Your Side by Side Experience With Best Vintage vs Newer Expensive Hi Tech Speakers
Has anyone here ever done a side by side comparison between Tannoy Autograph, Bozak Concert Hall Grand, EV Patrician, Jensen Imperial Triaxial, Goodmans, Stentorian, Western Electric, Altec A4, Jbl Everest/Hartsfield/Summit/Paragon/4435, Tannoy Westminsters, Klipschorns vs the Hundreds of Thousand even Million Dollar speakers of today like Totems, Sonus Farber, BW, Cabasse, Wilsons, Dmt, Infinity, Polk ...etc
"It seems that neither era will come to a fuller fruition, and hence an overall advance to truly speak of, unless the hallmarks of each are combined - that is, for physics to be accommodated while technology joins along."
BINGO!
This is why I am excited. It's also why I'm back promoting more again. The latest paradigm is here and has been here for some time. It's just that HEA is having a hard time turning the corner. Technology makes things simpler not more complicated. What we are seeing right now in real time is exactly what you described. There are a few learning curves to get through because HEA didn't know or didn't care to know, but that's all over. Every day now there are folks moving toward a simpler superior performance. But, it's so simple many are having a hard time making the jump, it's more of a drag them to the water.
Here's the good news though. There's no turning back. Folks can kick and scream all they want but the rate of people converting is picking up speed. I have people emailing me every day about converting their systems over. It's why I'm here speaking on this forum. 10 years ago HEA audiophiles were not ready to concede that the over built components and speakers failed to deliver the basic fundamentals of playback. Many, I'm sure, hate the idea that I'm even here. And that would all be the end of it, if not for the fact that hobbyist are turning away from the HEA paradigm in groves.
I'll say it again for folks to read "all recordings have a different recorded code and that requires a variable playback system to play all those codes". There is absolutely no way around this. We can buy as many systems as we want and play the Plug & Play game all we want, but in order to playback recordings in that fashion it would require hundreds of systems per listener. Some how this "one sound" system approach got into the main HEA brain, but this concept doesn't work. It's an never ending chase, and not one soul on this planet has ever achieved a one sound system that plays all recordings. I don't care who you are or how much money thrown or how much someone lies, recordings are codes, and they are all different codes. Not so much good and bad, but different. The component chase will never work, and has never worked. All these listeners are doing is listening to the same recordings with different outcomes. And no matter how many outcomes there are, it's still at best only going to serve a few recordings with any kind of accuracy.
There's a whole other chapter to this hobby and HEA is having a very tough time getting their heads around it.
The problem with the argument of the advance of technology and how it has been to the sonic betterment of modern speakers largely roots in how it relates to different speaker principles when comparing different eras here. Vintage speakers, certainly over 50-60 years ago, had a closer tie to the necessity of plain old physics in being much larger, and usually horn-driven. The frequency extremes weren’t the highest priority as opposed to what was in between, but while their size and principle came as a natural necessity out of the lack of amp power at the time, size and the adherence to physics is also indispensable in emulating acoustic live sound characteristics - there’s no way around it. Moreover, at the time a sound reproduction system wasn’t something one could easily tuck away, but neither did the mentality call for it nor did physical stature allow it. There was a certain pride in the big pieces of furniture as natural centerpieces almost in the homes they were found, whereas now and for the latest decades interior design dictates for such systems to be a secondary consideration and being in line with the existing decoration; movies are eager to display a B&O console and speakers as that which is found in wealthier homes, but you rarely if ever see a dedicated and space consuming stereo take up the picture. Even when audiophiles may resort to dedicated listening rooms the bi-products of transistor amps in some incarnation are still in full manifestation with overall smaller, direct radiating speakers.
It seems that neither era will come to a fuller fruition, and hence an overall advance to truly speak of, unless the hallmarks of each are combined - that is, for physics to be accommodated while technology joins along. Those that blindly states modern speakers qua being modern are automatically more transparent and uninhibited in their presentation compared to vintage speakers (or their modern iterations) are simply oblivious to the lack the of context and a fuller picture. I’d claim that audio in some, and more fundamental respects have been in a decline that took its full measure decades ago, and the advance in technology can’t alleviate this within the existing paradigm.
"Flat response is a fairly narrowly defined idea these days."
Correct, because it is an inaccurate assumption. Speakers can not be made to be flat in playback without equalization. This has always been the case old or new.
