I have been an avid user of the Duelund cabling for
over two years now and have used them exclusively in my system with great
results. I have built many for friends and have used a full loom of
interconnects, speaker cables, power cords and an extensive wiring modification
for a previously owned balanced power conditioner utilizing Duelund 600V PolyCast
wiring which was transformative. My cabling desires can be a little addictive
as I have owned and evaluated 40+ brands of cabling costing more than an entire
stereo system!
Over the past six months I stumbled upon a thread here
on Audiogon in regards to a Helix designed cabling and as you probably already
know, I just had to look a little deeper into this cable design…After a month
of studying and sourcing parts, I decided to reach out to the
designer/architect, Williewonka who gave more insights and philosophy on how
the cable came into existence.
That conversation got the ball rolling in converting
one of my KLE Duelund interconnects to Steve’s Helix designed which only entailed
replacing the neutral with a Mil-Spec 16 AWG silver-plated copper wire with the
neural wire being 3 times longer than the signal wire and of course the “Coiling”
of the neutral wire : )
After the modification was complete, I was not sure
what to expect from the Helix cabling but I was quite shocked with the results
with “ZERO” burn-in time…The sound stage became much wider/deeper with a much
tighter/focused image and clarity/transparency is like nothing I have ever
heard in any cabling regardless of cost. In fact, I just sold a full loom of a commercially
designed Helix Cable that’s renowned around the world and has more direct sale
than any cable manufacturer; these $200 DIY Helix Cables walked all over them…
I believe you will hear the same results as I have and
have heard back from friends who have already modified their Duelunds with the
same results; WOW! Remember the cables will need 200+ hours to burn-in and
settle into your system. My system is now 90% DIY Helix to include IC, SC, PC
and Coax with each cabling adding its beauty of an organic and natural
presentation that draws you into the fabric of the music.
You can tailor the sound of your cables using Duelund,
Mundorf silver/1% gold, the outstanding Vh Audio OCC Solid Copper or Silver with Airlok
Insulation or your favorite wiring and you can change it at any time…
After reading this thread and your website several times I discovered the Jantzen wire for neutral was also recommended which I was able to find here in Vietnam, I’m an expat retired and you just don’t go down to a radio shack or order online and puff your item shows up in a couple of days it doesn’t work that way in s.e Asia and yes I agree with your description between the zip cord and quality wire. Regarding wire being wound counter clockwise doesn’t wire that has been soldered need to be broken in again ( thought I read that somewhere and it certainly sounds that way when I’ve done that in the past ) and re winding the wire would require break in again of at least 50 hrs.
Currently both dc cables have 96 hrs after installation of the Jantzen 16 g wire and are sounding very good indeed.
@svampebob - many thanks for the very positive feedback :-)
But really, I consider myself just the scribe, because there have been many people from around the world and also from this very forum, that are responsible for getting the cables to this level of performance.
The efforts from everyone have been amazing and the Helix cables would not be so effective without their contributions.
Continuing feedback also provides insights that provides information about how the cables work across a very broad range of components.
e.g. we now know the cables do not perform their best with certain components that follow a symmetrical balanced design approach
This is a great example of what can be achieved via collaboration
so KUDO's to "The HELIX Team" !
I very much appreciate all of the feedback and the sharing of knowledge
Dual run Helix air speaker cables is friggin awesome WOW! Everything is just more mature and "confident", better in all aspects. I just noticed the beginning of Cæcilie Nordby - Set them free (Dali CD2). I’ve always found the sound to break down at the beginning, like things became too dynamic or complex and the illusion just broke down, and wondered if it was supposed to sound like that (there is a hefty hammond organ that overlies everything else, when the rest of the band takes off). Well it was not, there is not even a hint of it now, just rock solid sound. Steve, you’re a pure cable champ! :-D Thanks so much for sharing your knowledge.
As you can see I use spades on the power cable wires mainly for safety - they lock into the plugs very nicely and I have found they sound better than bare wire.
Steve, is there a photo of how you terminate the solution with the tubes? Otherwise I guess it should be simple enough. I guess the length where the heat shrink directly touches the bare wire should be kept pretty short - 1cm? Do you think I can clean the bare copper with alcohol, just to get all grease and fingerprints off?
