Here's a short list that fit my criteria, which is: pre-1980, well suited to a wide variety of music, works well in a domestic environment, and has a treble range that's smooth and well-dispersed enough to sound reasonably "modern", whatever that means. I also need to have spent some time with them personally . . .
AR-3
ESS AMT-1
AR-1 with ESS tweeter added (fairly common in these parts)
B&O Beovox 5700
JBL L212
Empire 9000M
All of the above have given me that impression of "Damn! Those things are HOW old???", and I could easily enjoy them as my only speakers . . . maybe with the exception of the Empires on aesthetic grounds. And a few that don't quite make the list:
Quads . . . I absolutely love them, they're wonderful. But play some rock or crank up some jazz, and they sound like somebody brought a Jaguar E-type to a drag race . . . disappointing.
Horn systems (radials, sectorals, multi-cells, slant-plates, etc.) in my opinion never sounded very smooth until constant-directivity horn designs came out in the 1980s. This throws out lots of otherwise great speakers, which can sound like somebody brought a big-block Chevelle to a road race . . .
Also, the chapter of loudspeaker history marked by the ubiquity of little paper-cone tweeters (a la JBL L100, McIntosh ML-anything) is one that I'm really happy is behind us.
AR-3
ESS AMT-1
AR-1 with ESS tweeter added (fairly common in these parts)
B&O Beovox 5700
JBL L212
Empire 9000M
All of the above have given me that impression of "Damn! Those things are HOW old???", and I could easily enjoy them as my only speakers . . . maybe with the exception of the Empires on aesthetic grounds. And a few that don't quite make the list:
Quads . . . I absolutely love them, they're wonderful. But play some rock or crank up some jazz, and they sound like somebody brought a Jaguar E-type to a drag race . . . disappointing.
Horn systems (radials, sectorals, multi-cells, slant-plates, etc.) in my opinion never sounded very smooth until constant-directivity horn designs came out in the 1980s. This throws out lots of otherwise great speakers, which can sound like somebody brought a big-block Chevelle to a road race . . .
Also, the chapter of loudspeaker history marked by the ubiquity of little paper-cone tweeters (a la JBL L100, McIntosh ML-anything) is one that I'm really happy is behind us.