Laying it on the line


After years and years of reading and posting on Audiogon, I want to lay a few things on the line about equipment and sound. I am no expert by any means but I think my experience has taken me to places where nobody else has ever been. I want to share some thoughts and I will probably get all kinds of comments some kind and some no so kind but hey, like the title of my forum thread says, I'm laying in on the line. I hope this will be helpful to some anyway as I have been guilty of most of this also.

Here goes:

Over the years I have read the tube versus SS camps. Read about different sound descriptions such as warm, musical, lush, liquid, soundstage height and width, NOS tubes, capacitor upgrades, speaker placement, cables, cables and more cables, isolation thingies, matts, dampeners, AC treatment, cones, spikes, room treatment, placement (you get the idea). Then there are sources, DACs, preamps, amps, speakers, shootout after shootout, comparison after comparison, system/component matching, upgrades, modifications, etc., etc., higher priced gear versus value, bang for the buck, etc., and PC audio versus CDPs.

So where am I going with all this. Most of what I read here is IMO a waste of time. To me it all comes down to your source and then down the chain in the line of where the signal goes and ends. Cables, tweaks, etc., are the last thing to me and to be honest, I don't use anything special as the improvement versus the cost was poor if any. I see to many threads where the people replying to them have high priced speakers and a so-so source or vise a versa, etc. I am guilty of not posting my system until recently and while recently reading threads I see lots of comments/suggestions but many commenters don't have their system listed. What are the best threads are really funny because most people are comparing components that they heard at a dealer or in their own system. Upgrades/modifications are funny to. The last several years my partner and I began building a tube preamp. We both learned so much from the experience especially when we used all the recommendations about NOS tubes to try, capacitors to try, volume controls to try all based on forum threads. What we came to realize is that most of the recommendations were a big waste of time. Most of you don't really know crap probably because your system limits you to hear only what it can produce. I cannot tell you how many times I have had recommendations about something only to try it and be totally unimpressed. So I kept saying to myself why this is. Do these people need hearing aids? How can they say this about that and I get the product and it does nothing in my system? It became clearer as my partner and I began the journey in building our own preamp and repairing/upgrading/modifying components.

OK, OK, what is this really all about and what did I learn. I learned that most manufactured components are built to a price point and many manufacturers really don't know sound. When you look inside a $10K preamp, the parts are nothing special such as capacitors, resistors, volume controls. I see many comments about how someone upgraded the RCA jacks and IEC and how much of a difference that made, holly crap! I see upgrades costing $2K-$5K, holly crap! I know parts are expensive but come on, most of the sound improvement could have been achieved with a lot less if someone really took the time to experiment to see what part really had the biggest impact on the sound versus replace every low priced part in the component. I have read about how different people who modify gear are geniuses? Really, I found most of them to just do more of the same old. Few if any changed the design of the component so are better parts really that much of an improvement? How do they know what capacitor or resistor works they best in that component, did they try them all? How do you know if they like the sound that you prefer? I changed the filament resistor on a power amp recently to find that it made a huge impact on the sound. Why didn't the manufacturer just use this $.99 resistor? Well that is because AC voltages differ in the different parts of the country so they picked a universal value. Holly crap, it was that simple and I did not have to upgrade RCA jacks, the IEC, tube sockets, capacitors, resistors, power cable. BTW if you send me your amp I will do the modification for you for $1K!

OK enough of this, here goes:

The price of a component means nothing to me as it relates to the sound (bigger isn't better, only sometimes).

Most upgrades are a waste of time if you are just swapping out the parts, sonic benefits yes but generally not versus the cost of someone doing your modification.

Your source is the most important component IMO so take the time to get that right first.

I don't like SS preamps. I have not found one that gets the piano correct (I’m gonna get slammed for this). Most of the tube preamps I have heard are nothing special unless they don't use capacitors in the signal path. Capacitors produce a sound no matter what so get them out of there (yes there are capacitors that are better than others – I am really gonna get slammed here to). They are what most of you are hearing when you compare preamps. They color the sound so that makes it hard for you to know what the system is doing (sounding like). That is most likely why you hear what a cable in your system does but the same cable in another system does not sound like it did in your system. The hump in the mid-range/lower bass may be all caused by the cap in your preamp and not your speakers or room. Your preamp probably limits the sound coming from your source in areas such as resolution, soundstage, clarity, depth, TONE (did I mention TONE), speed, edginess, hardness, sounding SS or digital, bass definition, air, openness, etc. Also, the chassis has a sound, at least dampen it.