I received enough wire to double run all drivers today. I ordered the neotech with pvc (SOCP) to save a bit of money. I found it pretty difficult to get the sleeve off, but got better at it, 8-10cm at a time. However getting it into the tube was surprisingly easy, slid right in. Don't have many impressions yet, and only did 1 run (not double), but sound is still great (going from SOCT 14AWG -> 18AWG in tube for just 1 of the tweeters). Now I have 7 more runs to finish, expectations are still high :-)
Don't mean to derail the thread, but I also got 1m of Viablue EP-7s and 2 Telegartner 568B. EP-7s has a silver screen and solid core OFC wires, EP-7 has silver coated stranded OFC wires and copper screen - as I understand it. So the cable is nice solid core and quality seems excellent. I only attached screen at router end. It replaced some random cable from router to switch, and I have the Eno silver cable (plus Eno filter) from switch to streamer. Still what strikes me is better, tighter and punchier bass. I never heard bass that hits in the chest from my small 2-ways before, which was there today. Recommend trying it out.
TARNISH UPDATE ! I have been asked a few times about tarnishing of bare silver and copper wire used in cables
I have a piece of bare UP-OCC copper wire and a piece of bare Mundorf silver wire (+1% gold) that have been exposed to the room atmosphere for around 6 months now.
The Mundorf silver wire now has quite a dark colour gray
And the UP-OCC copper is a dull red colour
Compared to..
The silver plating on my plugs/RCA's/Banana plugs is still a bright silver
the copper wiring inside the teflon tubes of my cables is still very bright
It would appear that placing the wire inside a Teflon tube and sealing the ends with heat shrink or hot glue does an excellent job of preventing tarnish build up.
I cannot explain why the silver plated plugs are not tarnishing at the same rate as the Mundorf Silver wire - perhaps the quality of the silver used?
Thanks Steve! Afraid I can't afford up-occ for the neutral at the moment, so damn many meters required...
I use an active crossover so I have separate helix cables for the tweeter and the woofer. Currently the signal wire for both is the Neotech 14. I am close to using all of these on the woofers (double runs of the 14), and buying some Neotech 18 for the tweeters. Would anyone have an opinion if this gauge is enough for above 1600Hz? I see the tweeter signal doesn't contain much energy, so I would think it is enough. Thanks.
And - just a cheap tweak that worked great for me, in case someone streams and hasn't optimized their ethernet chain (or don't believe in that stuff); get a cheap d-link dgs-105 (20$ or something) and put it between your router/AP and streamer, preferably close to the streamer I believe. Put a good 5v power supply on it, and be sure to ground it at the back. For me, this was what convinced me that a bit is definetly not just a bit. The helix speaker cables will reveal such changes mercilessly, but you probably already know ;-)
@tecknik With a 16 gauge neutral I would probably go for 4:1 ratio
@svampebob - just realized I did not fully answer all of your questions...
Do we know for sure, that the quality of the neutral matters as long as its resistance is lower than the signal wire?
I have tried a few wires for the neutral and until I tried the UP-OCC copper, the Silver Plated stranded Mil-Spec always seemed to perform the best.
But when I tried the UP-OCC copper for the neutral, the improvements were quite noticeable. I was also able to use a single wire as opposed to the double strand of mil-spec previously used.
So I believe the UP-OCC wires is capable of significantly better electrical transmission when compared to a double strand of Silver Plated mil-spec having the same gauge.
Using a double UP-OCC for the neutral may improve things even further, especially on high end components.
what’s the sonic difference between mil spec silver plated and plain copper on neutral
I’ve tried a couple of different wires for the neutral and the only wire that made a SIGNIFICANT improvement on the Saver plated Mil-Spec for the neutral is the UP-OCC copper with Teflon insulation
clarity improved resulting in more details
imaging got larger
dynamics got faster.
bass became more "textured"
I am assuming by "Plain copper" you are referring to something like the quality of copper used in household wiring or even OFC copper?
