What Does Holographic Sound Like?


And how do you get there? This is an interesting question. I have finally arrived at a very satisfying level of holography in my system. But it has taken a lot of time, effort and money to get there. I wish there had been a faster, easier and less expensive way to get there. But I never found one.

Can you get to a high level of holography in your system with one pair of interconnects and one pair of speaker wires? I don't believe so. I run cables in series. I never found one pair of interconnects and speaker wires that would achieve what has taken a heck of a lot of wires and "tweaks" to achieve. Let alone all the power cords that I run in series. Although I have found one special cable that has enabled the system to reach a very high level of holography -- HiDiamond -- I still need to run cables in series for the sound to be at its holographic best.

There are many levels of holography. Each level is built incrementally with the addition of one more wire and one more "tweak". I have a lot of wires and "tweaks" in my system. Each cable and each "tweak" has added another level to the holography. Just when I thought things could not get any better -- which has happened many times -- the addition of one more cable or "tweak" enabled the system to reach a higher level yet.

Will one "loom" do the job. I never found that special "loom". To achieve the best effects I have combined cables from Synergistic Research, Bybee, ASI Liveline, Cardas, Supra and HiDiamond -- with "tweaks" too numerous to mention but featuring Bybee products and a variety of other products, many of which have the word "quantum" in their description.

The effort to arrive at this point with my system has been two-fold. Firstly, finding the right cables and "tweaks" for the system. Secondly, finding where to place them in the system for the best effects -- a process of trial and error. A lot of cables and "tweaks" had to be sold off in the process. I put "tweaks" in quotation marks because the best "tweaks" in my system have had as profound effect as the components on the sound. The same for the best of the cables, as well. For me, cables and "tweaks" are components.

Have I finally "arrived"? I have just about arrived at the best level that I can expect within my budget -- there are a couple of items on the way. In any case, I assume there are many levels beyond what my system has arrived at. But since I'll never get there I am sitting back and enjoying the music in the blissful recognition that I don't know what I am missing.

I should mention that there are many elements that are as important as holography for the sound to be satisfying, IMO. They include detail, transparency, coherence, tonality, and dynamics, among others. My system has all of these elements in good measure.

Have you had success with holographic sound in your system? If so, how did you get there?
sabai
Sabai, again, we have failure to communicate. What I originally posted was the following:

"As I said, we believe what we chose to believe. Sabai, if you don't object too much to my saying so, it's ironic and bizarre that you would attack someone who is presenting unusual ideas when you, yourself, are presenting unusual ideas. Cables in series, indeed. Hel-loooo! Lol"

You continue to insist I said Holographic Sound was an unusual idea, but actually I said no such thing. I said connecting cables in series was an unusual idea. Now do you see the irony? One wonders why you are so defensive about your holographic sound. Did you invent it? Lol
Bryoncunningham,
Once again, you have nailed Geoffkait to the wall so perfectly that I could not have put this any better. Bravo.
Would I get holographic sound or any improvements if I placed my system on a semi or fully suspended rack?
Geoffkait,
Why are you being so evasive?

You first quoted me as saying:

""I have not heard of a single "person in the industry" or a single "senior reviewer" who minimizes the importance or denies the existence of "holographic sound"."

Then you replied:

"I kinda doubt you've heard what all of them have said on the subject. I have not seen a single buffalo out in my yard today. Lol"

Is it so difficult to answer my question? What's the mystery? Why can't you give a straight answer to a straight question? In case you did not notice, my question was very simple -- and very straight. In fact, I believe it was not very difficult to understand. Your evasive reply was "I kinda doubt you've heard what all of them have said on the subject". This is not a good enough answer -- with or without the Lol at the end. Why can't you name names? Why can't you give us specific statements that specific people have made? Why can't you put facts in place of evasive replies? I can read English as well as the next person on this thread. I'm waiting. We're waiting.
Bryon,

OK, you finally convinced me that you should probably be standing out on a ledge somewhere. I really like reading your diatribes, though, especially when your hair catches fire. I don't know why all trolls can't be as entertaining as you.

Geoff
Learsfool wrote,

"Judging someone's ears by the quality of their system is silly. Most musicians do not make enough money to afford a top of the line high end audio system. My own system is certainly on the lower end price-wise for folks in this hobby."

Perhaps you're right, that I should not be too judgemental. As it turns out the professional musician I was referring to is an unusual case. He was a dealer for Cello Speakers and electronics, so his system comprised some of the finest and most expensive components and speakers available. I estimate his system, speakers plus electronics would retail for 200,000 dollars. In addition, he had 10,000 dollars worth of room acoustics treatments installed. I'm pretty sure you can appreciate the irony of my questioning the hearing of professional musicians. If any person cannot obtain good sound from a 200,000 dollar system it's only natural to question his hearing, especially if that person thinks his system actually sounds good.

