I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.
Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.
The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".
"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.
While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.
Thanks for the info on the CD6007. This will be my 5th Marantz player, loved them all. I notice the availability date has been extended a month and the price increased by 100 dollars. :(
I hope your ok down there in Texas I have been watching the news and have saw some very unsettling videos.
Thanks for asking. My area is ok, but there are 20,000 other people in this city without power. Still iced in.
Texas is the only state with it’s own electrical grid, and it is not under Federal regulation. Usually, the major energy challenge down here, is the hot summers. The power generating and distribution network equipment, is not protected from, nor designed to operate in, this type of cold.
Hasn't been this cold in Dallas area since 1989. Didn't have issues then. Developers building something on every spot of dirt they see, and masses moving from all over the country.
We will need to upgrade the power grid and get rid of the people not keeping their equipment prepared.
Het rok I hope your ok down there in Texas I have been watching the news and have saw some very unsettling videos.
It seems like the "unexpected blizzard" caught the affected communities off guard. I don’t know where your located but a lot of places got hammered.
We are expecting 8 inches of snow here in NY today but we are prepared for it. Our HWY departments are fully stocked with plows, sand and salt. And our electrical power facilities are also prepared.
I have owned that exact model . Probably one of my favorite sounding players. It presents with a slightly warm, ,but detailed weighty sound IMO Never analytical or dry sounding. Great bass drive ,with a slightly vivid or forward sound as compared to the older Marantz cd players. It will draw you in ...Congrats on the purchase . Enjoy
Miles fronting Laura Nyro? Sounds familiar. I was first blown away by Larry Coryell was when he was fronting for James Taylor.
Summer day, lots of lawn area behind the covered amphitheater seating. We were playing Frisbee, and I didn't even catch the intro announcement. But within 5 minutes I was wandering down to the stage because I was stunned by the solo acoustic I was hearing.
I already had plenty of "Eleventh House," but I had no idea Coryell was doing this jaw-dropping solo acoustic stuff. I eventually saw him perform around 25 times. May he RIP. He enriched my life immeasurably.
The tracks were recorded in Japan, Sweden, Norway, Switzerland and Denmark. Lot of Monk. Recorded 1999.
Notes "....the communication of music lives absolutely far above all other human differences, such as differences in language, religion, race, culture, age, sex, politics, etc, etc...."
That may be true for Western music traveling the world, but I see no evidence of the reverse being true.
Thanks for the info. Concise, Precise and comprehensive as always. I was listening to the Sony Classical recording of Pictures.. It was recommended by the Classical guru in Brooklyn. I am surprised by the number of his favorites I have. Some even after "However!!"
**** where does the impetus for instrument development and creation come from? The composers or players. ****
The composers. The players would often help in the design of the instruments by offering advise on things like practical key mechanism requirements based on hands experience, but the impetus is mostly the composers. Although, most of the great composers have, at least, rudimentary understanding of the possibilities and limitations of all orchestral instruments; part of formal training.
The saxophone is a particularly good example for the answer to an interesting question. It is a relatively new instrument invented in the mid 1800’s by the Belgian instrument maker Adolph Sax. He invented the instrument due to demand from composers for an instrument that would bridge the “gap”, timbre wise, between the woodwinds and the brass instruments in an orchestra. As a solo instrument it added a very interesting and unusual (for the time) color to the tonal palette available to composers. His original vision for the instrument was for an entire family of saxophones spanning a wide range from contra bass to sopranino. In all, he designed upwards of ten different saxophones in different keys (ranges). Most became obsolete relatively soon after and the most popular (practical) remain in use today: (sopranino), soprano, alto, tenor, baritone, (bass).
After an initial flurry of interest in this new instrument on the part of composers, interest waned and it wasn’t until its use in American popular music at the turn of the century that its use really took off. Re “Pictures”:
”The Old Castle” from Modest Mussorgky’s “Pictures at an Exibition” is probably the most well known and arguably most beautiful orchestral saxophone solo in the literature. Keep in mind that the piece was composed as a solo piano work by Modest Mussorgsky in the 1870’s and it was subsequently orchestrated a few times by different composers in different versions. It wasn’t until the early 1920’s that Maurice Ravel also orchestrated it in its most well known and arguably best version in which he gave the solo melody in “The Old Castle” to the alto saxophone. The PO/Ormandy recording is of Ravel’s orchestration and it is one of the best recordings of the piece.