Power amps, they amplify the sound. My old Lafayette KT-550 tube amp made way back in the day still sounds and competes with current power amps today even in stock form with old caps and resistors and nothing special tubes. An old FM Acoustics SS amp beats most SS and tubes amps that I have heard. My dare I say upgraded Counterpoint amp competes with current amps today (cannot believe I set myself up for this one but the old amps are just unreliable because of the mosfets)! I am not sure but so far IMO, the amp seems to be the least important component in getting the best sound from my system. As you can see by my comments, my experience is limited in this area even though I have heard tons more amps than most of you will ever hear. If I ever decide to build an amp I will probably learn more about them and be able to make better informed comments. In doing some modifications to amps and repairs I have begun to understand how certain upgrades change the sound but I do not have a definitive recommendation on it all yet. I’d have to think about it some more and then maybe a little more.

Speakers. I searched and searched for the perfect speaker. There is none. They all are limited to and reproduced what the components send to them. I have three pairs of speakers and they each do something that I like over the other ones. When I upgraded my source and preamp I found that the sound of the speaker changed and so did some of the issues in the sound that were now eliminated. Funny, I may have sold a few of them until I changed those components. That is why I find comparisons of gear not to be trust worthy. I recently went to hear the ZU Audio speakers. Based on all of the comments here on Audiogon, I thought that I was going to hear something very special. At first take after I heard the first two pairs of speakers, I said to myself, what the heck are you Zu speaker people hearing. They must all be deaf. BUT understanding what I have been trying to say in this thread, I thought to myself, the speakers cannot be this bad and looked to see how the line of components was affecting the sound. I told a few listeners that the amp was the issue; it could not drive the speakers even though they are very efficient. Someone in the group swapped out the amp and there was now such a huge improvement in the sound. Now we are taking I thought to myself. So you ZU speaker fan boys can really hear! I was almost guilty of the same old, same old.

In conclusion, if you are posting your opinion here on Audgiogon that is fine but list your system so we can have a base to understand how the sound is produced in your system. Post helpful comments and stop all the pissing matches; your pecker is not really that big (mine if the biggest). Know that hearing a speaker at a show does not represent how it really sounds. Understand that sound comes down the line of the components and it ends with the speakers.

Last, in all honesty, I did this forum thread because I read a thread today that mentioned a well-known reviewer and that his thingie did not work out the way he said it did in a particular system. Well probably not in that system. So should I think that that particular reviewer is dishonest, cannot hear, sold out to the man? In my limited experience reading reviews and meeting a few reviewers, I have come to realize that they are in a no win situation. They fall into the love’ m or hate’ m camp. Most of you have not heard the sound from a reviewers system so you will never get to hear what they hear. I only trust a few of the ones that I have met and have been able to hear what they hear in their system. My system will probably never get there no matter what I do. The first time I heard one these systems, my thought was to sell it all and just get a Bose Wave Radio because I will never get there. But I love music and all I need to do is build a system that I like to listen to and forget about that comparison. I like many of you want the best from my system and that is the love of being an audiophile. Like I have stated above, if you begin to understand the line of components in the system, you can get a better understand of what they are hearing when they do a review. Don’t hate them for this, learn from it. This is a business, like it or not. Reviewers do get perks! So was the comment on the thingie that the reviewer showed another piece of snake oil? Well no, not to me as that same thingie worked well in my system.

I do cherish the people who I have met on Audiogon and consider many friends. I did not post this to be a prick or know-it-all, but just to help many understand why their system may sound the way it sounds and to keep an open mind when others post comments. Opinions are opinions but also please understand that a few of us know when you are posting BS or are a fan boy of a manufacturer.

Happy Listening.

Bigkidz

bigkidz
I would wager that ive been to more shows in my life than the op. I'm only 45. My first gig was 79 or 80.....Rush Hemispheres. Ive traveled to several different countries for concerts on top of 120+ Dead shows. I've had breakfast with Slayer, rode a roller coaster with Ted Nugent who I hate. I had a twenty minute conversation with Robyn Trower in Orange County CA. I shook Hands with Robert Cray and chatted for a minute on his Strong Perseuder tour (killer!!!!!!!). None of this mattered to me. I have zero in common with these people. Robert Cray was the only person who was human. This is what music is about. You really need to leave your house and hear some bands.
BTW Timrhu, I like the Meadowlarks and own the Nighthawks. I bet I could change your mind on the importance of speakers versus the source in your system.