An ordinary man has no means of deliverance. - old audiophile axiom

Cheers
09-29-12: Geoffkait
Where have I been evasive? Just show me where I have evaded a direct question.
Hmm. Where am I going to find an example of you being evasive? Let me think. Ahh yes, just 6 sentences later, where you sayÂ…
I'm pretty sure noone here is going to change their thinking based on what I say, especially you. Lol
That was your response to my question “Why not answer questions directly, thoroughly, and sincerely?” which was itself in reference to my earlier statement that you have not provided an explanation for why certain objects like books, cd’s, and flowers affect sound quality. Rather than offer an explanation, you EVADE the question with the glib remark that nothing you say can change anyone’s mind. Q.E.D. If you or anyone else is interested in other illustrations of your evasive behavior, they will find an entire catalog of examples in our argument on the Magic thread. Moving on...

You can't even ask a direct question yourselfÂ… I suspect you are just a troll...
Those who know me will recognize the patent absurdity of this remark. Those who donÂ’t can easily glance at my posting history and see that your comment is not only false but, as is typical for you, the inversion of reality. I say "inversion of reality" because I agree that there is a Troll around here somewhere. LetÂ’s see if we can figure out who it isÂ…
Do you not think I realize my statements are new and provocative? Do you think I have not seen the same knee jerk reactions many times in the past.
That was written yesterday on this same thread. By you. LetÂ’s consider what it saysÂ…

1. You deliberately post provocative statements.
2. You know they are likely to cause disruption and conflict.

That reminds me of something. Oh yeah, the DEFINITION of a TrollÂ…
troll | trōl | (n.) a person who deliberately posts provocative statements, knowing that they are likely to cause disruption and conflict.
You are an obvious fan of irony, Geoff. I hope you enjoy the irony of accusing someone of being a troll just moments after you accidentally confess to being one. Speaking of accidental ironiesÂ…
You can't even ask a direct question yourself. Just posturing, as usual.
I canÂ’t ask a direct question? You say that in response toÂ… MY DIRECT QUESTION about why you wonÂ’t provide explanations for your ideas. Incidentally, this isnÂ’t the first time IÂ’ve asked you that particular question, and it isnÂ’t the first time you've been upset by it, as anyone who looks at the thread I linked above can see.

As for the suggestion that I'm "posturing," that is as much a projection as your suggestion that I'm a troll. It doesn’t take much insight to see that the person who's posturing is you. I mean, just how many times are you going to write "lol”? We get it. You want us to believe you’re cavalier. Unfortunately, whenever you're challenged by me, or Al, or Learsfool, or anybody else, you get so flustered that your mask of nonchalance slips off, revealing that all the "lol's" and “cheerios” and “tootles” are merely, uhm, posturing.

And finally...
So, you think I believe the things I say, or you don't think I believe the things I say, which is it? i wish you'd make up your mind. Lol
The reason itÂ’s difficult to make up my mind as to whether you actually believe the things you say is that you refuse to show us the real Geoff. IÂ’ve never met Al or Learsfool in person, but reading their posts gives me a clear idea of who they are. I get the distinct impression that I could read every post youÂ’ve ever written and still have no idea who you are. But thatÂ’s the whole point of being evasive, isn't it?

If youÂ’d like us to make up our minds about whether you are a charlatan, a madman, or a misunderstood genius, you have to show us something besides the mask. It isnÂ’t pleasant to look at anyway.

Tootles,
Bryon
Sabai wrote,

"I have not heard of a single "person in the industry" or a single "senior reviewer" who minimizes the importance or denies the existence of "holographic sound".

I kinda doubt you've heard what all of them have said on the subject. I have not seen a single buffalo out in my yard today. Lol
Yesterday played "Larks Tongues In Aspic" original UK release on vinyl through my rig under light influence of canabinoids and could imaginary realize placement of musicians on the stage. Was it holographic effect? I'd doubt it because in the concert you always see musicians in front of you and this so called effect isn't needed as it pushes the sonic reality away.
Geoffkait,
You stated, "I said that your idea of connecting cables in series was unusual, not that the idea of holographic sound was unusual. I would be the last person to deny that holographic sound is achievable or unusual as a concept."

But, in fact, this is what you said, "In addition, there does seem to be a very strong resistance to any idea that is not "normal". It's ironic that the subject of this thread, Holographic Sound, is itself controversial. Hel-looo! Most people have never really heard Holographic Sound. Many people in the industry including some senior reviewers either minimize its importance or deny its existence ..."

You have made direct reference to holographic sound being unusual -- you call it "controversial" -- and now you claim you made no such reference. In fact, to bolster this claim you refer to "most people" never having heard holographic sound and to "people in the industry" as well as "some senior executives" minimizing or denying "its existence". When you refer to "its existence" you are not referring to cables in series. You are referring to holographic sound. I suggest that you re-read what you yourself have written.

