder about the people who do not like them if they are hearing worn out caps and cheap electronics? Then I can see why they do not like them! If I did not know better from 25+ years of ownership that would make sense.

For the new crossover I have chosen Mundorf Silver in Oil from what I have read and can afford. I want a warm not overly detailed sound as Klipsch already has lots of detail and does not need to be "livened up" they need lush smooth sounding caps. Hope I have made the right choice?

When the crossover is in I will do a initial impression on same lp's. Right now it goes from really bad (on what may be worn vinyl) to not as bad but NOT great on great vinyl. (I know the quality of the vinyl because tested on other speakers Linn)

The new caps are Mundorf Silver in Oil and new copper foil inductors are coming. I will at the same time be rewiring the speakers to 12 guage from the lamp cord that PWK put in. PWK was a master at getting very good sound often with crap by today's standards components.

The choice of speakers would be a toss up now depending on what I am listening to. Klipsch vastly more dynamic but if the breaking up of the sound becomes to much to effect enjoyment the Linn would be a better choice on that Lp. If I could I would switch a button back and forth between speakers depending on song and how bad the break-up sound was bothering me.

volleyguy
If the Duelund speaker wire has no vibration/resonance control then what is the purpose of their Cast system for caps and inductors? There seems to be a disconnect and design dis continuity between their hook-up wire and what they hope is their product that is terminated at the end of the line. Tom
Tom,

I wouldn't use any wire in a vibrating speaker cabinet without addressing that issue. The wire, as you know, will act as a mechanical antenna.
The trick is dealing with this unwanted vibration without over-dampening the Duelund cable and lose it's natural harmonics and organic nature.
Irish65

Can you fill me in?
The differences etc. I am quite shocked to be honest.

Sherod the Duelund wire is solid copper 14.5 guage and feels almost wet. It is covered in cotton. The Silver is the best seller and of course costs more and is 18awg foil. I am very curious to what Irish has found out.

Has me thinking about this static on the signal. I was not expecting things to get much quieter with 6 feet or so of wire going to the woofer. Now of course (in my case) this might be caused by the silly screw or sitting the caps on cork?
Roger

No issue with using this un-shielded/sans vibration bearing dielectric wire internal to the constant bombardment of a speaker cabinet? Tom
Volleyguy,

This will depend on your listening preference and your drivers. I use it throughout the crossover, internal speaker wiring, and speaker cables for all the drivers.

Sherod,

I can send you a photo of the wire if you email me. I have some extra lying around.
Is there a photo somewhere of this Duelund hook-up wire? I can't seem to find it on the Duelund website. Parts Connexion is a distributor, but they only show pricing per foot and no photos. The .5( 18 gauge) seems to be their best seller.
Thanks guys

I should not have made it sound negative.

I was shocked at how much quieter the sound was? It was almost like after the CAST cap went in I checked the tweeter to see if it was working.

It was more than just wire as I set the caps on cork and removing the crazy screw!?

What was shocking was I was thinking it was going to be a bass volume difference and it was midrange and high freq noise reduction like when the Duelund inductor went in that was extremely evident.

I can't wait to wire up the rest of the drivers.

Irish65 is there much difference in the Duelund line? Should one use Silver for the mids and highs or just the highs. Any advice?

I should have done this LONG ago as the wire was just sitting here.

If the solder you tried to use has a high content of silver and no lead you made need to add some extra flux, and use a iron with a different temperture. The no lead solder clumps and beads up if you use the standard tools and techniques, Tom
I would imagine the the Duelund wire, like their capacitors, need some time to break-in and adjust. Assuming that you wired it correctly, give it some time with music playing through it.
One speakers woofer wired with Duelund wire.

Sounds weird at first. (like out of phase) I will do some checking to make sure all is wired up correct. Maybe I am too tired?

Klipcsh wired the woofer with cheap lamp cord and cheap connection to the woofer through a screw?! Just a regular aluminum screw?
Thanks Irish65

I believe my father actually has one of those tools.

