@tooblue - is there Allnic phono stage with XLR inputs? I am not aware of any. Thx
Looking for phono preamp suggestions
My system
sme 30/2 with Dynavector 17dx catridge, cardas clear beyond phono cable with xlr termination ,
ayre kx-r twenty preamp ,
ayre mc-r twenty monoblocks
kef blade speakers
cardas clear cables for rest of system .
cureently using ayre p-5 Phonostage .
asking for recommendations for upgrading the phono stage .
requirements xlr inputs and outputs.
looking for more depth and separation in sound stage and more sweetness / magic/ romance
Thanks in advance .
sme 30/2 with Dynavector 17dx catridge, cardas clear beyond phono cable with xlr termination ,
ayre kx-r twenty preamp ,
ayre mc-r twenty monoblocks
kef blade speakers
cardas clear cables for rest of system .
cureently using ayre p-5 Phonostage .
asking for recommendations for upgrading the phono stage .
requirements xlr inputs and outputs.
looking for more depth and separation in sound stage and more sweetness / magic/ romance
Thanks in advance .
68 responses Add your response
There is a tube and SS camp among the members If you REALLY want to get tube freaky- NVO SPA II. It was an Agon darling awhile back. https://nvoaudio.blogspot.com/search/label/SPA-II%20Tube%20Phono%20pre-amp https://positive-feedback.com/Issue57/nvo.htm Rarely listed used. |
You may want to consider van den Hul’s The Grail SB phono preamplifier. It’s fully balanced, battery powered, has current-mode inputs and sounds lovely. A professional review. A youtube review of the entry level model. Cheers, Colin van den Hul dealer 615-838-7178 https://gestalt.audio |
With your strict all balanced requirements you should take a look at Boulder. If you are limited to one cartridge and 100 ohm load impedance is suitable, the 508 would be a great value at the price (ca. $5000). If you need more flexibility with two inputs, any load impedance you fancy and alternative equalization curves for pre RIAA era records, the 1008 is a great choice. I’ve been using this device for years and never felt the need to upgrade. It’s hugely dynamic, totally transparent, very neutral and dead silent. Your system is certainly up to it. The 1008 originally cost around $12k in 2009, but it’s now deleted and replaced by the new 1108. The difference seems mostly cosmetic to match with the new 1100 series amps and the inevitable price increase. Hunting down a previously used 1008 might be a more interesting option. If you can find one, they don’t come around very often. You didn’t mention budget, but if price is no object, there are far more options. A sign of the times I guess. A used Boulder 2008 might be located at a reasonable price, but after that all bets are off: Boulder 2108, d’Agostino Momentum, Soulution, Ypsilon, the list keeps growing. All fully balanced and all fully unaffordable for us regular folks. Good luck with your search! |
the Luxman Does not have balanced input. i want to run balanced from needle to speaker . i am not a big fan of the 17dx catridge. I am working with my local dealer to get a good deal on a Lyra Etna lambda catridge . Hopefully soon currently my digital front of lumin u1 and ayre Qx-5 twenty with cardas clear interconnects bests the analogue front of sme and 17dx and ayre p-5. I am trying to get my analogue front to sound better . |
@three_easy_payments Re the Luxman EQ-500, I note that depending on the selection between the two LOMC gain modes it provides it presents the cartridge with a load impedance of either 40 ohms or 2.5 ohms. While the OP’s 0.3 mv cartridge has a recommended load impedance of >100 ohms, and an internal impedance of 32 ohms. Doesn’t seem like a good match in either gain mode. Best regards, -- Al |
Herron VTPH2 Aexcellent phono stage irrespective of price. I have one and use Telefunken NOS tubes which was a nice upgrade. http://www.herronaudio.com/vtph2specs.html Chuck |
There's a Chinook SE listed right now for $1400...should check your boxes and a tough to beat price. (no affiliation) https://www.audiogon.com/listings/lisa357j-manley-chinook-phono |
All of us with the Herron are extremely pleased. Depth, separation and sound stage are superb. Sweetness, magic and romance however are relative. I would call it neutral, in the best sense of the word. Warm, rich, natural. You may want to look at an all-tube design. Even then however pay attention to listener reviews as not all tubes are sweet, let alone romantic. |