using plain copper in place of the silver plated Mil-Spec would impact on those areas of improvement
I now use UP-OCC copper on
interconnects - 1 x 16 gauge solid UP-OCC with Teflon insulation (you can also try 2 x 16 gauge)
power cables - 1 x 12 gauge stranded UP-OCC copper with Teflon insulation (you can try 2 x 12 gauge)
I still use 1 x 10 gauge Silver plated Mil-Spec on my speaker cables mainly because replacing them on my 10 ft cables would be more than I am willing to spend, since I would probably go with 2 x 12 gauge wires, since I have not found a vendor that sells 10 gauge UP-OCC
I did try using bare UP-OCC wire inside a Teflon tube for both the signal and the neutral and the resulting sound was not to my liking - it sounded far too clinical for may tastes, so I reverted to the Mil-Spec for the neutral
But - at this level of performance it all becomes a matter of
I’ve been playing around with the helix design on my dc cables with some Input from granny and am very pleased with the results using leftover mundorf 18g silver gold and plain 16 g copper for the neutral rather then military spec silver plated copper cause that’s all I had laying around for now. My question is from those who have tried it what’s the sonic difference between mil spec silver plated and plain copper on neutral .
@svampebob - I don't bother with spacers anymore because I figure the Teflon tubes plus the gentle twist I use in the two signal wires is as effective as the beads on the signal wire version.
I still use a 1/2" rod to wind the neutral wire on the speaker cables so the signal wires "take turns" at being in the center of the Helix coil, and don't forget the helix crosses the signal wires at very close to 90 degrees, so induction would be minimal.
It also make fabrication so much easier :-)
@sns - glad to hear you like the Helix PC's - I think you'll like the IC's as well :-)
Do we know for sure, that the quality of the neutral matters as long as its resistance is lower than the signal wire? In my simple mind it would make sense that the most resistive wire (signal) is the one that colors/determines the sound, and if that one is excellent (up-occ), the sound will be the same.
I'm not up on latest recipes, but I discovered Steve's original Helix page some time ago. I've auditioned many cables over the years using lending library at Cable Company, $1k to $3-4k in all categories. The Helix has been my go to pc for some time, transparency second to none. My favored recipe is double runs of Take Five cryo'd 14awg for neutral, three runs of VH Audio Airlock 18awg for live, solid core copper 10 or 12awg ground. Only other recipe tried was Duelund DCA for live. I use cryo'd rhodium ac connectors that look exactly like the Partsconnexion Connex.
@svampebob - here’s a summary of MY CURRENT cables with some alternates choices for neutral wires
Interconnect Cables:
signal wires: 2 x 18 gauge bare UP-OCC copper, each wire inside it’s own Teflon tube
Neutral - 1 x 16 gauge UP-OCC solid copper with Teflon insulation
Alternate Neutral - you could double up on the neutral, but I opt for a single wire to save costs and it’s easier to build
Speaker Cables:
signal wires: 2 x 16 or 2 x 14 gauge bare UP-OCC copper, each wire inside it’s own Teflon tube - I have tried both and the 14 gauge did perform a just little better.
But it might be speaker dependent - perhaps a smaller speaker would not require a 14 gauge wire
Neutral - 1 x 10 gauge stranded mil spec with Teflon insulation
Alternate Neurtal - you could use 1 x 12 or 2 x 12 gauge Neotech stranded UP-OCC copper with Teflon insulation, but again I would opt for a single neutral to keep costs down
I no longer use the wooden beads as spacers
High Power cables for power amp or power conditioner:
signal wires: 2 x 14 gauge bare UP-OCC copper, each wire inside it’s own Teflon tube
Neutral - 1 x 12 gauge Neotech UP-OCC stranded copper with Teflon insulation
Alternate Neutral - 2 x 12 gauge Neotech UP-OCC stranded copper with Teflon insulation
Source Component Power Cables
LIVE wires: 2 x 18 or 2 x 16 gauge bare UP-OCC copper, each wire inside it’s own Teflon tube
Neutral - 1 x 14 gauge Neotech UP-OCC stranded copper with Teflon insulation
Alternate Neutral - 2 x 14 gauge Neotech UP-OCC stranded copper with Teflon insulation
I opt NOT to use the dual neutral wires in any of my cables because I consider the amount of improvements observed were not worth the additional expense.
But then, I have spent a lot of money during the development of these cables and so I prefer to save money where I can.
HOWEVER: if you are after the absolute best performance then using a dual neutral will provide just that
RE: Teflon Tube: Teflon Tube (PTFE 10 Tubing .106"ID .130"OD Approx. 10 awg ) from Take Five Audio
WRT using solid wire inside a Teflon tube for the neutral...
