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What's in your CDP tonight? the minority report
This evening for me, it's Genesis (definitive edition remaster) "A Trick of the Tail".
My good friend arcam88 brought these to my attention this morning. "What makes John Bonham such a good drummer?" https://youtu.be/UvOm2oZRQIk Watch "Rick Wakeman and Jon Lord on Sunflower Jam 2011" on YouTube https://youtu.be/AsJApGdm97c Roy Buchanan, "Blues for Gary" https://youtu.be/WtqZjQtr5Bg N |
Elton John "Honky Chateau" and Pieces of a Dream "Love's Silouette" both in multi-channel SACD DSD. There is no way under the sun vinyl LPs can sound this magnificent. No way. IMO the Compact Disc remains the greatest, most durable and affordable format for recorded music ever invented. I just purchased a digitally remastered version of the best of The Little River Band. WOW outstanding. It was remastered in the year 2000 but still fabulous. Somewhere around 1996, the record companies began using vastly improved state of the art digital recording and processing equipment. If you notice, CDs produced after that time or older ones remastered do sound a ton better than they did prior. By now, they're at their absolute best sound ever. |
@pdn Great comments about digital. The technology has certainly improved over the years. Now, ripping CDs to storage and playing back via DAC has taken redbook audio quality up another notch for me. Of course, as you allude to, the quality of the original recording itself remains the BIG variable that, if it wasn't done right, will trump even the best equipment. |
Right On! pdn the 1st big wave of digital (CD) remasters started in 1994- 1996. The 2nd wave started around 2000 due to a newer format SACD coming into the general buying public. While it is true that the first batch of SACD discs arrived onto the scene in 1997, many of those titles, were hit-and-miss sound quality wise. Happy Listening! |
Over several evenings now, various early Michael Brecker recordings: S/T (1st as group leader; track 1 is "Sea Glass") Don't Try This At Home Now You See It...Now You Don't Tales From The Hudson Also, Yellowjackets: Like a River Timeline Some of their recordings get awfully close to sounding like "smooth jazz" (e.g., several tracks from Like A River) but for the most part, on these two albums, a nice balance of non-banal accessibility and attention-holding complexity with great musicianship throughout. Timeline, especially, is the more consistent recording in this regard. |
Roy Buchanan - The Prophet Live version of Track 14 - Roy's Bluz https://www.youtube.com/watch?v=DDOIL5OqvYs Live version second part of Track 16 - The Messiah Will Come Again https://www.youtube.com/watch?v=deeBQZ8Aklc |
ghosthouse, Big fan of Roy Buchanan. Check out "Blues for Gary" https://youtu.be/WtqZjQtr5Bg Leslie West, Still Climbing I also visited Michael Brook you recommended. Very nice. N |
New remixes from original tapes by Barclay James Harvest are excellent. Three disk sets are fair priced, have 2 CDs (remix and flat transfer) and DVD with 24/96 and DTS 5.1 mixes (also a great listening, but well, those are not CD )) ) A touch below Steve Wilson remixes of Jethro Tull, but still... https://www.cherryred.co.uk/product/octoberon-3-disc-deluxe-remastered-expanded-edition/ http://www.cherryred.co.uk/product/gone-to-earth-3-disc-remastered-expanded-edition/ http://www.cherryred.co.uk/product/everyone-is-everybody-else-3-disc-deluxe-remastered-expanded-edit... |
For Roy Buchanan lovers who haven' yet discovered him, be sure and give Danny Gatton a listen (start with the WB 2-disc CD collection). He was a good friend of Roy's, both having come up through the Washington D.C. Blues/Rockabilly/Hillbilly scene. Vince Gill nicknamed Danny "The Humbler" ;-). Roy and Danny had another peer in D.C., the Telecaster maniac known as Evan Johns. Not as precise as his two pals, but a great guitarist, songwriter, and singer. Danny and Evan were in a couple of D.C. bands together before they hit the big-time individually. |
gh, Evan made three albums for Rykodisc in the 90’s, with a backing band named The H-Bombs. In 2001 he did an album (entitled Moontan) for Big Cypress Records in Florida, with The Hillbilly Soul Surfers backing him. We recorded it over a week in Atlanta, GA---first takes only (in fact, the takes were the first and only time we played the songs. Oy!). Evan absolutely refused to do more than one take of any song. He played us his boombox demoes of the album songs once, the night before we started recording. After two days in his hotel room, there were two 18-packs of empty Budweiser cans in the hallway outside his door. We were scheduled to hit the road to promote the album, but as the album was being mastered he fell into a coma, the doc saying his liver was failing. Evan proved him wrong, but only temporarily. He died last year in Austin, his liver finally giving out. |
