referencing vs plug & play


This last couple of months more of you have been getting ahold of me, it's cool don't stop. I enjoy working on your systems and especially enjoy some listening together. Something though is coming up often and it's making me wonder if somewhere along the way someone has dropped the ball when it comes to comparing components. In talking with a few of you I've learned that a lot of you are dropping components into your systems and comparing without dialing your system into the new set of conditions. Back in the early days of referencing, before plug & play, when we made changes to a system we treated the system as if everything was starting from scratch. We knew that if making a component swap took place that we were going to need to make the rest of the audio chain suitable to accommodate the new signal path. "make a change anywhere in the flow and you've made a new flow"

When the plug & play audio clubs started popping up my friends looked at me as if these folks were off their rockers. I just figured they were doing something interesting but weren't really serious about club night, more than a chance to mingle. It's kind of the same thought as a trade show. You don't really take them serious, but it gives a chance to meet and greet. Saying this, I'm starting to think possibly I was wrong and plug & play has become the norm over actually referencing systems. My mind tells me this is nuts, right, but I'm hearing more and more that HEA folks are actually simply dropping components in mid chain and that's it. So I have to ask.

You do realize plug & play is different from referencing a system change don't you?

please be respectful to each other, thanks

Michael Green

128x128michaelgreenaudio

Showing 2 responses by inna

Yes, Michael, your Rev80 speakers are very sensitive to everything, and that's a good thing. 
Don't know about Koss, I only voice guitars. Final touch in voicing - you read aloud particular lines from Classical Persian poetry in a particular way, different of course for each instrument. 
I always match the quantum signatures of all the pieces in the chain.
I both blame the recordings and know how to get the most out of them. I can hear the difference in sound with and without one week's dust on top of my speakers. When Michael is able to do that then I will listen.