I have never tried bare wire inside Teflon tube for the NEUTRAL wire mainly because it could present challenges when winding the coil
WRT:
Will the neutral corrode in the teflon tube?
It will discolor a very small amount and then it will stop changing, but this is NOT enough to impact performance,
i.e. provided you use a small piece of heat shrink at each end to "seal" the tube.
even without the heat shrink at each end of the tube it would take many many years to reach a point that MIGHT impact sound quality
@williewonka Sorry as you probably already wrote it, but the thread is getting a bit long ;-) Will the neutral corrode in the teflon tube, I guess it is not air tight? What dimension tube do you use?
I finally finished 1 helix speaker cable (using 4). I did’nt use wood pearls but rolled the signal wire in some thick cotton sheet, which was pretty easy to get into a cotton sleeve (some 2cm diameter). Cable is really soft, easy to handle and looks nice and uniform.
I am so happy with helix speaker cables. Considering upgrading to 2 x signal and 2 x neutral on the woofer cables only (up to 1600Hz). Using neotech SOCT-14 / Jantzen silver plated.
@toolbox149 - I tried the two wires in a single tube first because from what I had read there should have been little difference. But changing to having each wire in it’s own tube provided better details dynamics and clarity, so that is now my standard configuration.
For the neutral wires I still only use
a single strand of 16 gauge UP-OCC in Teflon for the neutral on IC’s
a single srtand of 10 gauge stranded silver plated milspec for speaker cables
a single strand of 12 gauge stranded UP-OCC in teflon for Power Cables
Since the neutral is so long (i.e. expensive) I prefer to save a little money vs, the slight improvement in performance that using a double neutral provides. I based this on my observation of the Interconnects. I am assuming (rightly or wrongly) that the speakers cables and power cables have a similar small ROI
But if you would like to achieve the best possible result I would recommend a double neutral also.
I have tried 4 wires for the live in a power cable and it provided no additional benefits over two wires, so I stay with two wires for all cables
OFC 4N is probably the reason for the harshness, because the OCC process provides a much smooth signal transfer, regardless of purity i.e. 4N vs 6N
The idea of using differing purities of wire and wire production methods for the Signal Path is carried out by Audio Technica on their recent Rexat Cables. Trying different configurations of Wires and Gauges as you are doing could prove to be the method to get a presentation throughout the frequencies that is to ones preference.
I think this thread will always reignite, there is too much of good vibes contained within it to be overlooked.
Interconnects I better get this question in before the thread goes completely dormant. Steve, Grannyring, et all; I’m kinda in the middle of my project utilizing bare wires in tubes. I’m re-doing my return wires because they were also in tubes and like Grannyring said, I think I lost some of my warmth. My question involves the primary wires. I have long been an enjoyer of the Schroeder Double Method of interconnect wiring. I am currently changing the 3 long wires in my system, an 11 footer and two 8 footers. I started with OCC6N 18 gauge bare copper from Parts Connexion. For the second wire in the Double Method I also tried using 20 gauge and 22 gauge. Unfortunately, Parts Connexion doesn’t sell OCC wire in 22 gauge so I tried some 22 gauge OFC 4N copper for that. I tried the 20 gauge running with the 18 gauge Double Method and also ran the 22 gauge with the 18. The 18 plus the 20 sounded OK, but when I ran the with the 22 gauge I heard a nice warm bloom to the upper frequencies. Unfortunately, the 22 also added a little harshness back to the vocals which I find to be very annoying. At this point I can’t tell if it’s the smaller size wire that introduces the harshness back, or if it’s because the wire is OFC 4N not OCC 6N. Parts Connection doesn’t/won’t stock 22 gauge (I asked), so I might like to try 24 gauge OOC to see if that works. My question involves multiple strands in one tube. Steve, you recently went back to a single wire in a tube for 18 gauge interconnects rather than two wires. Any sonic reason? I might try two or three 24 gauge wires in a tube unless it’s generally thought that multiple wires would reduce SQ. any thoughts?
The Link is to a Brand I have not discovered in past searches. That is the benefit of doing a search, the Robots throw other unknown products into the line up. This Brand also does Mini XLR but I could not make out the lead out pin materials. The one in the Link is looking likely that it is a Gold Plated Copper, as the specification refers to plating materials and Metals, where Gold and Copper are listed. What is very evident is that these are very competitively priced.