Speaking of Ormandy, Philadelphia Orchestra and the saxophone. Another beautiful (my favorite) orchestral saxophone solo can be found in the first movement of Sergei Rachmaninov’s “Symphonic Dances”. Like many well known European composers, Rachmaninov left Russia due to the political upheaval taking place in Europe in the 1940’s. He composed the work after arriving in America and dedicated it to the Philadelphia Orchestra and Ormandy. The recording by that orchestra and Ormandy is hreat and generally considered to be “the one”. The recent Sony Classics reissue is fantastic and with excellent sound. Check it out.
Thought I’d an share an unexpected experience hearing jazz fusion music for the first time. A girlfriend at the time, wanted to see an upcoming Laura Nyro concert at the Fillmore East. I got tickets for the show, which turned out to be a double bill with Miles Davis as the opening act. This was in June 1970 and we just graduating from high school. At the time I was completely unfamiliar with jazz, and thought it might be interesting to hear a bit of what you’d think of as "cool jazz", before Laura Nyro came on.
Well what a shock when Miles band, including a young Chick Corea on piano, and Keith Jarrett on organ among others, came on that night and started playing "Bitches Brew". I had no idea what we were listening to. It was overwhelming, and difficult to make out even the patterns of the music being played, as if it was a loud. cacophony. What a trip. .I can still picture a young Chick Corea playing his keyboards in that maelstrom.
Luckily they recorded an album from Miles’ Fillmore East shows. An upon hearing Chick had passed away, I listened to it again, remembering seeing the then young Chick sitting at the keyboards, alongside Miles Davis playing his trumpet. It’s hard to believe that was fifty years ago. RIP Chick, and thank you for the music you created, and the many albums of yours I’m fortunate enough to have.
Listening to 'Pictures at an exhibition', Philadelphia - Ormandy, and noticed the Saxophone. My question is, where does the impetus for instrument development and creation come from? The composers or players.
I'm snowed in It's 8 degrees outside My latest Jazz gem has been 'out for delivery' for three days Jazz is once again under noise maker attack on the tube FM radio is out
Pharaoh sure had a lot of Stanima!! That tune is almost as long as a Coltrane solo.
Corea on drums?? That’s the beauty of this kind of ’music’, the players can just pick up and ’play’ any instrument, and it all still sounds the same. Miles on Bass?
So, Rok, my advise is to skip sacds if you plan to stick to jazz music. Since you listen to classic music as well, I guess that is where your funds should be be better spend
I agree. I do have quite a few classical SACD discs. I don't think Jazz benefits that much from SACD. Most of the small group stuff was well recorded originally, no 'improvement' needed.
I have the Marantz CD6007 on order, and I was just thinking about 'bang for the buck' by getting a similarly priced Blu Ray player instead. I think I'll stick with the Marantz.
Good advice from Alex. Another satisfied Oppo 103 here. In my video surround setup it offers excellent resolution. Compared to the EAD DAC/transport in my audio only setup it sounds a little thin, but excellent in every other way.
**** Btw, I have two copies of Bitches Brew, because it is an important recording.****
😊
Speaking of Chick Corea (and Sinb....I mean, Miles 😉)
Few years back I bought sacd player, Dcs Puccini with clock and when I listened to native dsd, it was better than anything I've heard on red book . The Dcs has a 'switch' that can 'turn' pcm on dsd, when listening cd's. Since allmost all my music is jazz from '55-'65 and the prouduction is what it is on those recordings, I really could not hear any significant difference between those two mods.
