I have used Rythmik F-12's with M3 Turbo S then M3 TM's for the past two years. More bang for the buck and great match.
Kinki Studio EX-M1 200wpc Integrated Amplifier
Winner of the ’Blue Moon Award’ from 6Moons / Srajan Ebaen
Here is the ’summary’ last page from 6Moons:
http://www.6moons.com/audioreviews2/kinki/6.html
And the first page for those interested in the full review:
http://www.6moons.com/audioreviews2/kinki/1.html
215W (8 Ohms) Inputs: 3 RCA 1 XLR
Offered via Vinshine Audio in Singapore.
Currently SGD 2898 which equals ~ USD 2135.
Here is the ’summary’ last page from 6Moons:
http://www.6moons.com/audioreviews2/kinki/6.html
And the first page for those interested in the full review:
http://www.6moons.com/audioreviews2/kinki/1.html
215W (8 Ohms) Inputs: 3 RCA 1 XLR
Offered via Vinshine Audio in Singapore.
Currently SGD 2898 which equals ~ USD 2135.
128 responses Add your response
Hello Guys, Greetings everyone!! I just saw the Mike Powell video where the Kinki was paired with the Magnepans, i just want to ask if the Kinki's 215 watts are real, i have a Hegel H20 amplifier (200 watts per channel) with P20 preamp and a pair of PMC Twenty5 26s and they are rated 86db, i am a bit confused here the Magnepans are 86db too and Mike could pump up the volume to its max, with my 200 watts Hegel amp i can't hardly do half the volume and it gets really really loud to the point where i can hurt the speakers and be deaf. I am interested on the Kinki but Im afraid that it might not be that powerful to control my PMCs like the Hegel does. Has anyone listened to Hegel amps and comment how do they stack vs the Kinki? Regards Miki |
Kinki EX-B7 mono amplifier review now posted in full at 6Moons: http://www.6moons.com/audioreviews2/kinki4/1.html |
Thanks for the tip, Al. jackd: My Rythmik L12 subs have their own internal power amp, and only accept RCA inputs. Unless I'm missing something obvious, they always have to be run directly from a preamp. |
Pts, the line-level inputs of powered subs generally have low impedances, typically in the area of 5K to 20K. Before proceeding down this course, it would be prudent to inquire as to what the output impedance of these pre-outs would be, and if Alvin would recommend them as being suitable for driving such low impedances. Good luck. Regards, -- Al |
I don’t want to run only main speakers, but also some active subwoofers. So I need RCA pre-outputs. mboldda1: Inputs bypassing the preamp (effectively turning the EX-M1 into a power amp) aren’t a bad idea; I’m sure Alvin could do. It defeats the point of buying an integrated though. Do you not think the pre section of the EX-M1 to be high-end? The reviews so far suggest that every component used is top quality. |
I can see both sides, he says so to keep your cost down. he could have a return policy then you would have to pay shipping both ways and I am sure the price would go up as they cannot sell the return as new so guess who pays for the loss when they have to sell the unit as a open box. see what I mean. I was looking at one of the magico dealers and you pay for shipping plus a 25% restock fee! |
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Man, this is exciting. I've been going back and forth between replacing my Anthem 225 with a tube or hybrid integrated, or going separates....maybe Class D ...maybe from PS Audio with a tube pre. Lately I've been thinking that the real difference between separates and a good integrated just isn't all that much. This guy just might do the trick! |
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It states over at vinshineaudio.com that Mike now handles No. American sales and servicing of equipment and to please buy from him as of 8/29/2018. It's about $89 more than if you bought it from Alex but you're getting the service from someone close by. That, and he has to stock the units as well so it's worth it, if that was part of your question. Sorry if it wasn't. All the best, Nonoise |
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I was under the impression that some watts were wasted if one had to crank up the volume before hearing something.That would be true if the combination of amp gain, preamp gain (if there is a separate preamp, although of course there wouldn’t usually be one in the case of an integrated amp such as this one), and source output voltage is insufficient to drive the amp to its maximum power capability even with the volume control at max. That can happen in some situations, and in fact I’ve been discussing just such a situation in a recent thread which involved the possibility of using a Herron phono stage to drive a certain power amp via a passive preamp which provides no gain. But that would be a fairly unusual set of circumstances. Best regards, -- Al |
Thanks for the clarification, Al. I was under the impression that some watts were wasted if one had to crank up the volume before hearing something. And, mrdecibel, the designer of my now, sadly gone, Tonian Labs TL-D1 speaker was of the same mind as you. He felt that the best amps had just one pair of output transistors (one per channel) as they had the speed necessary for sounding real. As one doubled up or went further, it slowed and muddled things too much for his tastes. All the best, Nonoise |
I contacted the designer, via email, about using his amp with my modified Klipsch Lascalas, ( 104 db ) and he indicated the gain switch was for situations such as this. I obviously do not need this much power, although I have had monster sized amps driving them in the past. I always prefer smaller amps ( with less signal path / less output transisters ), but the circuitry with the EX-M1 is quite minimal, considering the output of this thing. Enjoy ! MrD. |
Nonoise, to clarify a minor point, the gain of the amp affects the position of the volume control at which the first watt occurs. But the first watt is the first watt, and will produce the same volume with a given pair of speakers whether it occurs at a 9 o’clock setting of the volume control with a high gain amp, or at a 3 o’clock setting with a low gain amp. On the other hand, of course, the first watt of two different amps can sound considerably different. Best regards, -- Al |
No, mine doesn't have the high/low gain switch as it was the first version. After living with my Marantz, which I had to turn up at least a quarter of the way before I could hear it, it's nice to have it come on with great resolution at around that first watt. Wasn't it some tube amp designer (Decware?) who said something like, if you can't hear/use the first watt, what good are the remaining ones? Or something like that? With a proper set up, you can get most of what you need with that first watt, and this amp does that, so why curtail it? I can see if one has a super efficient speakers (98db or higher) since you don't want to blow something out, but I like having it come on early. I find it very refreshing. 👍 All the best, Nonoise |
if you are in north America you have to order thru mike powell, the north american distributor. the price is now $2499 usd. https://www.mikepowellaudio.com/shop/ here's one listed from mike on audiogon, you might want to ask if this the newer ones with a high/low gain switch on the rear. https://www.audiogon.com/listings/lis93380-kinki-studio-ex-m1-integrated-dream-amp-of-the-decade-sol... |