@pumpwheel - whilst I prefer silver plated connectors, I have found copper wire without any plating to provide the better sound quality when used for the signal conductors in the Helix Cables.
WRT: copper vs silver - silver has better conductivity and therefore is able to...
provide better dynamic performance
improved details
a more focused image with more space
I use bare UP-OCC copper inside a teflon tube for ALL my cables, mainly because of the costs involved with silver.
The difference between bare UP-OCC copper vs. bare UP-OCC silver (inside teflon tubes) tend to depend on the system components. If they have the capability of resolving to the very highest levels, then you will hear improvements with silver.
For many, the cost of silver prohibits its use for Speaker Cables and power cables and the ROI for these cables is probably less than using silver for signal wires on interconnects.
It also depends on whether an individual is hell-bent on squeezing every last drop of performance out of their system (or not) - OR whether they can actually hear the difference in the first place.
Of all the tweaks to the Helix design, three adaptions stood out as real winners for me
Using UP-OCC copper (or silver)
adopting the "Helix Air" adaption i.e. using bare wire inside Teflon tubes for the signal wire(s)
using two wires for the signal conductor and for the Helix Coil
So the choice really is yours - but I strongly recommend using UP-OCC silver over other "Silver wires"
for example - The Mundorf Silver + 1% gold wire is another choice if you want a more relaxed sound
but I found UP-OCC copper to better suite my goals.
Hello everyone. If I’ll use all silver wiring for a SE 300B tube amplifier, is that will good or bad? What are the advantages of pure silver and silver plating over pure copper? And if I make in my system all the wires and cables pure silver or silver plated (Interconnect Cables, Power Cables, Speaker Cables and Hook Up Wires), what are the advantages or disadvantages will I get?
The Conductor Pins on these XLR Plugs as shown in the Links are in keeping with the Wire Choices being made within this thread. There is Plating as an option to have additional protection as referred to as the preferred choice. Not a Cheap Option on OCC at £ 90 for a M/F pair.
I have not tried them and while I like DH Labs products for their value, it looks like (from reading) that the pins are not plated, just pure copper - this can lead to oxidation in the future, which will degrade signal transfer.
I prefer silver plated contacts because
the silver plating prevents the copper from oxidizing
while silver plating does tarnish over time, the tarnish is only microns thick and can be removed simply by reseating the plug
this is NOT the case with copper - they may require a more robust cleaning approach
and I am yet to have to clean any of my silver plated connectors after 10 years of everyday use
Thank you guys. I also found these XLR male/female connectors. The site says pure copper contacts not sure if the pins are pure copper or just copper plating. Have anyone tried the DH Labs XLR
Deltron and Switchcraft also make XLR’s with silver plated pins at a reasonable price point.
I would probably stay with the Neutrik mentioned above because they literally "own this space" and on the plugs from Neutrik and Vampire I have seen/used the overall finish on the Neutrik has been a little nicer looking.
@pumpwheel - whilst I have not tried these RCA's, I must point out that the contacts are made from
Tellurium Copper which has a lower level of IACS conductivity of 93% as opposed to pure copper as used in the KLE Innovations Harmony range, also silver plated at 101%
So from that perspective the
AECO ARP-4045S
would not conduct the signal as well as the KLEI RCA's
I first compared the Copper Harmony to the original "Eichman Silver Bullet" RCA's, which apparently had a solid silver center pin, and the Copper Harmony provided easily discernible improvements,
This leads me to believe the improvements are due to the overall design of the RCA and NOT just about the materials used in the pins
Also - the CLASSIC HARMONY are significantly cheaper
PC TripleC /EX has a forged Silver Sheath onto the Wire. It is not Cheap, SAEC are charging $900 Dollars for Tag Wires.
I have a length to Strip and produce Tag Wires and Tonearm Wires from. I am also hoping there is enough to use internally within the Monoblock Amp's when they are modified to become a Balanced Design.
Simply give any GaN-based USB-C wall chargers a try, IsoTek Blue Horizon was showing 710 → 254 → 129 → 091 after this particular one was thrown into the mix:
So, I am not one for "Gadgets’, especially gadgets that come in really small sizes and make claims of improving sound quality, just by simply plugging them into the mains outlet
But a contact assured me that this particular gadget would make a difference.