So, I thought, I should get music I like on sacd and started to buy sacd editions, mostly mastered by Analogue productions,only to realise (I know, it was obvious, but had to try it myself ) that recordings of 'yesterday' simply cant sound the way the new ones can (perhaps on some other format, but not on digital, at least not on one that 'regular' folks can buy)
So, Rok, my advise is to skip sacds if you plan to stick to jazz music. Since you listen to classic music as well, I guess that is where your funds should be be better spend
Rok my Oppo is the 103 as well. Went bonkers awhile back
That's the reason I am reluctant to put big money into any disc player. The can become paper weights in an instant.
Glad to hear there is still support for the Oppo. Mine is 6 years old with no problems so far. My SACD player, Marantz SA8001, is 16 years old. Time to start planning. Every so often I get the error message "can't play", so I think it's days are numbered.
Rok my Oppo is the 103 as well. Went bonkers awhile back - no audio from any of the RCA outputs. Oppo has a flat rate service fee of $99 (incl. return shipping). They replaced the "decoder board" (I used to know what stuff was inside audio gear) which was apparently a big enough deal that they gave the unit a new serial number. I was surprised to have trouble with it, but all is well now.
Given that my turntable should be ready this week, I plan to be doing a lot of A/B-ing soon.
Is there any difference in THE SOUND you hear from a SACD DISC being played by a blu-ray player as opposed to that same SACD DISC being played by a dedicated SACD player?
The difference in price is about 800 dollars, U.S.
Sony UBP X1100ES $500, vs Yamaha CD-S1000 $1300
Thanks
Btw, I have two copies of Bitches Brew, because it is an important recording.
Having purchased Miles Davis’ Bitches Brew in a new Japan release of quadrophonic and stereo on multi hybrid SACD (both new remasters/mixes) in 2018 I had listened to it a few times and it is like listening to a new album. The Japanese seem to have got it right.
The new stereo version is way better then any of my older BB recordings and the quad knocks everything else out of the park.
Having said that in January 2020 the Japanese re-issued a newly mastered stereo and quadrophonic version of MD’s Live Evil also on multi hybrid SACD and again the sonics are outstanding in both stereo and quad form.
So when they sent CD Japan sent me an email announcing the re-issue/re-master in September 2020 of Herbie Hancock’s Head Hunters in both quad and stereo I had to pull the trigger. I ordered my copy last week and I will give a review when I get it.
For those who enjoy other genres then jazz I also ordered a Japan re-issue/remaster of Santana’s Abraxas which is my favorite Santana album and this too is a multi hybrid SACD in quad and stereo.
I cannot wait to hear Abraxas’ opening 2 tracks - Singing Winds Crying Beasts - Black Magic Woman in quadrophonic!!
Yes rok I know Bitches Brew and Live Evil should not even be labeled as "Jazz" and I agree. Some call it avant guard I call it good music. I personally don’t put either album in the "noise" category.
Glad you liked those pieces, Keegiam. Yes, Leon Bates. I agree with your description of them. I have the ECM recording by Chick and surprised it’s not on YouTube. Here’s a favorite by Chick that sometimes goes under the radar:
Frogman, thanks for sharing these
Chick Corea compositions I knew nothing about until this morning.
All 20 pieces are beautifully
composed and, it seems to me, melodically complex and largely unique. Only
a handful of them seem to be intended for children to enjoy. Most of them seem better suited for adults to reflect on childhood itself. My personal favorite is No. XIII.
The artist on the collection you
posted is Leon Bates. I did find this
live performance of Chick playing 12 of the pieces. There is a studio version of him playing all
20 on ECM, released in 2008. This live
performance is from 1982:
I was listening Latimore more than several times today and will still. Either you know how to aim deep or we are simply on the same level. Not that important but coincidentally and not that long ago I was in a "role" of a man from this song so I'm experiencing it in more intensive way. This is not the first time that you match with a song that what happens currently in my life. I like the feeling.
Mary Jo, that's really deep soul music. I was listening to this today as I drove around doing errands. Sort of in the same vein. Southern Soul, which I suspect is a lot like Croatian Soul.
Those two items competed with the "Dashiky", such as the one Pharoah Sanders wore; I don't think so for jazz; sounds more like the "Beetles" to me. I never owned either item.
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