@bdp24 - You are like some walking encyclopedia of popular music! After reading your first mention of him here , I did some quick searching this AM and listened to a few songs with the H Bombs (Madhouse & Saving Grace) on You Tube. I can hear the rock-a-billy thing (never was a big fan) but to my ear, at least, what jumped out is a surf guitar/Dick Dale kind of sound. Regardless, I immediately liked those couple of EJ songs...more so than the stuff I heard of Gatton’s on a lengthy compilation (can’t recall title). My impression is Gatton might be the superior technical player but Johns’ got more "soul" or something (exhibit A: Love is Murder). On the other hand, I might be talking out my...but that’s the initial impression. In the bit of reading I did, came across this: Evan’s Story https://www.youtube.com/watch?v=tEVbbgI8OaI&ab_channel=foundcom1 You know anything about Mason Ruffner? He was supposed to be the next big thing a while back. Jimmy Page produced his first LP (Gypsy Blood, I think). Could look him up I suppose but interested in your O-pinion. There’s something of the rock-a-billy/Link Wray in him as in the above. Got "The Jungle Record" playing now. Couldn’t quite recall who EJ’s vocals reminded me of. On Day Go By it clicked. There’s something of Eric Burdon happening there. That’s okay with me. |
Damn gh, you nailed Evan's sound! His Surf element is what got us the gig for the album. By the way, the original drummer in The Hillbilly Soul Surfers was Pete Curry, now bassist in Los Straightjackets. Pete's an old friend of mine from San Jose (since '62!), and he switched from drums to bass in The HSS so we could play together. He got the offer from The 'Jackets before we recorded with Evan, and now gets to tour with Nick Lowe. Rat bastard! You're right, Danny was a very technical player, Evan a more instinctual one. The guitarist many great players (including Danny and Evan) revere is not very well known to non-musicians: Merle Travis. Merle was the model for ALL the Country and Rockabilly (and many Rock 'n' Roll) guitarists who followed him, including Scotty Moore (early Elvis), Dave Edmunds, George Harrison, and Jeff Beck (who idolizes Merle). Danny was also a very Jazz-influenced player, Evan not so much. But Danny wasn't a songwriter, or a singer. When Danny and Evan were together, Danny "just" played guitar, Evan wrote and sang the songs. Never got to see them together, damnit. I too love that first Mason Ruffner album, it's a beaut! I have it on LP, and his Evolution album on CD. Wonder what became of him? |
Thanks for the further insights, bdp. If you’ve ever read "Shakey" a Neil Young bio, David Briggs favored a "first take" approach; overwork it and lose "the spook". I’m pretty sure I’ve come across the Merle Travis name before but don’t know his playing...certainly didn’t realize what an influence he was. Ciao. http://www.jellyroll.com/2002/evanjohns.html |
First takes are fine, but it's nice to have played the song at least once before you're in the studio, or at least heard it! Dylan has written songs while the recording band sits around playing cards, but he has a big recording budget. On the Moontan album, the bass player and second guitarist didn't have a chance to learn the songs before recording began, so Evan and I played them alone---to get the basic rhythm tracks, and all other parts (and vocals) were overdubbed. Evan plugged his Telecaster into a Fender blackface Super Reverb, not his normal amp (a Deluxe Reverb, many player's favorite). The engineer put the amp in an isolation closet, and Evan turned it up to 10. If you've heard a Super (Stevie Ray Vaughan's choice of amp), you know how loud that is! Speaking of Merle Travis, one song on Moontan is entitled "Shootin' The Merle", an instrumental tribute to the man. The album is half instrumental, half vocal, all Evan. |
Dave Rawlings Machine - Nashville Obsolete Track 4 here... https://www.youtube.com/watch?v=lXIWpa3uSng |
Michael Brecker - "Now You See It, Now You Don't" Magnus Ostrom - "Searching For Jupiter" Tonbruket - "Dig It To The End" Balloons (Track 2) https://www.youtube.com/watch?v=tX7CwNGPvt0 |
Michael Brecker - "Now You See It, Now You Don't" Magnus Ostrom - "Searching For Jupiter" Tonbruket - "Dig It To The End" Balloons (Track 2) https://www.youtube.com/watch?v=tX7CwNGPvt0 |
Paul Gilbert, Get out of my yard "Full Tank" https://youtu.be/1ZfOrCJThWo "Twelve Twelve" https://youtu.be/51Ov4nmyNzk King Crimson, The Power to Believe "Happy with what you have to be happy with" https://youtu.be/UCBnzUbKHps N |
The Flamin' Groovies: Shake Some Action (produced by Dave Edmunds); Dave Edmunds: Get It; Marshall Crenshaw: #447; The Everly Brothers: 24 Original Classics; Nick Lowe: The Convincer; v/a: True Faith (Mojo Magazine bonus CD included with the December 2017 issue, with covers of Dylan "Christian" songs). |
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Ian Moore, Modernday Folklore, just one cut from this one today- "Muddy Jesus" its fantastic! https://youtu.be/KcVvjRNuTR4 Ian Moore, And all the Colors Solid thru-n-thru, "room 229", "Float Away", "Johnny Cash and his Electric Bible and more. Another great Texas gunslinger. N |