I reiterate:

You stated, "Many people in the industry including some senior reviewers either minimize its [holographic sound's] importance or deny its existence." Well then, you had better come up with some specific names of "many people in the industry" and "senior reviewers" who back you up.

I have not heard of a single "person in the industry" or a single "senior reviewer" who minimizes the importance or denies the existence of "holographic sound". Of course, there is a world of difference between minimizing the existence of "holographic sound" and denying its existence.

Minimizing its importance means that the person in question recognizes that it exists but, for some reason "minimizes its importance". Could you please give us the details regarding who "in the industry" and which "senior reviewers" minimize the importance of holographic sound and their reasons for doing so -- and where they have actually stated this? And could you please give us the details regarding who "in the industry" and which "senior reviewers" actually deny the existence of holographic sound and where they have actually stated this?
Sabai wrote,

"My "ideas" about holographic sound are unusual? They are not "my ideas". They are not "ideas" at all. Holographic sound is not an "idea". It is a fact. What do you mean when you say holographic sound is "unusual"? "

Sabai, please read my post again as that is not what I said all. I said that your idea of connecting cables in series was unusual, not that the idea of holographic sound was unusual. I would be the last person to deny that holographic sound is achievable or unusual as a concept.

Cheers
Hi Learsfool,
thanks for your reply. The rest of my post was just highlighting (and hopefully not boring everyone) the point that all it takes to clear the argument between ideas is give it a go. Not so much aimed at you, but just a general point.

I mentioned in a later post that if there is a money back trail period on a tweak, what is there to lose? Trying new ideas surely is part of the hobby?

Maybe the vendors of off the wall products should make it their duty to offer money back guarantees? Then the charlatans will be easily recognised.
Learsfool,
On the contrary, you are a very clear writer. I just posted a reply to your thread about hearing loss, by the way.

I think one problem with threads is that Audiogon does not take care to post replies in the order in which they are posted. I have noticed that my most recent posts appear on the thread before earlier posts. This may cause confusion.

I agree with you about musicians hearing differently than audiophiles. I know my musician friends do not place the same emphasis that I do on the quality of audio systems. It is making music that is their first priority.
Chadeffect - you seem to have misinterpreted my post. You said: "I think the best places to share ideas are places free of anyone deciding what can or cannot be said. As long as there is respect for others."

I do not disagree, in fact I agree completely. My post was about those who do not have respect for others. As for the rest of your post, I am not sure if it was directed to me, as I do not see a connection in it to anything I said in that post. If I have misunderstood you, I am sorry. I know I am not the clearest writer.
Hi Geoff - I am going to assume, despite the facetious reason you give, that your actual question is a serious one. I do not merely think, I know, that my profession will indeed cause hearing loss over the long term. It has been proven that the average professional musician will lose at least 20% of their hearing over the course of their careers. It must also be said, however, that generally speaking, (there are of course exceptions, I unfortunately often sit next to one), professional orchestral musicians often start with much better ears in the first place, and even if they don't, they are certainly much better trained while in school and afterwards.

Judging someone's ears by the quality of their system is silly. Most musicians do not make enough money to afford a top of the line high end audio system. My own system is certainly on the lower end price-wise for folks in this hobby. However, my instrument and it's upkeep are much cheaper than most, and I got very good deals on the equipment I have. Most string players are still paying for their very fine instruments right up until near the very end of their careers. An oboist, the example you used, is constantly buying new instruments, as they only last a few years in general, and also spends more hours making reeds than you do listening to your system. They have to buy all sorts of expensive extra equipment. So for a great many, there is simply not the time or the money to invest in a high end system.

Oh, by the way, I posted a thread a couple of months ago in these forums about the relationship between various sound levels and the lengths of time they can be withstood before there is possible hearing damage, if you care to look it up. It got a very disappointing number of responses, but that doesn't change the value of the info for anyone who is concerned about volume levels and hearing loss.
Chadeffect,
When you stated, "Lets face it to get a holographic sound it is about attention to detail. Each small step adding up to a larger over all effect on the presentation." -- you were exactly correct. The more details that emerge from a recording the more holographic the sound becomes. Each improvement adds incrementally to the holographic effect. And the fewer details that emerge from a recording the more flat the sound becomes. Holography is directly related to detail. There is a lot more detail in CDs than most people realize because their systems are not evolved enough to extract those details.
Hi Theaudiotweak,

When I had a more complex system I played with various ways to drain vibration away or suspend from vibration. It became quite important once you tuned into it. I found it did clean things up slightly.

I found various materials contributed to the sound in differing ways. Some making it sound hard, some sluggish and so on.

It's funny that now my set up is more simplified I don't find it as susceptible to changes of platform or added weight, cones, wood, glass etc anymore. (I haven't had a TT since the early 90s.)