"Having built an amp with only a DMM for test equipment, I’ve had no option but to listen very carefully and learn what distortion and it’s phase sounded like."
With all due respect, that was with one specific set of conditions. But it’s cool that you built an amp. I think building amps teaches us a lot about the amp/speaker/room interactions. However where exactly does the rose color glasses come into play here, if you don’t mind me asking?
What specific drivers and or speakers do you consider the most up to date? I have several of them sitting right here in my possession, maybe we can talk more specifically.
Pretty inexpensive experiment for those wanting to dip toe into Vintage ( but hyper well engineered speaker including hand tuning ) try a pair of Dynaco A-25 on solid metal stands.... SEAS drivers...... something like a million pair out there....
I want to answer your question about tables but first I’d like to make a comment about the other fella’s post.
Kosst
It might be helpful if I introduce myself to you. My name is Michael Green. I work in the acoustical, mechanical and electrical field developing state of the art vibratory transfer and tuning components. Most of my work is in the music business, but I also meet and consult with some of the most up to date and modern technologies in other industries as well. Tonight for example I was meeting with engineers for the medical profession discussing tuning MRI (Magnetic Resonance Imaging) machines. If you look at my resume and history you will see that I work in the areas where fundamentals and harmonics work together to provide the most efficient results.
In the audio world I keep pretty up to date, and have needed to for the last several decades. I’m not about High End Audio fluff my associates will tell you. I say this because many recordings are sent to me every year both old and new so I can tune them to specifically see if they are bad recordings or not, or bad sources or not. Fact is very few recordings are bad recordings or bad copies of recordings. Usually with some tuning every recorded code can be revealed. However if you don’t have a system that is variable you will only be able to play successfully a few recordings’ codes. It doesn’t matter if a speaker is 40 years old or built yesterday, the same methods and paradigms apply.
I’ll be happy to demo this for you.
Hi Vinny55, ok to your question.
If you look back in time, or better lived through it, you will find different eras where designers and engineers excelled over other times. This is important in our hobby because we are talking about music and there are always those guys who are music making gurus, and all of these gurus have their perfect moment. Most of these audio experts make their very best product and then are asked to make something that is more accommodating for particulars among their clients. It’s very common for the base model design to out perform that same designers flagship or sexy looking models. Huge compromises come with looks in audio, also price tags. Again around the mid 90’s you can see this come into play almost across the board. I knew many of these designers personally and would not put them on the spot or ruin their sales pitch, but if any smart camper looks at the product lines’ histories you can see this taking place.
The way to tell if a product has been over built or designed is to do what we have talked about here. If your a TT guy, go to your used record shop and pickup 20 different recordings, from different times. There’s no reason why all of those LPs (condition good of course) would sound anything but great on a flexible rig.
It all goes back to when designers lost the ability to design products that played harmonics as faithfully as fundamentals. Now a designer who has no idea what I just said, is not going to be able to play a wide range of recordings. Does that make the recording or copy bad? Of course not. It means that the playback system is limited. That system more than likely plays some recordings great and the rest poorly because there are no adjustments for him to make, or he doesn’t even know systems can be tuned. And if any audiophile doesn’t know they can tune a system, honestly they’re not very far along in the hobby (ending their learning curve too soon). I fault reviewers a lot for this malpractice in the hobby. I toured for 3 solid years for free tuning up systems and was on call for as many folks as I could get to. This is covered in the issues of Stereophile and TAS and all the others. People can go back and read all about it. It was called "the tuning revolution". It was the right time for the High End Audio to advance, but they chose the money route instead.
If this hobby would have continued in the method of tuning High End Audio would have a completely different look and function today. High End Audio would also have systems that played all music to a higher level of performance, instead of thousands of systems all playing something different and all claiming to be better than the other. There’s absolutely no way I would invest another dime in audio until I explored tuning. It’s just throwing good money away. Many of your fellow listeners have been tuning for years.
@willieva 40-55 years vintage from 50s-80s the big monster patricians bozaks jbl hartsfields klipschorns jensen imperials stephens Tannoy autographs altec A5/7/9 date from the 50s
The point about restoring vintage is well taken.... needs to be up to snuff.... and frankly I appreciate and use the two tone controls on the MX-110 i think that is a virtue McIntosh mostly continues to this day....
now trying to to convince me that a tea saucer sized Bozak tweeter can reproduce the shimmer on Gold Dust Woman... well it would take a “ Connection” to make that happen.....
