Any of the later recordings by Chet Baker Crystal Bells (Igloo Jazz Classics) This Is Always Diane
Also the Blue Note Tone Poets re issue of "Boppin" by Hank Mobley. Fabulous. |
@rok2id:
Thanks for that list of Brazilian music-- I will investigate!
I had no idea Cannonball had recorded with S. Mendes but I am familiar with the album with Coltrane-- good one!
The Pepper Adams is great-- how could it not be, with that list of players? Gonna have to buy that.
Yeah, I've got "Unity" (Woody Shaw is one of my favorite trumpet players) but I've never listened to L. Young's pre-Blue Note records.
@sbank:
Yeah, I've got Blue Serge-- it WAS pricey, but well worth it! ;o)
@yogiboy:
OK-- thanks!.
I once saw Bud Shank play with a bunch of other L.A. hotshots in a group with (dig this) Ravi Shankar and... Yehudi Menuhin ! This was back in the 70's (of course) at some outdoor venue in Ojai. No Charlie Byrd -- studio ace Dennis Budamir (sp?) was on guitar.
|
|
Serge Chaloff - Blue Serge Engaging bari sax led set, not too pricey if you find it. Cheers, Spencer |
Cannonball and Mendes together, or individually, will always put a smile of your face. Their music is always upbeat and inspires movement. I have all of these "unknowns" except Groove street and Pepper Adams.
Does the Frogman's First Law come into play in any of this? The Label?
Cheers |
|
|
This morning I've been listening to Flora Purim's "perpetual Emotion", from 2001. Seems most F. Purim fans prefer her more Fusion-oriented 70's work but to my ears that stuff sounds dated. I prefer this later, admittedly more mainstream but deeply musical and emotive release. It's an example of music I can easily "get lost in"... and yes-- Airto does play drums. https://www.youtube.com/results?search_query=flora+puriom+per%5Bpetual+emotionI wish I could discover more Brazilian musicians I enjoy but having spent many, many hours listening, it just hasn't happened. Perhaps starting out with a masterpiece-- Milton Nascimento's "Club Da Esquina" -- was my downfall. Nothing else has come close for me... |
@jjss49:
So, why not suggest something??? |
@yogiboy:
Thanks for the suggestion. |
@rok2id:
Very cool-- I like ! |
|
@stuartk The way I look at it, it's all about the breadth and depth of the language employed. On reflection -- I think you're right. It's a blues-rock jam. Well said! |
|
|
@hilde:
I'm aware of the presence of L. Young and Dave Holland on the Hendrix, but again, harmonically and rhythmically, what they're actually playing is, to my ears, a Blues/Rock jam, not Jazz. I guess Miles really blurred the categories, but even if you listen to a very bluesy "long form" Miles recording, such as Jack Johnson's "Right Off", the players are employing intervals, harmonic shadings and rhythmic devices that separate it from Blues/Rock. And when I say "separate it", I don't mean in some sort of pedantic, scholarly sense-- I mean, you simply won't find this sort of sophistication in the playing of Blues/Rockers. Just the number and variety of chord voicings that McLaughlin utilizes in his accompaniment far exceeds what you'll encounter in the 99% of Blues/Rock players. The way I look at it, it's all about the breadth and depth of the language employed. At the same time time, I don't claim to be an expert nor do I dispute your right to disagree.
I was lucky to catch Holland live five times: three times with his quintet, once with his big band and once with Gateway. The latter's the only time I've seen DeJohnette or Abercrombie. Sadly, the venue where I saw these shows (Yoshi's, in Oakland, CA) and quite a few others no longer books Jazz. At those Jazz shows, it was mostly old white guys-- some with their wives. Other genres bring in considerably more money.
|
@jperry:
That's one I've seen around for a long time but somehow, but somehow have never heard. I will remedy that! |
@nicotico:
I'm familiar with Steve Khan and Vic Juris but not the others on your list. Will check them out! |
@hilde:
OK. Different strokes. Harmonically, it's mostly just pentatonics and rhythmically, it's closer to Blues/Rock than anything else. That doesn't qualify as Jazz in my world.