I think now the equipment is so simple that there is hardly anything in it left to vibrate.

Having said that my flea power tube amp is suspended by an air bed and the tubes are damped. The caps are mainly dulunde so are pretty immune to vibration. So there is still a legacy of that approach including potted inductors in the xovers.

Lets face it to get a holographic sound it is about attention to detail. Each small step adding up to a larger over all effect on the presentation.
Csontos

If everything was point to point hard wired that would be the best. If you had a choice of non ferrous shields and how they affect the audio playback chain that too would be audible. Elimination of the fuse and or breaker is audible also. I have replaced the fuse and the sound improved drastically. I have not bypassed the breaker. Tom
Tom, but what if you didn't have a panel and just a single line with no breaker? The wire itself is insulated.
Chad

For me the collection and direction of mechanical energy is the basis of my in home holographic display device. That is my sound system. Tom
I am amazed that people are so offended by Geoffs information or lack of it. I guess we all take comfort in the world we construct around us. So anything that threatens that view is upsetting.

I like to think I'm a reasonable, educated and logical guy. I 1st read about the x pen and those kind of very odd tweaks from PWBELT in the 1990s.

Like most of you reading this I thought it was nuts. But it seems unlike some of you, I tried a sample to decide for myself. If it didn't work send it back. So what was to lose apart from a little time tinkering with the Hifi?

As I mentioned in an above post I had something happen (using PWBELT foils). It was there and the others in the room experienced it too.

As to what happened and why? I cannot help you there. But as a professional who works in recording studios I can say hand on heart the music comming out of the speakers was changed, and for the better. The expression was more obvious.

I wish I could say nothing happened and it was a load of nonsense, but unfortunately and to my dismay something happened.

Lets face it, how could a sticky backed foil placed on a electrical circuit do anything?

Lets say it was all in my head and the couple of friends heads there too. So maybe just going through that process caused us to be effected by the music differently? If so it still worked! We should hand it out at gigs!lol

I'm sure there are many charlatans out there, but if they are offering the chance to try their "product" and return it, why not give it a go? It's all part of the hobby.

If that were the case these following posts would be way more interesting. Because now all we have is the end. Little has been learned or experienced. I thought the point of these forums was to share experience and ideas.
Tom wrote,

"When the concert hall is full and there are not enough hangars in the cloak room and the audience takes their wraps to their seats with them this passive device now on their laps changes the time and energy response within the hall. These additional passive devices were added to the acoustic volume of the hall and are not part of the collective displacement of the hall patrons as intended by the acoustic designer. They are passive and displace air with various forms of reactive mass.

but they are not passive radiators. By your new re-definition everything can be considered a Passive Device. But I'm ahead of you. The Red X Coordinate Pen, the reason I keep mentioning it, actually demonstrates that it is the *words* and other *information* contained in media that affect us. Thus, when you remove books, cassettes, newspapers, telephone books, etc. from the room and the sound improves it is not because the objects are passive radiators or even passive devices, it's because the words and data are the problem. it's why I used the word INFORMATION earlier. If you see what I mean.

You probably aren't familiar with the Japanese fellow who found that placing calming message in water result in beautiful well-formed crystals when the water is frozen but that messages that are negative such as I hate you result in ugly ill-formed crystals. I thought everyone heard about that. It's all over YouTube.

Geoff
Al wrote,

"Thanks very much, Mapman. Your assumption is correct -- I have never had an affiliation with anyone or any organization in the audio industry. Nor with any consumer product, for that matter. My background is in defense electronics."

Cool, my background is defense electronics, too. Small world, ain't it?

"Regarding various statements that have been made by others to the effect that opinions about tweaks are invalid unless the particular tweaks have been tried: While opinions can and will legitimately differ, and widely, about where to draw the line, I would submit that there must be SOME finite limit to the degree of apparent absurdity of a tweak, beyond which it can be rejected a priori."

If what you propose were true, i.e., that absurd or preposterous tweaks or ideas should be rejected based simply on "appearances" there would be no black holes or black hole theory, no faster than sound flight, no space travel, no quantum mechanics, no relativity theory. We can always find people that object to just about any issue in audio you. An come up with. Taking the Teleportation Tweak, the Red X Coordinate Pen and the Photos in the Freezer Tweak, I'd say there actually is no limit to how absurd a tweak might appear. All you kids out there, don't try this at home. Stay in school. Lol

"IMO, a lot of the tweaks that have been mentioned and/or linked to in this thread, especially in the recent parts of the thread, exceed any such limits that are conceivably within reason. And, frankly, I doubt that anything constructive can result from discussion of them, which is why I haven't posted in this thread in recent days."

