in high school we would point a speaker out the window so we could have music in the backyard- my Dad came home to Zappa repeating over and over “ you’re an A hole...... “
needless to say, Zappa was banned....
@slaw yeah, I don’t really like to broadcast much about any spending that I do and I almost never buy anything very expensive, my system was mostly pieced together used and would probably be viewed as mid-fi by the Audiogon gang, but as many of us audio nuts do, I looked around quite a bit for years for something different and new and I will tell you and my other friends on the thread here about it. What I did first was move my entire rig into a heavy cabinet in another room from where the big speakers are in the living room. So the table could be on solid footing with very little vibration or air movement. This requires kind of a long speaker wire run under the floor but I got good shielded stuff for the job from Transparent. This change really made a significant improvement In SQ coming from my 30+ y/o 1200. Feedback eliminated, resonances greatly reduced, less noise. Might sound crazy but putting my turntable in the next room really worked. So then, since I didn’t have to worry so much about isolation, I got my own idea (who knows if it would be considered correct to a real audiophile) that I should go with mass rather than springs. I also thought I should demonstrate to myself what a good belt drive might do. In the haze and deliberation of copious research I eventually became beguiled by the Pro-Ject xtention: https://www.project-audio.com/en/product/xtension-10-evolution/ I did not have the prejudice against this maker of value equipment that I’ve heard many do because I really don’t know enough to have that problem. This turntable is so nice to look at, especially in person, that I sometimes second guessed my own judgements as well as the good reviews about it. But I got over that and saved up for one. Then, when my favorite stereo store, Echo Audio, here in Portland offered their demo example I bought it. They also gave me a significant additional discount to take it without the packaged sumiko cartridge. So all in I got a virtually perfect tt for about half of the retail price. I put my Hana SL on it with the Origin Live enabler between the cartridge and the fixed arm. I don’t think the 1200, as much as I loved it, was quite able to show what the Hana was capable of. The dealer, who I consider a friend who helps me a lot even when I’m not buying things, put his elaborate TT software to the setup and got exceptional results. The best he had seen on the software to that point. I’m not even really sure what all the measurements mean but we agreed that it sounds very good. After a few weeks of listening here at home I remain astonished at the analogue sound I have now. I know it’s considered too easy to say things like it’s magical but I find myself wanting to say things like that. It is really astonishing. ——————————- Beethoven Symphony No. 6 in F Major Op. 68 “Pastoral” Berliner Philharmoniker Sir Simon Rattle From the 2017 Boxed Set |
Uber, +1 on the Planets. It’s great isn’t it. Say did you ever hear this: https://www.discogs.com/Henryk-G%C3%B3recki-Dawn-Upshaw-London-Sinfonietta-David-Zinman-Symphony-No-... |
@uberwaltz I can't believe you sold all your turntables! Becker and Fagen were reportedly disappointed with the way Katy Lied sounded due to an equipment malfunction. It seems weird that MFSL would have done a treatment of that particular album given that. @spiritofradio Nice to hear you are the one that picked up that Project table. I spent some time with Kurt one day listening to that with the D'Agostino Momentum monoblocks and some of Kef's top of the line speakers (I don't recall which one). It sounded mind blowingly good. I remember telling Kurt at the time "Thanks. Now I'm going to go home and my system is going to sound like sh!t after hearing this". Thankfully, that wasn't the case. I'm not sure if you bought the one they listed recently or a while back. The one they had for sale a while back was Kurt's personal table. |
Greg Well I did not sell ALL of them... Lol. Down to the only one I was using anyway, the Garrard just sounded so much more dynamic and lively than any of the others by far. As a wise friend said.... You can’t unhear what you hear...... Besides I think we all know just having one will not last too long 😂😂 |
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@big_greg, Thanks. Cool. Isn’t Echo Audio a great store. We’re fortunate to have them here. I got the 10 in mahogany that had been in their showroom for awhile. I believe Kurt’s was a 12 but I’m not certain about that. I remember admiring it’s aesthetic back then before he sold it and before I knew more about its technical/sonic attributes. The other parts of my system aren’t nearly as expensive as what you heard but my table sure does sound sweet. |
‘Been streaming Beethoven Violin Sonatas I like all morning and got to thinking (again) about all the CDs that I wish would have been mixed for and pressed on Vinyl. So I began a list of a few I’ve thought about lately and actually initiated a post.... https://forum.audiogon.com/discussions/i-wish-these-albums-were-available-on-vinyl What’s at the top of your list For albums that need to be put on Vinyl? |