It has a lot more in common with the Beatles and Stones than it does with Charlie Parker but I'm not trying to pick a fight or anything-- Just explaining my rationale.
|
Gigi Gryce - Rat Race Blues
Heard it at a friend's house and had to buy it. |
Here are a few of my lesser well-known favorites (well at least not on the usual “Top 100” lists):
Frank Gambale - Natural High Hendrik Meurkens - A View From Manhattan Vic Juris - Blue Horizon Pete Mills - Art and Architecture Steve Khan - The Blue Man Oscar Peterson - Skol |
@stuartk I've heard a lot of jazz fusion in my day, and given the personnel on this album (Dave Holland, Larry Young, more) and the long form open improvisation of the album, it very much seems like jazz to me. Not sure what your definition is, but if you compare these cuts to rock cuts from the Beatles, Stones, or even other Hendrix, I think it's safe to call this jazz. IMHO. |
@hilde45;
Well, OK-- not Jazz-- but I like Hendrix. . .
|
@czarivey:
I'm afraid I don't tend to like most Fusion but I must admit I've never heard the Japanese variety.
My main complaint about Fusion is that all too often the material is lacking interest. This is the same reason why shredders such as Vai don't interest me. I prefer playing where melodies and interesting chord progressions are the springboards for improvisation. I prize musicality and emotion far more than blazing chops.
Of course, some players can do it all. . .
|
@jazzbird:
I recently bought two Tollivers: "Paper Man" and "The Ringer". Also have some Jackie McLean Blue Notes with Tolliver. "The Ringer" features nearly the same personnel as those Live recordings, with Steve Novosel replacing McBee. as you may be aware, Mosaic released a remastered 3 CD combining the Live at Slugs and Live in Tokyo sets with extra previously unreleased material. I bought it but stupidly didn't keep it for long. Of course, it's now very expensive as it's out of print.
|
|
anyone digging on japanese fusion of 70s and anime soundtracks? right there you can dig artifact after an artifact and so on... Yuji Ohno -- Lupin The III series of anime soundtracks Masayoshi Takanaka -- All of me
It seems to me that Japanese hall of fame can put R/R hall of fame into hall of shame easily. Anyways, to dig more and more I'd recommend subscribing to Terminal Passage on Youtube and more similar subscriptions will pop-up at your youtube account.
|
One of my favorite albums is Music, Inc. - Live at Slugs' Part 1 and 2 on the Strata East Records. The quartet includes Charles Tolliver on Trumpet, Stanley Cowell on piano, Cecil Mc Bee on Bass, and Jimmy Hopps on drums. The music is also available at Mosaic Records on Mosaic Selects under Charles Tolliver ! |
Not many Jazz fans on A'gon, apparently. . . maybe that makes sense, given the genre's overall lack of popularity in the U. S.
Once a friend exclaimed "How can you like this music? It sounds like two different songs played at the same time."
|
@noromance
OK. Thanks.
@whart:
Found the entire J. Callins and a couple cuts from the C. Amy/D. Bolton on youtube-- very nice!
I'm familiar with the A. Coltrane-- one of her better small group releases, I'd venture.
Will check out the Maisha with G. Bartz.
Thanks for your suggestions-- you must have a great collection.
@fuzztone:
Thanks for the suggestion.
|
Richie ColeBossa Nova Eyes ( '85)
Pure vinyl goodness
|
If you like Gary Bartz, his album with Maisha, cut direct to disc and released in 2020 is a good playing thing- a band inspired by the older generation of players, they got Bartz-who was from the period- to join them. Sonically pretty nice and not terribly expensive. Alice Coltrane's Ptah the El Daoud is very high on my list- it is, to my knowledge, still out of print (since 1974) and prices have gotten nutty. The hard part is finding a clean player. A lot of those old Impulses are somewhat noisy. As mentioned in another thread, I became a big fan of Cecil McBee and you almost can't miss with any record on which he appears as a sideman. One of my personal favs is Jothan Callins- Winds of Change. Also previously mentioned in another thread is the Tone Poet reissue of Katanga! Cheap, good sounding and efficacious! |
Try some Dixieland and New Orleans Jazz like:
Thomas Jefferson – Dreaming Down The River To New Orleans (1962)
The New Black Eagle Jazz Band In New Orleans (1974)
Etc.
|
@jasonbourne52:
Good one !
@limomangus:
I'm curious: what artists are included in the anthologies?
@bdp24:
I'm afraid I have no idea what the Buddy Holly quote signifies. Care to elaborate? ? ?
|
Buddy Holly: "Jazz is strictly for the stay-at-homes."
Vivian Stanshall (The Bonzo Dog Doo Dah Band): "Jazz, delicious hot, disgusting cold." |
Atlantic Records Jazz vol.1 and vol .2....I bought these cds years ago probably 30 but I always go back to them when I was a good selection of various jazz artists. There's live and studio recordings on them. |
Here's one: Galaxy In Satchitananda by Alice Coltrane. I first heard this back in '73! Along with Lord Of Lords. |