And that, Al, is why they are *controversial*. What brings you back, the controversy? Lol
Geoff

When the concert hall is full and there are not enough hangars in the cloak room and the audience takes their wraps to their seats with them this passive device now on their laps changes the time and energy response within the hall. These additional passive devices were added to the acoustic volume of the hall and are not part of the collective displacement of the hall patrons as intended by the acoustic designer. They are passive and displace air with various forms of reactive mass. Tom
09-28-12: Mapman
Al has deep technical knowledge in areas that are well documented and communicates clearly and consistently in a manner that I seem to understand. Also Al is not a vendor TTBOMK.
Thanks very much, Mapman. Your assumption is correct -- I have never had an affiliation with anyone or any organization in the audio industry. Nor with any consumer product, for that matter. My background is in defense electronics.

Regarding various statements that have been made by others to the effect that opinions about tweaks are invalid unless the particular tweaks have been tried: While opinions can and will legitimately differ, and widely, about where to draw the line, I would submit that there must be SOME finite limit to the degree of apparent absurdity of a tweak, beyond which it can be rejected a priori.

IMO, a lot of the tweaks that have been mentioned and/or linked to in this thread, especially in the recent parts of the thread, exceed any such limits that are conceivably within reason. And, frankly, I doubt that anything constructive can result from discussion of them, which is why I haven't posted in this thread in recent days.

Regards,
-- Al
Csontos.

I consider damping injurious to energy fields and is non selective in its treatment. I much rather use a different material and or change geometry to redirect the energy. Thanks for your consideration. Tom
Tom wrote,

"Single speaker demo rooms are the only way to audition speakers without undue influence. Empty metal containers with electronic circuitry inside are also passive radiators even when not plugged in. Audio furniture tv monitors all building materials are passive radiators. As you know everything makes a difference..for better or worse is amatter of one's own perception or not."

Not to belabor the point any more than necessary, for the sake of argument let's confine the items to those that cannot be construed as "passive radiators" - LPs, cables, CDs in paper or plastic sleeves (as opposed to jewel boxes), books, magazines, newspapers, telephone books, plants, flowers. If removing any or all of those items from the room improves the sound then the passive radiator theory cannot be the explanation.

Geoff
Tom, I've reconsidered my response to your query regarding the cover plate. I probably don't know what I'm talking about here but I'm thinking the 60hz line frequency may be setting up a mechanical amplifier in your panel. You may want to experiment by damping the cover plate with something. Maybe smearing some silicone rubber on the back side of the plate?
Geoffkait,
Your reply was totally predictable when you stated, "it's ironic and bizarre that you would attack someone who is presenting unusual ideas when you, yourself, are presently unusual ideas." Your ideas are not unusual. They are nonsensical. All of your attempts to sound esoteric and "different" bounce like a dead cat off the forum floor.

My "ideas" about holographic sound are unusual? They are not "my ideas". They are not "ideas" at all. Holographic sound is not an "idea". It is a fact. What do you mean when you say holographic sound is "unusual"? Do you mean it is an "unusual idea" for those who have not actually heard it because they have not upgraded their systems to the point where it becomes a sonic parameter -- and they have never heard it at a friend's or at an audio showroom? If so, then holographic sound may in fact only be an "idea" for them, and, of course, an "unusual idea" because they have not experienced it before.

But holographic sound is certainly not an unusual phenomenon in high end audio. In fact, holographic sound is not unusual at all in high end audio. On the contrary. It is very usual for those producing high end components and cables. In fact, this is one of the things they strive for -- in case you did not notice.

Call up any major component maker and ask to speak to one of their top executives about holographic sound. Ask them if holographic sound is an "unusual idea" or a fact in high end audio. Then write back here with the results of your survey.

Then call up HiDiamond or Synergistic Research or Nordost or Cardas or any other high end cable company. Ask to speak to one of their top executives about holographic sound. Ask them if holographic sound is an "unusual idea" or a fact in high end audio. Then write back here the results of your survey -- and don't just talk off the top of you head.

Where you get off saying holographic sound is an "unusual idea" is very, very odd. Your statement is totally self-serving -- and totally false. Your self-indulgence in pseudo-mysterious talk -- the puzzle wrapped in an enigma -- is very boring because of one special reason. None of it rings true.

You stated, "Many people in the industry including some senior reviewers either minimize its [holographic sound's] importance or deny its existence." Well then, you had better come up with some specific names of "many people in the industry" and "senior reviewers" who back you up.

I have not heard of a single "person in the industry" or a single "senior reviewer" who minimizes the importance or denies the existence of "holographic sound". Of course, there is a world of difference between minimizing the existence of "holographic sound" and denying its existence.

Minimizing its importance means that the person in question recognizes that it exists but, for some reason "minimizes its importance". Could you please give us the details regarding who "in the industry" and which "senior reviewers" minimize the importance of holographic sound and their reasons for doing so -- and where they have actually stated this? And could you please give us the details regarding who "in the industry" and which "senior reviewers" actually deny the existence of holographic sound and where they have actually stated this?

