45 years ago, when I spent a lot of time in movie theaters, our Dolby techs would put a microphone half way back in the seats just to right of center and set center channel at 85dB, left & right at 83dB and the surrounds at 81dB (using pink noise).
Pass x-250.8, Bricasti M1se with network card, specialty Tekton Encores,( all 175lbs each) 30'x60' 16' ceilings shop, dual SVS SB4000 subs (listening area 1/3 of that, speakers 12' apart 15' away, stream qobus via Audirvana Rock and roll only, mid 80's to low 90's ( due to speakers efficiency, all done within class A of AMP) Metallica, Pink Floyd, Led Zeppelin, Lynyrd Skynyrd etc. 72 YOA, still with pretty good hearing! Also Project RS2T with linear power supply. YOU ARE THERE! closer than you think after a Buffalo Trace or 2. Robert TN A shout out to you all for your help and assistance over the years, Thank you, and Audiogon forum |
To me, every song has its optimal volume setting. I rarely listen above 90dB. OSHA protocols state that risk of hearing loss is minimal with avg 85dB over an 8 hour period. I use hearing protection while vacuum cleaning vinyl and have a decibel meter on my phone. It's amazing how loud everyday activities can be. Riding with the top down in my car is 105 dB! No radio. On another note @mulveling - are you running the KT-88's in your amps and how much heat do they create. I have the Sig 200's and they are warm here in Florida. I will have to look closer at upgrading the amps as I have the Master Phono pre |
exactly. I’ve said this many times to the dismay of people who say (usually parroting what their dealer told them) something along the lines of, “but it provides more grip” or “but the transients come out better with more power”. If you are listening to 2 or 3 watts, the 50th watt or 80th or 405th watt are literally not even being created or accessed whatsoever. Just use a true RMS meter on your speaker wire and see for yourself. Press the “peak hold” button and see the highest number that gets hit. It’s that simple. I’ve built many amps and power supplies and learned this first hand. |
" I’ve said this many times to the dismay of people who say (usually parroting what their dealer told them) something along the lines of, “but it provides more grip” or “but the transients come out better with more power”.
I have fifty years of experience in pursuing high end audio. Solid state amps benefit greatly from more power in the vast majority of cases. No dealer has to tell me that, it's not a rule of thumb to benefit sellers of high powered amps. |
I match the DB level to the year of release. So wish you were here at 75 DB is ideal. Burning down the house by talking heads at 83 db is fantastic. Gets to be a bit of a trial listening to car wheels on gravel Road by Lucinda Williams at 98 db. Can't yet hear anything made this century unfortunately |
While I can relate to music "coming alive" at a certain volume (average 65-70dB in my room), I’m astounded by some of the higher listening levels posted here. I don’t expect I’ll ever have the resources to experience what @ghdprentice describes, but I’m OK with that.
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