I did check out the WBT solder and assume it is similiar to the Mundorf Silver I have.
Volleyguy,

After removing the silk from the Duelund wire you need to remove the oil and residue on the wire. I use a Dremel tool with a brass wire brush. I lightly touch the surface of the cable and remove slowly. I then use a buffing bit to smooth out and polish the cable.
I tin the wire with WBT solder and I am in business.
Hope this helps.
I did get one wire to take and looking forward to hearing this tommorow. I just did not sand off the silk enough the first time, I guess?
Hooking up the woofers with Duelund solid copper wire and either I am doing something wrong or this stuff is hard to work with! Solder just falls off the wire. Very slippery!

I will try again tommorow.

I did sand the end of the copper wire to get off (I thought) the silk.

I tried Mundorf Silver solder and regular solder.
Just ordered another Duelund cap for the shoot out with Jensen.

I also ordered Duelund Silver Foil wire for the the hook up.

I do expect the Duelund to win but will see. More natural midrange than Jensen
I wound a pair of 2.7 mH inductors last year using 10 awg wire. I found the process extremely clumsy. I did it by hand sitting on the floor using my feet to hold the spool steady while I carefully laid the wire around a wooden dowel. It was tedious to say the least and took many hours. Is there any other way to do it without using a winder? I want to build a few more, but I'd like to do it as efficiently as possible.

Thanks for any suggestions!

Mark
Volleyguy,

Both Dave and I use AVM. Dave has told me he too hears the benefits of this blue goo. To my knowledge Dave has never used the Cascade treatment.

I used the original version of Cascade 10 years ago on my Dunlavy speaker mod and it made for a huge improvement after treating the interior walls of the cabinets. The new version of the Cascade is easier to apply by brush or spray..goes on purple and drys matt black, so it looks fairly nice.

The Cascade is much more affordable than the AVM. For selective big jobs I use Cascade as I wrote previous. For speaker baskets I would use Cascade for tweeter bezels I would use Cascade for the interior of a soft dome tweeter and I would use AVM..now in that process mode of trial.

My suggestion is to treat the North Creek inductor that you know the sound of so well with Cascade, 2 or 3 coats..cure and compare again to the Duelund. Can that application bring the North Creek closer to the soul of the Duelund? What you have left over you may want to apply to an internal surface of a speaker cabinet. Tom
Tom

Mine is a 10 guage and I do still have it and would have tried the material but have already bought the Duelund's inductors. Is this the same material Dgarrestson was using?

Just one question how did you measure your Q? You must have some serious testing equipment! Tom your testing equipment is for sure out of the league of mine. How did you do that?

I only sound tested the NC and did like some things about it but could not get past the high freq hardness and I did not understand/or expect that to be and issue on a low freq inductor. I assumed it was resonance but do not know if it was skin affect?
Sherod

Glad you asked. I just treated the cd spindle platter of my transport with AVM and wow what a nice improvement..I have always heard an improvement after using AVM..now almost across my entire syatem. I use the Cascade on large surface areas, devices that are not as refined such as inductors and transformers. The Cascade is more heavy handed in that it can remove some of subtle musical detail along with the resonance that it tames. AVM never seems to do this it somehow is selective...How could that happen?

I have painted speaker dust caps and interior speaker surfaces with the Cascade product. At first there is a slight negative overall but then after a couple days of cure time it all comes back and is better overall.

Cascade you can purchase by the gallon for what a couple of ounces of AVM costs.

I selectively use both depending on the surface area and the activity of the device. Tom
What's the difference between this Cascade Audio V-bloc and AVM? Reference 3a is now painting all their driver magnets and baskets with AVM and it makes a nice improvement in clarity and dynamics.
Volleyguy

If you still have a North Creek inductor order up some Cascade Audio V-bloc. This material is a heavy anti vibrational paint that goes on purple and drys hard as a rock to a dense black color. I painted the parasitic filter inductor in my solid state amp and the V bloc made for a simple nice upgrade. I have since wound my own 8 gauge inductor for this same circuit and painted with V Bloc..wow nothing like an 8 gauge inductor tied to the output of an amp. I checked the Q of this inductor before and after the application of the V bloc. The Q dropped 20% with the anti resonance paint applied. Writing this for someone like your self who may have both a doped Duelund and a stock 8 gauge North Creek to compare the direct benefits of hard anti resonant treatment of a an untreated air core inductor. Tom
Tpsonic