Bryoncunningham,
I agree with you. I think Geoffkait actually believes what he says -- no matter how nonsensical or false. But, unlike you, I do not believe there is much intelligence here because if there was real intelligence here it would not be couched in all of this deliberately vague, convoluted and mysterious talk that twists in the audio wind -- without any more proof than taking an unused amp out of the room changes the sound. Well, that is indeed very deep -- meriting all the attendant and imprecision and obfuscation and gobbledy gook.

Wow -- am I impressed? Hel-looo!
Geoff

Single speaker demo rooms are the only way to audition speakers without undue influence. Empty metal containers with electronic circuitry inside are also passive radiators even when not plugged in. Audio furniture tv monitors all building materials are passive radiators. As you know everything makes a difference..for better or worse is amatter of one's own perception or not. Tom
And I thought we were all having fun here. Too bad because I sure am. I'm equally surprised at Sabai. This thread has not imo morphed into anything. We're still actually on the same topic it started with: delusion. I love Jim Carey in Man On The Moon. R.E.M.'s version too. Send in the clowns.
Bryon wrote,

"This isn't an explanation. It's merely a restatement of the same idea.

You are a puzzle, Geoff. You are obviously intelligent, and you seem to understand how you are perceived. Yet you persist in being evasive when asked direct questions. It is partly for that reason that, in the past, I concluded that you don't really believe the things you say."

Where have I been evasive? Just show me where I have evaded a direct question. You can't even ask a direct question yourself. Just posturing, as usual.

"But lately I've begun to doubt that conclusion. It's become increasingly clear to me that you may actually believe the things you say."

I suspect you are just a troll, don't worry, I don't let it bother me too much. So, you think I believe the things I say, or you don't think I believe the things I say, which is it? i wish you'd make up your mind. Lol

"But if you do, then why be evasive? Why not answer questions directly, thoroughly, and sincerely? IMO, that would silence a significant fraction of your detractors, including this one."

Who are you, the moderator all of a sudden? I'm pretty sure noone here is going to change their thinking based on what I say, especially you. Lol

Sincerely, Geoff
Tom wrote,

"Most everything you mentioned are passive radiators that re transmit energy in the physical and acoustic environment. Nothing new to grasp there. When you remove a potted plant in clay or brass from a room and you say there is a net gain in perception , is that gain because the inorganic material or the organic material was removed from that area?"

Cables are passive radiators? Interesting. A preamp or amp is a passive radiator? A cassette or book or LP is a passive radiator? An unused speaker IS a passive radiator but that's not the characteristic that is germane to the mechanism I'm referring to. Any more than saying that a telephone in the room hurts the sound because the tiny speaker in the phone acts as a passive radiator.

I'm not really sure why the sound improves when taking plants or flowers out of the room, perhaps because we are inclined to "prefer" them in their natural state - in the ground.
Oh, brother... see what happens when I step away for a few moments! ;)

I looked back at the past few days and, Woa! What a turn of the topic! But that's not really surprising given the collective curiosity and intellectual force that is Audiogon! (I include myself in that, for better or worse) :)

I find myself in the incredible position of actually agreeing in part with Geoffkait, something I never thought would happen. Geoff is very level-headed when it comes to his analysis of the extremely low probability of life in space. I have been studying this topic for years and there is a vanishingly low, in other words, less than the Probability Bounds, chance of life forming at random in space.

Mapman, you enthused regarding the comment, "I don't see what all the excitement is about."

Here's what it is about.

1) Mars appears to have once had water flowing on it like earth
2) Water means chance that life existed on Mars once. Finding fossils in the sedimentary rocks would help confirm that.
3) If there was life on Mars once and had technology like ours, they could have visited Earth like we are visiting Mars now
4) If they visited Earth, its possible some life on earth originated on Mars
5) If the evolution of Mars is similar to Earth's, then Earth may be on its way to resembling Mars some day. What will become of us?

I think that is all fascinating at a minimum.
(end of Mapman's comments)

Sorry, but the number of physical criteria for life to have existed on Mars is so slim, so improbable that it's laughable. In short, Mapman, you are being sold a philosophical fairy tale. I strongly suggest you read the terrific work "Privileged Planet" or "Rare Earth", both of which show from a scientific set of data that life doesn't just pop up out there.

I'm sorry, but I would have an easier time handling Quantum audio products than I would aliens seeding the Earth via the ludicrous Directed Panspermia theory. And since I'm not into the Quantum products, you can bet I find no intellectual satisfaction with the "Aliens did it," argument for Evolution.

