Try one of your other cartridges and if it works fine, then there could be something wrong with The Voice. Check the cartridge with a microscope or loupe to see if there is something obvious - if not, send to Soundsmith for inspection. Usually if you're off by a little (when aligning the cartridge), it shouldn't make a huge difference in sound quality.
40 years of fitting cartridges to a variety of arms, I'm feeling stumped
Sibilance and distortion on the last track.
I have had no problem with setting-up numerous Ortofons, 2 Dynavectors, Yamaha MC-1S, Goldring 1042, Sumiko EVOIII BPS/Blackbird, Denon DL-304/DL-301MKII/DL-103R, Nagaoka MP-500/MP300. But this.....this Soundsmith ’The Voice’ - it’s beating me up.
I have tried what seems to be every conventional and unconventional means to getting it just right on the VTF, Overhang, Alignment, Azimuth, VTA and anti-skating. I haven’t given-up. There has to be a way - unless I either have the wrong arms (SME 309 and Audiomods Series 6) or I lose what skills I had in the eye-hand co-ordination dept.
I have read every word of Peter Ledermann’s instructions on the USB key and watched the videos. Still struggling.
I shall persevrere.
Any pearls of wisdom are welcome.
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You can be off by quite a bit and it will not result in such gross problems as distortion and excessive sibilance (evidence of mis-tracking). It is most likely problems with the cartridge. Two arms, other cartridges working with the arm, what else could it be? I've only heard this with a healthy cartridge when the arm was extremely cheap and crappy--my guess is that the whole thing was resonating like crazy. The owner wanted to temporarily use a really cheap table with his new Ortofon PW cartridge. The combination didn't work and there was excessive sibilance toward the end of the record. A cheap cartridge worked in that arm with no problem. The expensive cartridge probably has lower compliance which made it less compatible, and because lower compliance high end MC cartridges tend to feed a lot of vibrational energy into the tonearm, the arm must be up to the task ((rigid, good internal damping, tight bearings that don't rattle, etc). |
My only guess, given your skills, is anti-skating. How do you set it? Anything seem different with this cartridge? You could try using inner grooves to set it, then play, problems on last track persist? That will tell you something. Also, given your skills, I agree, send it back to them, have them check it out. |
I'm using a Soundsmith cartridge on a 309, and did run into an issue that affected the last track or two on a side (though it was mistracking rather than sibilance and distortion). I was having to lower the arm to get it level to a point where the arm was touching against the arm lift, even when it was lowered. The SME manuals say their arm lifts are adjustable with a tiny Allen key inserted in the tiny hole in the middle of the rubber cap on the arm lift, but I cannot find such a hole on any of my SME arms. I shaved off the ridge on the rubber and all is well. |
Hi @regamortis We might be able to help you if you better defined the problem. Are you unable to establish basic geometry? Assuming you can do so, what is leading you to believe you have a problem? "It sounds bad" isn't an answer we can do anything with. Know that Peter has some of the best QC in the industry, but there's still sample to sample variance, which is why he (for example) fabricates an azimuth plate for arms without this adjustment feature. Know that for a 9" tonearm, a 1 degree SRA correction requires raising/lowering the bearing tower by 4.3mm. If you're adjusting in fractions of a mm, you should go well beyond that - as much as 8mm up to 8mm down (about +/- 2 degrees). Thom @ Galibier |