I researched all the various brands that sell these gadgets and decided to try the ifi AC Purifier, simply because its description of how it works made some sense.
It takes the same principle of noise cancelling headphones and applies it to the mains supply. i.e. if it detects noise it generates a signal of the same amplitude as the noise, but 180 degrees out of phase and injects it back into the power supply - therefore cancelling the noise, leaving you with no noise at all (OK very little noise at all)
And guess what? - it works - at least on my system
But since I have my system kitted out with Helix power cables that do much of the heavy lifting, with respect to eliminating noise , what’s left for the little gadget to do?
Well turns out - not a heck of a lot - HOWEVER, what it does do is finish off what the Helix cables started - i.e. get rid of noise that is not the product of the insulation and cable geometry, that can sometimes filter through to the components of a system from the mains supply
So to cut to the chase - I observed some minor improvements...
a more focused image
a deeper image
a little more articulation, clarity and resolution
a few more details in the area of venue acoustics
the gadget takes a couple of days to stop sounding harsh
you have to try it plugged into different outlets for best results
Is it worth its price point? I thought it was
If you already have a power conditioner in the system then it would probably be of little benefit (if at all)
I initially tried it on the wall outlet and did not notice any improvement, but I have a 10 ft Helix extension cable that connects to to a Distribution box and my amp, so my guess is 10 ft is too far to have any effect
I plug my source components into the power distribution box, so I used a spare outlet on that box and it worked for both sources.
The manual states you can employ multiple of these across your system, but to date I have only tried a single unit.
I also tried it on
my Bluesound Pulse Mini speaker - there were no perceivable benefits, but the resolution capabilities of this speaker is much lower than my system
a friends All-Tube system - there were fewer improvements observed here also.
On my own system, the level of improvements seemed to be more noticeable only on the finer end of its resolution capability i.e. the incredibly fine venue acoustic reverberations/echoes and the very subtle improvement in imaging focus and artist placement.
For the record - It did not provide an "OMG" moment on my system
the improvements were very subtle, but noticeable
I guess it really depends how much noise is on your power supply
It may also provide a more noticeable benefit on systems that do not have Helix Cables
Anyhow - since the Helix geometry is all about eradicating noise, I felt the ifi AC Purifier was worth a mention
Unfortunately I could find any mention of the purity of the VH Audo copper wire
The the Parts Connexion Bare Copper wire is 6N and their Bare Silver wire is 5N - same as the VH Audio Wire
Is there a discernible difference between 5N and 6N?
I have tried both VH Audio copper wire and Neotech copper wire - bare, inside Teflon tubes and there appeared to be no difference between the two.
Unfortunately I was unable to find the purity rating for either of these two wires
However, changing to the Parts Connexion 6N bare copper wire provided noticeable improvements in the areas of clarity, image and dynamics.
All of the UP-OCC wires were noticeably better than Mundorf Silver + 1% Gold wire - which is basically only 99% pure - so it's only 2N
But you are correct in that there is a very noticeable difference between OFC and OCC copper wires in the areas of details, clarity, dynamics and image
There is also a noticeable difference between Cotton insulation vs. Teflon insulation, on the exact same wire - in the areas of clarity and image
So your choice of VH Audio Solid Silver Wire in Cotton is perhaps the best that can currently be achieved for an insulated wire.
The AIR adaption (i.e. bare wire inside a Teflon tube) is perhaps the ultimate in wire performance, but I found it can sound a little analytical if used for both the signal and neutral wires, so I reverted back to the Silver Plated copper Mil-spec wire for the neutral conductor on my speaker cables.
But the power cables use Neotech UP-OCC stranded copper wire with Teflon insulation for the neutral
and the interconnects use 16 gauge Neotech solid UP-OCC copper with Teflon insulation for the neutral
My own preference is for copper - at this point in time
purely from a cost perspective
and ever since trying the UP-OCC coppers, which I found to provide exceptional performance.
I have tried Mundorf solid silver (1% gold) wires for the signal (interconnects) and Live (power cables), but I believe the 6N OCC copper to be superior to a more "normal grade" of silver wire and is considerably less expensive.
I have not yet had the desire to part with my hard earned cash for the solid silver wire from VH Audio - a little too rich for my budget :-)
But as is said many times on Audiogon - "sound quality" is very subjective, so I encourage people to try different wires for themselves.
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