Just so we're not confused here, I'm not giving any kind of support or endorsement of Quantum Doodads or other Quasi-Tweaky devices. But I can't sit idly by while fantasizations of life Out There is tosse about while the hard evidence we have suggests otherwise. For every panetoid object which has one similarity to Earth it will have hundreds of dissimilarities. The books I mentioned previously show that even if all the potential "Earths" were found the odds are vastly against any of them having the right set of conditions for life as we know it.

Now, if it's a religious thing, to worship at the feet of science, hey, then let's call it what it is, but let's not call that science - unless science has become so unhinged from sensibility. :(
09-29-12: Geoffkait
...the reason the sound is (relatively) distorted and compressed and noisy is because of the influence of the immediate environment on your sense of hearing. Somewhat analogous to radio frequency interference affecting the performance of a sensitive receiver. But everything is relative so I can certainly understand your objection to someone saying the sound of your system is not all that you think it is. Let me give you some examples. If you remove all CDs from the room you should notice the sound improves quite a bit. That is because the CDs (media) themselves are bad for the sound. So are LPs, DVDs, cassettes. This is an example of how things in the immediate environment affect the sound you hear.
This isn't an explanation. It's merely a restatement of the same idea.

You are a puzzle, Geoff. You are obviously intelligent, and you seem to understand how you are perceived. Yet you persist in being evasive when asked direct questions. It is partly for that reason that, in the past, I concluded that you don't really believe the things you say.

But lately I've begun to doubt that conclusion. It's become increasingly clear to me that you may actually believe the things you say. But if you do, then why be evasive? Why not answer questions directly, thoroughly, and sincerely? IMO, that would silence a significant fraction of your detractors, including this one.

Bryon
Geoff

Most everything you mentioned are passive radiators that re transmit energy in the physical and acoustic environment. Nothing new to grasp there. When you remove a potted plant in clay or brass from a room and you say there is a net gain in perception , is that gain because the inorganic material or the organic material was removed from that area? Tom

Sabai wrote,

"Let's examine carefully Geoffkait's statement: "What you are hearing is a distorted, compressed, noisy facsimile of what is actually coming from the speakers."

Distorted by what?
Compressed by what?
A facsimile that comes from what source?

Geoffkait's statement is what I would call GOBBLEDYGOOK. Plain and simple. Nonsense Talk."

Sabai, the reason the sound is (relatively) distorted and compressed and noisy is because of the influence of the immediate environment on your sense of hearing. Somewhat analogous to radio frequency interference affecting the performance of a sensitive receiver. But everything is relative so I can certainly understand your objection to someone saying the sound of your system is not all that you think it is. Let me give you some examples. If you remove all CDs from the room you should notice the sound improves quite a bit. That is because the CDs (media) themselves are bad for the sound. So are LPs, DVDs, cassettes. This is an example of how things in the immediate environment affect the sound you hear.

More examples: If you remove all *unused* components and speakers and cables from the room, if they are just lying around, you should notice that the sound gets a lot better. That's because those items are inherently bad for the sound. If you have any flowers or plants in the room, remove them and you will find the sound improves. If you have magazines and books In the room, take them out of the room. Same with all batteries. These are some common examples of what I'm referring to. There are many others.

Cheers
What we have here is failure to communicate. Do you not think I realize my statements are new and provocative? Do you think I have not seen the same knee jerk reactions many times in the past. Grown men who have been in this hobby develop their own belief systems based on what they experience and to a certain extent what they read. Obviously we do not all reach the conclusions about a variety of things, that's just how things are. The reason why there is such *polarization* on a number of subjects in this hobby, e.g., cables, fuses, directionality of wire, cryogenics as well as the ones related to Belt products, or my products for that matter, and mind matter interaction is most likely due to the simple fact that we believe what we chose to believe. In addition, there does seem to be a very strong resistance to any idea that is not "normal". It's ironic that the subject of this thread, Holographic Sound, is itself controversial. Hel-looo! Most people have never really heard Holographic Sound. Many people in the industry including some senior reviewers either minimize its importance or deny its existence.

Sabai, The Red X Coordinate Pen has no relation *whatsoever* to any pens used for CDs, green, black, whatever, that you might be familiar with. It is nothing so, uh, mundane. The Red X Pen is an demonstration of some of the concept I've been try to get across that seems to have fallen on deaf ears, or closed ears - that the sound you hear is easily influenced by phenomena that have nothing whatsoever to do with the power to the wall, the audio signal anywhere in system, or the acoustic waves in the room...or how you hook your cable together! You completely missed the point of my posting the review of the Red X Pen and its significance to this discussion. As I said, we believe what we chose to believe. Sabai, if you don't object too much to my saying so, it's ironic and bizarre that you would attack someone who is presenting unusual ideas when you, yourself, are presently unusual ideas. Cables in series, indeed. Hel-loooo! Lol

Cheers, everyone

Geoff Kait
Machina Dynamica
We Do Artificial Atoms Right
Regarding mars, I was under the impression Europa was the more likely place to find life. It's a world (moon) of ice which is being pulled by gravitational forces large enough to create heat deep inside leaving liquid seas due to all the friction.

