Tone, Tone, Tone !



I was reminded again today, as I often am, about my priorities for any speaker that I will own.

I was reminded by listening to a pair of $20,000 speakers, almost full range. They did imaging. They did dynamics.They did detail.

But I sat there unmoved.

Came home and played a number of the same tracks on a pair of speakers I currently have set up in my main system - a tiny lil’ Chihuahua-sized pair of Spendor S 3/5s.


And I was in heaven.

I just couldn’t tear myself away from listening.

Why?

Tone.

The Spendors satisfy my ears (MY ears!) in reproducing music with a gorgeous, organic tone that sounds so "right.". It’s like a tonal massage directly o my auditory system. Strings are silky and illuminated, saxes so warm and reedy, snares have that papery "pop," cymbals that brassy overtone, acoustic guitars have that just-right sparkle and warmth. Voices sound fleshy and human.

In no way do I mean to say the Spendors are objectively "correct" or that anyone else should, or would, share the opinion I had between those two speakers. I’m just saying it’s often experiences like this that re-enforce how deeply important "the right tone/timbral quality" is for me. It’s job one that any speaker has to pass. I’ll listen to music on any speaker as background. But to get me to sit down and listen...gotta have that seductive tone.


Of course that’s only one characteristic I value. Others near the top of the list is "palpability/density," texture, dynamics.

But I’d take those teeny little Spendors over those big expensive speakers every day of the week, due to my own priorities.

Which brings me to throwing out the question to others: What are YOUR priorities in a speaker, especially if you had to pick the one that makes-or-brakes your desire to own the speaker?

Do you have any modest "giant killers" that at least to your way of thinking satisfy you much more than any number of really expensive speakers?



prof

@prof, knowing how well the OB/dipole Gradient sub integrated with the QUAD 63, you may be interested to know that there is now a contemporary OB/dipole that does everything the Gradient did, and more. It was developed as a team effort between Danny Richie of GR Research and Brian Ding of Rythmik Audio, and it is really special. It is comprised of a pair of 12" servo-feedback controlled (Rythmik’s reason d’etre) woofers installed in an OB H-frame. It is THE sub for dipole loudspeakers.

Danny Richie showed at RMAF for a few years, using a pair of the OB/Dipole subs at the front of the room and a pair of sealed subs (Rythmik F12G’s) at the rear. His room was voted "Best Bass At The Show" three years running.

The Rega RS1 speakers on my desk give me tone, clarity, and speed so I totally understand your relationship with your Spendors. 

I have tried to replace them so many times with other hyped speakers, but each time I end up not keeping the replacements. 

The RS1s do lose their magic in a larger room. 
bdp24 

 That's an intriguing matchup as Danny Richie was getting a lot of buzz about 10 years ago. Also, I own a pair of 15" Rythmik Audio subs for my home theatre set-up and think they're fantastic!