If you think you can hear the difference between $300 and $3000 cables, fine , buy them. I have the $300 speaker cables. I put the extra $2700 into my speakers. I could easily hear that difference.
Cable Snake Oil Antidote
Some might find this Cable Snake Oil Antidote interesting with respect to LRC, the signal and the system.
Cables affect the sound and the effect is system dependent.
Another's opinion on a cable in a vastly different system may not be valid.
Cables affect the sound and the effect is system dependent.
Another's opinion on a cable in a vastly different system may not be valid.
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People believe what they want to believe based on all kinds of factors. Take religion, lots of intelligent people take comfort in faith even though most scientists consider religion complete nonsense. We are emotionally persuaded by products in every aspect of our lives, adding accessories like tweaks/cables for the audio enthusiast makes sense to me. |
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seidman People believe what they want to believe based on all kinds of factors. Take religion, lots of intelligent people take comfort in faith even though most scientists consider religion complete nonsense. We are emotionally persuaded by products in every aspect of our lives, adding accessories like tweaks/cables for the audio enthusiast makes sense to me. >>>I am positive your statements are false. If you are speaking for yourself that’s a horse of a different color. 🦓 Snake oil is an excellent lubricant and greases the tracks for wheels of audiophile progress. 🚂 Toot, toot! |
@ngen33r Thanks for the much needed chuckle! You may be missing something though. "Audiofools" may want the $3500 cables so they can hear the "errors" that were produced by the original $25 cables. It's a way of achieving greater (dare I say "master") authenticity....A true "audiofool" must never let ANYTHING get in the way of what the original studio engineers and performers "intended"....blah blah blah... Carry on and thanks again for the laugh....it's always nice to encounter a little sense of humor now and then... |
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Actually good microphones and their associated cables are very expensive. An auspicious first post for you, sir.
" - geoffkait Oops...did I pop in on the wrong thread? I thought this thread was about expensive cables - not expensive microphones..... Let's go back and check.....Nope, it WAS about cables. Oh, that's right, it's geoffkait doing what he does best once again - making stuff up as an excuse to heap criticism on another poster. Take a chill pill geoff - it's only an audio hobby, right? Have a laugh.... |
My take on this:Many of my contemporaries carried specialized microphones, pre-amps, cables, amps and speakers to achieve the best possible recordings.The more revealing a system is, the better. Albums I mixed 30+ years ago get better as each layer of fog is removed from the playback system. We installed studios where the cable budget was many 10's of thousands. Price is irrelevant. Performance is what counts. |
Why not $0.50 or $0.60 / ft? Some like 22ga zip @ $0.08 / ft. It's entirely possible their system is incapable of resolving anything better or 22ga zip gives the most musical representation in THAT SYSTEM. Other than snake oil and dishonesty, there are many parameters that determine cost. Whether these parameters are a positive depends on the system. |
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“The worst problem is handling recordings.. No hands... Tough to figure out. But I am working on it.” The only thing that I know how to deal with this major issue,is to have a well balanced system the best that you can and enjoy all your recordings for what they are. After 40 yrs in this hobby that would be my best advice. Enjoy, Kenny. |
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I am not sure why I bother posting. 45 + years in this hobby, and I have learned to use, and trust, my ears. I never needed anyone to " sell me " on anything. The naysayers and trolls continue to do what they do, but most of them never have experimented ( using this term specifically ) with cables, fuses, green pens, etc., so really have little to no personal experience in the matter. This is what I find the most annoying with these threads, but at the same time, laughable. I find everything, and I mean everything, to make a difference in the sound, and it is for me, and only me, to determine if it is an improvement to get my system 1 step closer to that holy grail, to my holy grail. On a similar thread, I have invited ( challenged ) kosst to roll a bit of painters tape around the glass of his fuses, having him hear the benefits of reducing the resonance and vibration of the fuses, and in fact, the fuse holders, and he laughed. This is my biggest complaint with the naysayers and trolls. This is inexpensive and not dangerous. There is a level of equipment, room acoustics, ears, etc., that is required to hear this difference. So, all of these trolls and naysayers can battle us " listeners " to whatever avail they may want. Makes no difference to me. I am in this for me, not them. MrD. |
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Whoever said that recording studios - including any that value high fidelity reproduction - use super expensive cabling is a liar. Sure they use adequately shielded cables, but most of the time it's the cheapest thing available that meets spec. "High end" power cables and fuses are two items you will NEVER see any reputable engineer (either EE or in the recording profession) use or recommend. Period. |
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This just in: it seems there's yet another studio that switched to better made cables. EASTSIDE SOUND RECORDING STUDIO INSTALLS NORDOST CABLES - Positive Feedback What the recording engineer said is worth reading. (don't worry, it's a short article) All the best, Nonoise |