My speaker parts are done. (all Duelund VSF and CAST) I have Duelund WPIO inductors and they sound excellent. I just have to wire up permanent and might try some of that Silver foil hook up cable to compare against Duelund's Copper. (which is not installed yet either)

I have heard good stuff about Jantzen though. They were one part I was going to try for inductors as well, but compared North Creek to Duelund.
Volleyguy:Funny you should mention birch,as this is the material I made my rack shelves out of.
You might look at the Jantzen crosscoil inductors.They use a ribbon.I really liked them in a crossover re-build that I under took.
I just went to partsconnexions website and in the listing for Duelund wire the Silver is foil and the copper (which I have) is solid. Hmmmm might have to test that one out?

I just thought the difference was Copper and Silver. I was thinking I had copper caps why spend the money on silver wire? But the construction is totally different and maybe very noticable?

Might have to e-mail Duelund on this one as to how much different?
Tpsonic

Something has occured to me that I never thought of. The North Creek inductor that I found to be a frustrating part as it had some good qualities but sounded hard. I thought the reason was resonance, is it? I wonder if now it was the skin affect? Frank from Tempo Electric said the original Duelund inductors did not sound that great. I believe he said they were wire as well? Hmmm? I will have to check back in this thread to see what Frank said.
Extremely interesting website on speaker design from Tannoy. Frank from Tempo is very big on the large vintage Tannoy's for the $.

http://www.hilberink.nl/codehans/tannoy52.htm

What I have learned is that 3/4" Birtch plywood is thought to be one of the best for sound. I always wondered why the low freq tones sounded better from vintage Klipsch. I knew Paul Klipsch liked 3/4" Birch but did not know it to be popular with Tannoy as well. Audio Note use 3/4" Russian Birtch plywood. I also find out that drum makers go to great lengths to have a low glue to wood ratio. I guess MDF would be at the opposite end of the scale.

Vintage Tannoy lovers (as is Frank and Dr. Loesch) thought the vintage Alnico magnets special. Tannoy dropped AlNiCo at around the same time as Klipsch due to cost and supply of Colbalt.
I can say the vintage Tannoy's would be on a short list of speakers I would like to hear.

Tannoy used Auto Formers as did Klipsch and no Electrolytic's in the crossover.

As has been talked about before Tannoy says printed circuit boards are detrimental to sound quality.

So what speakers other than vintage Klipsch and Tannoy use Alnico magnets, no electrolytics, 3/4" Birch plywood, 15" woofers, foil in oil caps?

It is easy to see why cost would be incredible for large speakers right from construction to shipping to store footage space and foil caps.

My dealer always put Tannoy and vintage Klipsch people in the same group? I have only heard there cheaper models.
Volleyguy:It also has to with dialectric.As dialectric is much like a capacitor.It can change the hi-frequencies and absorb/re-release and not in phase with the incoming signal.I find the cables to be fairly "honest".Whether this flatters the system is another issue.
They revealed to me that even though an amplifier can drive a load,it may not do it in a linear fashion (IE:Lamm M1.1s and a 1.5 ohm impedance).
Tpsonic

That sure goes against what we have been told. (thin wire)
I read lots of hostile thoughts on Maple Shade. (mostly from people who have not heard their products) A lot of what they say is for sure against the grain.

So I take it skin affect? (for the coherency)

Frank from Tempo Electric did say hearing is believing.

Volleyguy:Yes,I have heard 35 ga (Walkers' Bio-wire) and 54 ga wire in an older OM design.There seems to be a greater coherency to phase.The ribbons go one further,until they get too thin and fragile.A law of diminishing returns.
I was surprised when speaking with the manufacturer,that their ribbons could handle over 5000W before the conductor was compromised (spkr cable/no idea about the IC-but that kind of power doesn't pass thru ICs).
Happy New Year!
Tpsonic

So that really does work thin wire? Hmmmm

Sherod
I do like the no plastic for sure. I am going to stick with Duelund though.

I see Jimmy has installed another set of CAST cap's. He is now so thrilled he is going to order the Silver CAST. At one time I would have thought it insane caps at that price.