Highly unlikely as I've held this opinion since 1970 or so and feel I've reinforced it through experience over the years. I'm sure I would enjoy letting you try though.
I'm not saying the source isn't important, just that the source isn't, to use the cooking metaphor, where the sonic flavor comes from. The small Meadowlarks have the flavor I enjoy. I have owned three different Meadowlark models and the lowly Kestrel is my favorite. BTW, I did check your system and noticed the Nitehawks before my initial response.
As for sources, I have owned my Resolution Audio CD-50 cdp for quite a while now. I even replaced the laser as you did with your Rega. Although I can't say I noticed any difference in it's sound after replacement.
Oddly enough though I did hear a difference between two CD-50s. I purchased a second CD-50 because I found it a a very good price. After letting it settle in I felt it didn't sound all that great. I removed the cover and noticed the main board was labeled "Rev D" where as my original player's board was labeled "Rev A." Although the boards were similar, they were not at all identical. The older version had a much smoother sound, which is what I prefer. It is the best source I have owned, and I have owned quite a few looking to better it. Finally gave up searching.
WOW! LONG OP, lots of replies....must be some kind of controversy here. Nothing to see here people...move along.

Just another audiophile who has figured out that their way is the best and only way....nothing new. I'm not saying you are wrong here Bigkidz, but I'm not saying you are right either. You've expressed your opinion, I hope that makes you feel better. You know what they say about opinions though, don't you?
Bigkidz, Jmcgrogan2 summed up your post well. I would like to look more at just one part of your post to provide an example. The whole argument of capacitance vs transformer coupled has no ultimate, or best, or always and for sure winner in design. There are simply to many ways to execute both to make a sweeping BEST always statement. For you, you have had an experience sequence that has led you to think transformer coupled is best. Great for you. I have had a different experience sequence because, well, a different experience is quite possible.

transformer coupling demands the use of very expensive transformers for best results and they can indeed sound great. Capacitors do sound different and just like transformers a very high quality cap can yield great sound. The use of Duelund CAST caps can certainly sound as good as a well executed transformer based unit. At the same time a cheap $30 cap can also sound better then a cheap transformer employed in a transformer coupled unit. Again, so many possibilities and no one human can or has heard all of the possible combinations. Perhaps you have heard many combinations in several circuit designs, but that is just the tip if the possibilities iceberg.

The same can be said for the other experiences you have had. I am not sure how old you are, but given more time and experiences your opinions may well change with new experiences.

Lastly, what about the room? My experience places the room as most important. Much more important than transformer vs. capacitor coupling choices. More important than which power cord or tweak employed etc...

But, this is my experience.
Thanks John and Bill. Contact me and maybe when I get the time if you are close enough I can bring the preamp for a listen once I get the chassis finished this month.

Happy Listening.
I find that most of the responses are well thought out and intelligent and most are based on direct experience. Which is to say, that most people have their personal preferences. Some can get drastically caught up in the equipment. You know, being a member of the amplifier of the month club. Some are never satisfied and that is actually okay also. Most equipment manufacturers don't want customers that are satisfied. They want and need to continually come out with the next best lastest and better equipment that brings us closer to the truth. Whatever that is. And yes, even live unamplified music has flaws, for example the actual room where the performance is being made or even the location of your seat can drastically affect the sound. So, to me, I try to get as close as I can to what I perceive as the most correct sound, based on my experiences and knowledge of how instruments actually sound. But, in this industry and hobby, there is really no ceiling... Yet. If I can get to the point (which I am by-the-way) where I can sit and listen to my system play music and feel taken away and not want to get up. Then I am there. Yes, it can definitely get better and definitely is better. But, I stopped the roller coaster a long time ago. That is not to say that I don't enjoy the occasional trip to San Diego's Stereo Design and talk with Art and drag my friend that lives in San Diego with me to vist and just listen. Sometimes, I find a deal that in their rediculously large used equipment room or a new piece of equipment, like the AR PH6 I just bought. But, this is very rare now. For some it is the journey (equipment hunt) that is fun, for others it is getting to the correct sound, for others it is both and for a few, they just do what others say and really don't know or care if it is correct of not, they just want to be part of the club. And (yes I started a sentence with and) neither of these are wrong. I actually enjoy reading the various posts here, ignoring the ones that take opportunity to insult others, you guys and gals are fun.

enjoy
So that is what all of this fuss was about Peter? Creating a buzz for a preamp you soon hope to bring to market? Well I guess at least that's a proper motive for such a long post. Though I thought these forums were not for promotional purposes.

FWIW, I love tube preamps too. I'm sure your preamp will be great. Best wishes on your new business venture.