So it's a place with water and heat completely sealed in by a shell of ice. Sounds more promising than mars which probably didn't really have long enough as a fertile planet, with an atmosphere with running water to let complex life forms develope. But there is only one way to find out...

I think we are begining an understanding that life is more likely than unlikely.

Learsfool,

I think the best places to share ideas are places free of anyone deciding what can or cannot be said. As long as there is respect for others.

Who is to decide which ideas are good or bad or whose experiences are real or not? As I mentioned in an earlier post, unless you have tried it you have no opinion. Just ego.

I find it odd that many posts decend into arguments about equipment or even tweaks people have not heard or even tried.

The "fuse" debate and the "cable"debate are always full of it. So do we let the some just erase these posts all together?
Mapman,
When you mentioned "the line between useful information and nonsense", I think it is abundantly clear that there is no line here. This is pure unadulterated nonsense -- crazy talk for the sake of hearing its own voice -- as we see so many times on Audiogon forums. In fact, this is so predictable that it becomes supremely boring watching the same scenario play out time and time again here. So, if this is the way Audiogon wants it, let this thread be taken over by nonsense and let it die in nonsense talk, like so many other Audiogon threads have. I could not care less.
Learsfool,
I agree with you completely when you state "simply banning those type of folks that are just insulting and contribute nothing useful." It is odd that Audiogon often lets these "type of folks" dominate threads while others either back off or have their replies disallowed.
Its a funny thing about high end audio that the ine between useful information and nonsense can be so hard to determine. Its a fertile environment for obfuscation and other forms of malcreant behavior. Money talks...
Learsfool, I was wondering if you could answer a question for me. As a professional musician (French horn) in a major orchestra, do you think that sitting in the orchestra in close proximity to all of the other musicians night after night in any way damages your hearing? The reason I ask is I once visited another professional musician in a major orchestra (oboe) who happened to have one of the worst sounding systems I ever had the misfortune to hear. Thanks in advance.
FWIW, Bryon, I agree wholeheartedly with your last post. Some of the stuff that is frequently posted here and in many other places is just plain crazy. Hope this comment doesn't get deleted, but it seems to me that the Audio Asylum does a better job of simply banning those type of folks that are just insulting and contribute nothing useful.
Mapman, take a deep breath. People have been getting all worked up about the possibility of life on Mars for, what, 200 years? Not very much different than speculating about UFOs and the possibility of life on other worlds. For the most part it's the stuff dreams and science fiction (e.g., the recent movie Prometheus) are made of. Not that's there's anything wrong with dreams, or science fiction, or wondering where we came from or What it All Means. By most accounts, including NASA, Mars is simply too small to have much of an atmosphere of any kind, and the one it does have is primarily carbon dioxide. Mars has much more in common with our Moon than Earth. Not a very promising scenario IMO for supporting life other than perhaps bacteria.
Bryoncunningham and Douglas_schroeder,
You fellows seem rather level headed. Why don't we let everyone who wants to "step into the ring" at Barnum and Bailey enjoy themselves while the three of us and any others of like mind carry on a conversation among ourselves about holographic sound. Alternatively, the moderator might want to close the thread so the Barnum and Bailey show can look for another location to pitch their tent. Which would be just fine by me. LOL.
"I don't see what all the excitement is about."

Here's what it is about.

1) Mars appears to have once had water flowing on it like earth
2) Water means chance that life existed on Mars once. Finding fossils in the sedimentary rocks would help confirm that.
3) If there was life on Mars once and had technology like ours, they could have visited Earth like we are visiting Mars now
4) If they visited Earth, its possible some life on earth originated on Mars
5) If the evolution of Mars is similar to Earth's, then Earth may be on its way to resembling Mars some day. What will become of us?

I think that is all fascinating at a minimum.

I doubt the sound of my stereo will be impacted in the short term though.
Mapman wrote,

"Seriously though, the Mars rover sent back pics recently of what appear to be sedimentary rocks formed by liquid flow (likely water) on the surface of Mars. Now that really is big in terms of increasing probability of life on Mars in the past and outside of earth in general! Can't wait to learn what is discovered there next....."

I don't see what all the excitement is about. I'm serious. Water on Mars, no water on Mars, what's the difference? Hard to get excited about the space program, if you ask me. But it did have its moments, I'll give it that much. Audio is much more fun anyway. AND way more mysterious than a bunch of rocks. lol
Mapman,

Our understanding of not only our solar system, but universe will be greatly changed and expanded upon with the amazing feet of landing curiosity on mars, and the amazing new telescopes being built.

Fascinating times.