Should i spend tens of thousands to what many claim are the
best tonearms and spaceage turntables or insanely priced cartridges that
cost more than a new car?
Will it make a major sonic difference?
The best approach is to listen and decide for yourself.
@michaelgreenaudio your bang on to what ive been thinking. Audio has gone down the proverbial dumpster. Today its all about audio jewellery than audio musicality. Whos got the nicest most expensive toy. Can i get your opinion about turntables and tonearms in my other post. Modern turntables Tonearms and to lesser extent have really confused the heck out of me. Should i spend tens of thousands to what many claim are the best tonearms and spaceage turntables or insanely priced cartridges that cost more than a new car? Will it make a major sonic difference?
I know there are some old schoolers around, but most of them have moved on from High End Audio since the push for "discrete" in the mid 90's. Most newer speakers (including drivers) are far less musical than the older speakers. You can evidence this by the folks walking around saying their speakers are so revealing they won't play "bad recordings". Well that's a bunch of road apples. High enders over the last couple of decades have been lied to about the state of affairs with recordings. High End Audio has been in decline since the mid 90's and most of the folks are in denial. You have a couple of reviewers right now who couldn't find their way out of playback session to save their lives. How do I know? They were once clients of mine begging for help. Pre-90's you had people making their recordings sound good on their systems, post 90's people aren't even being told that every recording is different. The concept of tuning in a recording is a lost science except for a few folks adjusting their TT's and Tape heads. The rest think plug & play, speaker placement and wishful thinking is what this hobby is about. This whole chapter of the hobby is one big mess, while the rest of the music lovers are getting into listening, and one by one realizing the High End Audio is nothing more than a revolving door sales club. Praising the new and damning last years models. Today's High End Audio is coming to a painful death, and the only ones who don't know it are the guys who still have a little money in their man cave account to burn. Hey, this isn't me talking, these are the words from the folks getting ahold of me to help them get back on track or to at least get somewhat tuned up. Most of the older folks who call me wish they could go back to one of their systems between the 70's-90's. They were sold the ladder climb only to find they were already there, they just needed to tune things in.
I'm a speaker designer as well, but ask me after all these years and all these new driver designs did I end up going back to simple woofers and paper tweeters? I use 1 cap in my speakers, and my speakers are as light as a feather. They have tuning bolts on them so your can adjust the vibrations, simple right? Their built like a guitar. These other older designers have their stories as well, and together the hobby was about music. Then the paradigm broke and it was all about money over the soundstage. Hobbyist were so compulsive they never even took the time to look at why sound was great back in the mid 80's. Spend this, buy that, upgrade. High end audio created a guilt driven fever that was completely based on false advertising. Let me just say this in closing on my long windedness. How did a hobby that was based on tuning in every recording because they knew every recording was different and unique end up with only a volume control? A volume control, that's your adjustment. In the past audiophiles knew what recordings were. High End Audio took things a completely different direction. Only thing is, the rest of the world made even more adjustments available while High End Audio forgot what the hobby even was.
It's not that I am saying vintage speakers won't hold there own,but that technology has made them better. Also, comparing 20-40 year old speakers, without restoration is not a fair comparison. B
Just proves all Vandies are a highly musical ear pleasing speaker that’s gotten better and better over time.
I personally almost bought the used pair of Quattro woods that was Audiogon a couple of weeks back.I have 2 friends that own the Treo ct and they just love them.
Richard is a highly respected manufacturer of very solid products with no hype and just solid information.
Grew up with Dad’s b-305 ( half a concert grand ) driven by MX-110 and MC240 I still have the MC gear .... good for the day..... maybe a full bottle of Cab in but my LiL Vandersteen 1ci a much more accurate and musical speaker.... I run Em with the Mac gear... ha
My 1980 Vandy 2Cs sound wonderful to me, (better than my 2014 Monitor Audio Silver RX8s), but when I do decide to purchase the current-generation 2Cs (or 3As, or Quattro CTs) I'm hoping the difference is worth the cost.
Given the advances in materials and electronics, I would expect more current speakers to provide better sound reproduction. I say this as a Vandersteen owner who knows that Mr. V. constantly integrates new parts and electronics into the venerable 2 and 3 series speakers in order to produce better sound. A 1980 Vandy 2 will not be as good as a current 2ce Sig. That being said, no I have not tried playing vintage and current speakers side by side. B
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