He has also rewired with Duelund. I should get my butt in gear as the wire is just sitting here. I am ordering the second VSF but am scared to get the bug for more.

Jimmy is for sure right about the synergy of Duelund caps. (or good foil in general) As far as I know he had just one in the signal before and not in the speakers?
Another new cable line is from a relatively new company in New Zealand called Antipodes:

http://antipodesaudio.com/

This new company makes only interconnects, but they are very innovative and novel in their design( they use no plastic)...I thought you would like that, and their unique design makes them less system dependent than any cable I've tried. Their entry-level Katipo is extremely musical and dynamic. The company is currently offering these cables in Audiogon auctions at real bargain prices and offer a 30-day guarantee. Currently my new reference in my system.
Volleyguy:Really like the Mapleshade/Omega Mikro cabling.Had access to many cable lines,when working at a dealership many years ago.I had bought my IC/SC then ,before hearing the OMs (about $1K each).
I couldn't believe what these cables did.There was the "music" which I had caught glimpses of.Much "good reading "at their website.The cables are fragile,but unless you change cables often-not a real problem.My reference.
Sorry Sherod for the confusion.

No I was just posting a link of a guy who owned a vintage amp (who loved it) with foil caps got it back from being overhauled (no doubt with poly) and it lost the magic. I too found the same with my speakers. It was much harder than I thought to replace the vintage foil caps and get something as good or better. That is where Duelund came in. It was only then did I find a cap better in all ways. I had mentioned when I heard all foil (for the first time) from amps to speakers one would have to deaf not to realise there is something real about the sound.

In the amp I only have used foil caps, Duelund and Jensen. I had heard the same story as the link I have posted (changing to poly caps) so many times I did not even do it.

As Frederik said even Steen stayed with vintage caps till his own went in. (VSF) In that other thread that Atmashere said

"Most older paper coupling caps while not very good performers were in fact very nice sounding and are actually sought after for some of their qualities".

The gist of that thread was (to me) while replacing caps you get better low end freq less noise but can lose the "magic". Magic is hard to measure as opposed to S/N of which poly would excel.

We need a magic meter! (just kidding) Something that could measure how accurate the instrument sounded.
I'm a little confused. Are you saying that when you replaced the caps in the amp with the Duelund VSF, that's when you lost the magic?
It seems like someone else has heard the magic of the vintage amps. Got the caps replaced and end of the magic.

So JohnK is it just "my tastes" or is their really something to foil caps. I already know the answer.

I am glad I have kept one all original EL84 Fisher to have as a reference for the Jensen vs. Duelund test because the cheap alternative is just the vintage amp but like many said on the other thread the vintage does have faults. Faults in dynamics but for sure not tone and aliveness.
JohnK
It is true it is my tastes. It has been said on here by many others though they do feel the same.

The Klipsch are long done. After great results I wanted to know if the same could be done to an amp.

Right now one signal (in the amp) is all Jensen Copper Foil Paper tube with one Duelund VSF and the other is the same except just one vintage. I wanted to know if I could hear the difference from just one capacitor and it shocks me how much. Easily and no problem. Tonight was the first time I had to really test this out.

I will be ordering another Duelund VSF and comparing Duelund against Jensen. Should be interesting. I never would have believed this till I tried, one cap wow! This does get the mind to thinking????
Are you still doing all this to your klipsch? And if so how much use is your findings unless ones using the same klipsch model and system as you. They would also have to share your personal tastes. I check this thread from time to time but I dont think your results are in anyway more than just finding what sound you enjoy little about how these capacitors etc would perform with other loudspeakers diferant network types and with diferant listening tastes and systems.
My computer had crashed awhile ago so just getting some log-ins back.

Of course agreed the choice is not just of materials but how they are put together, no one could argue that. Tempo Electric had the old Jensen Aluminum Paper in Oil were Tier F and Duelund was tops and other than copper the material was not that different.

The question would be why the Jensen was rated so poor? My guess is noise (poor construction) and Aluminum not sounding as good as copper. The Poly caps though having different faults. Fake sounding.

So does it not make sense to start with at least natural sounding qualities and lower the faults?

