referencing vs plug & play

Hi glupson

Referencing is a recording term we used as far back as the late 70’s that I can remember. I’ve probably explained this a couple of times on this forum but for this threads sake, when a tape runner was in charge of referencing a recording it meant we went along with the tape to the different studios to make sure the sound was the same each place it went. For example if I ran a tape from the main studio to one of the private studios for the BeeGees when I got to one of the listening rooms I would explain what was going on so if Robin wanted to make a change I could "reference" that change when I got back to the main studio. Or we could do a dup and make a change right there for me to take back for the others to hear. I’m trying to give a short version of this, but it’s more or less involved depending on who the artist or engineer is. Many musicians have their private studio and play around forever and some guys could care less once they do the actual playing.

You’ve heard of "Mastering" or "Re-Mastering" a recording. A Master is either an original cut or an original cut of a change. With Mastering you vision that first generation of a recording but that’s really a generalization with multi-mixing. That first cut may be laid down but as soon as you start making passes it’s no longer a virgin cut. It depends how picky you are and how many versions you want hanging around, but referencing for a tape runner meant you were the guy who knew the recording as it went through the different stages and what tape was where and what generation of the tape it was. Referencing referred to "a point of reference". As Multi-tracking and storage became more involved referencing evolved. Keep in mind the technology of recording changes very quickly.

For me referencing carried over into playback naturally. With the audio chain referencing is a matter of knowing the original setup sound "reference" as a whole and then being able to see how the sound changes as a physical change is made to the chain. Plug & play is when you do a basic setup "plugging something together and then playing it without tuning the sound in". Referencing is when you put into action changes and want to follow the sound changes to the Audio Code. The Audio Code is the signal + mechanical conduits interacting with the audio signal.

MG

Can we go a step or two back?

What does the word "referencing" mean here? How did it find its place in this context?

Hi inna

My season for wood voicing started about a week ago. I have over 200 pieces I’m working on right now. This stock of wood has been curing for over a year now with me doing a flip every morning and every night. I voice from 100 grit to 6000, and up to 12 layers of finish with curing and sanding in between each application. Each piece is hand sanded and some when requested human oil rubbed by me personally. Likewise the Rev Signature Drivers are done by me personally. The baskets are hand voiced redwood that I mix special and apply myself. The development of these designs are done in a tunable room with mechanical adjustments every 14.5".

By your post it didn’t appear you knew how much listening and voicing I actually do. It’s pretty much non-stop all year around, every year, every day. The next tunable room I do here maybe you should come visit and see for yourself what I do. I think you will be satisfied by the amount of effort I put in. It’s probably hard to tell on these audio forums what someone does or doesn’t do, and the hype is staggering, but that’s when people should see for themselves. I will admit I disagree with the amount of negative spins that happen on this forum and feel it comes from people who should possibly come experience for themselves instead of jumping on workers doing and loving their lifetime of experiences. If members really took the time to do a little research on the people they toast, for no good reason other than to get a rise, I think there would not only be a better understanding but also a respect for others efforts. Maybe I’m being too sensitive but that’s because I pour every bit of my sensitivity into what I do. I’d like to win over your support since you happen to own my designs. I also appreciate Audiogon letting me come here and share, and who knows maybe a little of the tune will rub off here.

I think this place needs more respect for each other and curve back the bad karma vibes a tad. Music is the last place bad vibrations should be happening, and when people ask others to have a thicker skins I can't help but feel this is the opposite thing we should be asking.

MG

Hi inna

That’s pretty good hearing inna. What speakers do you use? They must be pretty special, wink.

I guess I should also ask you and Kosst what type of grit do you prefer when doing the cymbal voicing in one of the Tunable Rooms?

http://tuneland.forumotion.com/t52-the-tunable-room

MG

"The problem with Recommended Components from the likes of Stereophile and TAS is that the listing is provided in a vacuum."

It was a fun chapter in this hobby but with the internet now I'm looking forward to system threads. On my forum, old and new, we have mostly system threads. That's what I see forums becoming. A place where listeners have threads documenting their system's journey. These give so much more detail than any reviewer's review could.

And the big plus is, there's no need for arguing.