Cheers,
John
Thanks John, I was just frustrated by the comments made about the reviewer's thingie like the reviewer did not know what they was talking about. That got me on the rant about opinions, etc. I think you can learn from everyone but some people come off like they are reviewers (I stated that I have been guilty of this also). Looking at their systems I can see why they come to some of their conclusions not that their systems cannot sound satisfying.

The preamp will only be sold direct and introduced probably through audio clubs, then a few members that I have known on Agon and then I will join with a few other manufacturers that also sell direct that I have met who expressed interest and know about the DHT preamp sound. I didn't really think Audiogon was my market. Over two years and $10K invested in parts, winding our own transformers, etc. and now the hard part, the chassis. Although it is a tube preamp, it does not have a tube sound. Not sure how to describe it but think of a bell and how that rings out, great tone, clarity, floats in the air, etc., but not a typical tube like sound (warm, lush, etc.) almost a combination of SS/tube. Contact me, I would love to come by and meet up.

Peter
I have an experience level that is vastly greater than all of you combined, so I will speak with unassailable veracity and authority.

You, Bigkidz, have chosen UNWISELY to divulge all your hard won truths simultaneously. Consequently, you are now engaged in an exponentially growing thread, responding to a growing myriad of unknown souls who will demand your attention!

The result will be a burgeoning need to engage in conversation on this thread, thus removing yourself from the activity you love so much, listening in solitary bliss unencumbered by mental morass of the masses.

SIGH. You have so much to learn. ;)
Yep Doug, I am always learning. No time to listen anymore when you start down the road of design and implemetation.
hi doug:

with all due respect,you would would be better off not making statements with factual evidence to support your position.

you have opinion on your side but not knowledge.

i am aware of your experience. you are a reviewer, you have gone to shows, and you have had some hands on experience replacing parts in components.

but, you make a statement which is gratuitous and unnecessary.
I thought he was just being funny but I think lots of things are funny.
Funny that.

All the best,
Nonoise
Yes I know DOug, he is a good guy. I think he purchased a PS Audio power amp from me way back when.
08-11-12: Bigkidz
Thanks John, I was just frustrated by the comments made about the reviewer's thingie like the reviewer did not know what they was talking about.

LOL!! Oh Peter, please tell me that you don't still take any of that written prose seriously!! I realized that reviewer's 'opinions' shall we call them, carry zero weight as far as my opinions go many, many years ago. For me the tipping point was about a decade ago, when one rags editor kept pushing a product line that always sounded bad to me. In fact my wife, who does not really follow this hobby closely, even noted that her car stereo sounded better than some of this gear they were pushing. I laughed, she was right, it was that bad.

I kept subscribing for a few more years just to look at the photos and specifications (good audio porn). However, I've given up on the glossy rags a couple of years ago, and surprisingly enough, I'm still happily alive! Life goes on without reading the audio comic books.
Yes, a bit of humor.

Bigkidz, wow, that was a long time ago. The HCA-2 was my first go at a Class D amp.
With some degree of circumlocutory skill, Bigkidz has couched the absinthian vehemence of his address into a periphrastic bit of casuistry, which is paralogistic on the one hand, and incapacious on the other. Indeed, his jeremiad – his threnody – call it what you will – can only be accepted for what it is: an atrabilious amphigory.

All hail, Bob & Ray. :-)

For the whole sketch, please see:
http://vstreff.com/org_home/Scripts/Bob_and_Ray/News_in_Depth.pdf

PS: Speakers - Harbeth Compact 7es-3; Pre/Power - Linn Exotik/Akurate; Source - Meridian G98; ICs - Transparent
PS: Speakers - Harbeth Compact 7es-3; Pre/Power - Linn Exotik/Akurate; Source - Meridian G98; ICs - Transparent
Couran

Sorry, but this doesn't count. ;)
hello peter...long time my friend... years ago you & I both enjoyed Pass X250 & Talon Raven-C's. Out of curiousity what's your take on that setup nowadays?
Courant, I can't stop laughing :-)

Your post gets my nomination for best of the week!

Regards,
-- Al
Mrtennis, all is forgiven; we all misinterpret posts occasionally, and you show yourself to be a good man by your quick apology. :)
Pehare, comes down to the music. The Ravens do a few things that other speakers just cannot reproduce. The Pass was a great amp but it now shows its age compared to other models. I have not heard the .5 series which I was told is a different amp. To be honest I just don't listen that much anymore since I started building the preamp. No time left in the day.