I have one full signal of just Duelund VSF (just one) and rest Jensen Copper Foil Paper Tube and other signal all Jensen except last two still vintage. Dynamics and bass is the only real difference and it is big.

For me I feel I have got all I was looking for. The tone of vintage and the dynamics and bass of modern.

So I guess I mean their is nothing special about a vintage capacitor that has not been bettered in every way today.
Has anyone heard the Audiocap PCU and care to share their experiences
I'm in the process of recapping my tube amps and this looks like a really good cap

Opinions appreciated
I agree. Choosing materials is one thing. How they are engineered into the final product is another.
Consider that the choice of synthetic vs. natural materials may serve different purposes in difference applications. The natural (silk?) wrap around each filament in a Marigo cable may serve to dampen vibration, independent of the performance of the material as a dielectric. Teflon in a cap may be chosen entirely for its dielectric properties. Metalized polypropylene in a cap may be interesting for its ability to be tensioned to reduce resonance, and for the reduced skin effect of thin film. Proper conclusions cannot be drawn without unpacking the many variables of engineering, and of course not all products are well engineered independent of choice of materials.
Volleyguy,
The interconnects weren't made by Duelund. They are from a relatively new company. I also installed some new speaker internal wire with special wire containing no plastic, these made for or by Marigo Labs. The speaker wires are one of my next projects.
Sherod

The IC's were noticable as well? Have you done the speaker wire?

Undertow Plastic has nothing to do with it? Ok what is it then?
Why do all my low amount or no plastic parts always sound better?
I can say one thing, Plastic has nothing to do with it. Let the argument begin...
I think I'm finally understanding how detrimental plastic is in audio. I have replaced my speaker caps with Duelund VSF copper as well as the coupling caps in my preamp. I also recently went with new interconnects that don't have any plastic( i.e. teflon) in them. Each change brought me a much more natural musical portrait of the music.
I have been very busy with work for last couple weeks. I had been over on the Linn site (when home) talking about foil caps and vintage tubes and how natural it sounds. There was another guy there saying the same thing. Talking about his Scott amp. I noticed it within seconds when I first heard a all foil tube amp and foil crossover that it was warts and all vastly superior to the SS and poly caps or new tube gear I had heard.

I think Linn has suspended my account though? I can not log on anymore, maybe just temporary? (but likely not) It was I understand one of the top 20 threads ever on the Linn site and of course causing controversy.

It actually blows my mind that MANY Linn guys will say vintage recordings are the best on vinyl (recorded with tube amps and foil caps) but tube amps are no good? If the reverse of the chain foil caps and tubes makes a great recording how can it not be great for play back?
Just got in 2 more Jensen Copper Paper tube caps and a Black Gate. I want to finish at least one amps power supply as well. Also want to compare a Jensen full signal to some Duelund as well.
After several days of listening I still feel the same as I did before. Two CAST might be too quiet and two VSF to noisy. So it is going to be CAST followed by VSF.

I have one poly cap left a Mundorf Supreme Silver in Oil that did not sell when I sold off the poly caps.

After several months I want to see if I still felt the same there as well. Was I being to harsh?

After only a few minutes most is still the same. Instruments lose their natural tone and this is even with all foil signal chain and one CAST tweeter cap followed by the Mundorf Silver in Oil. I will take back some of what I did say though. The balance is not off. The CAST tilts the sound down and the Silver in Oil back up so the balance is not bad. Like Tony says like cooking.

Still there is something about the way poly caps resonate they do not make natural sounds? I hear they test well on the S/N ratio and I believe they are very good on the noise part but not good on the signal.

I think Tony needs to test the Jensen Paper Copper tube as well. I think we will have #1,#2 and #3 right there.

Where the sound is at

The other day my mother was over and I had the music turned up (Norah Jones) and was upstairs. She could not believe what she was hearing. She knows nothing about this test and I do not say anything. She could care less about Audio (but is an amatuer singer) in general and thinks her Bose Wave Radio sounds as good as anything else she's heard with less fuss. She was beside herself with what she was hearing. She had to go downstairs to see/hear what that was. She is in her 60's and does not get like this over audio. (never) She could not believe it. She had never heard a tube all foil signal.