The best years of this hobby are ahead of us, I think, because everyone is an expert in their own right. It's dependent on how far someone wants to go and there's no limit to how far a person can go.

MG

Now the flip side "referencing".

One of the ways to tell the difference between someone who plug & plays and someone who references is the way the listener describes his or her system. Someone who does referencing rarely talks about their system in terms of money. When people come up and talk about how much they have to spend for fair, good or great sound they don’t really understand the audio chain and how it works. These folks think that a component makes the sound as opposed to the audio chain making the sound.

For folks who explore the audio chain there’s a certain maturity level that is recognizable. An importance is given to the entire system start to finish without excluding any part. These listeners don’t make hasty judgement calls and are students of audio not dictators. Someone who references could care less if you’re using a receiver or separates. They could also care less if you listen differently than they do.

But the main difference between someone who references and someone who plug & plays is, the guy who references you can sit in their chair and listen to a piece of music then make a request of how you would like it to sound different and they will know what to adjust to give you that sound or at least be able to show you the variables. Plug & play guys will blame a recording where reference guys will know how to get the most out of a recording. And not only the most by their criteria, but also by another persons view of the way they want to listen to the same piece of music even if it is a different perspective.

Reviewers are mostly plug & play guys, trading out stock for stock. A listener who references has moved beyond reviews and has found tricks within his audio chain that give him the power of system control through variables.

MG

Back in the early 80’s I was an engineer in TV and Sound and thought it would be cool to have a stereo store. I was still doing some touring but it was the first time I was somewhat settled in one spot for a time. I had done "audio chains" before with my own stereos and studios but having a store of my own gave me many systems to play with. I had some great listening friends who made my place their home away from home and many times they would watch my place for me if I had a concert or show. Every time a component would arrive it would get the royal treatment. I don’t recall ever just dropping a component into a system replacing another component. When a product came in a system was designed around it anew. The Stereophile Class Recommendations was a trip the first time I saw it. I had extra cash so I started ordering many of the products right from the Recommended Component section.

What I noticed right off the bat when doing this was how each component needed it’s own set of conditions to get past that basic box soundstage. If not the system would stall out in certain parameters and never really get exciting like I was use to. Didn’t matter what component I used or what the price doing a plug & play setup was boring at best for me and my friends. We would visit the other stores in Atlanta and the soundstage "box" was all we heard. We started going to the CESs and again that same basic "box". When we would come back to our place even our least expensive setup pretty much blew away the "box" soundstage.

fast forward to RoomTune

When RoomTune came out and news got around I pretty much was on listening tour from then on traveling around the world and doing every reviewers system on the planet it seemed as well as every trade show. How did the reviewers systems sound? That same "box" so I would give them a tune up. How did the systems sound at the trade shows? "box". There were a few folks starting to get into more of a real size/ real space stage in the early 90’s. That said, I have never heard a plug & play setup even come close to a realistic soundstage. There are I would suppose hundreds of thousands of audiophiles out there that have and are able to maintain killer soundstaging and do it consistently with big music collections. I’m not sure those people are here on this forum, why would they be? I doubt any of them are interested in equipment collecting. Some might be on the music forums here. The ones who come up to make smart A** comments about others certainly have no idea what a good soundstage is, or they would be listening to it instead of all their efforts to be rude to others.

How do trade shows sound today? "box". You can't make a soundstage at a trade show in 3 days. Dealers? Well if they're hooking up equipment for others not tuning them in "box". The only way to really get your mind around a real soundstage is if you know what it takes to create one, and if you know that then you also know dropping a component into the middle of a system that is tuned to another component doesn't do it. You're for sure in "box" stage mode.

MG

Sorry I was late getting here today, subwoofer drivers day. I enjoy making drivers. I had 3 listeners stop by today all saying "we have never seen anyone do this before" referring to my wood voiced speakers. Doing the before and after for the one fella got a big reaction "why doesn't everyone do this". My reply was "because many designers believe drivers are for moving air not having a tone". Next question was "will you make me one"?

Getting here minutes ago the first words I noticed were "street cred" and of course smiled "HEA has street cred"? I don't think HEA has had street cred in the audiophile hobby since the mid-90s. Any hobby that spends more time in disbelief then doing the hobby itself has a serious cred issue.

Michael Green