From a business standpoint, I really don't blame them for limiting these issues. It's very costly to inventory and distribute music in this day and age. My advice is to subscribe to them annually. I have done this from the beginning and never missed a single one. I can easily sell off the ones I don't want to hold onto for more than I paid.
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I hear ya, Randy. It might be better if they only limit the CD version and continue to make the digital files available like they do many of the other special edition releases. From a business standpoint, I really don't blame them for limiting these issues. It's very costly to inventory and distribute music in this day and age. My advice is to subscribe to them annually. I have done this from the beginning and never missed a single one. I can easily sell off the ones I don't want to hold onto for more than I paid. |
Wow. Apparently there are many other people who have been enchanted by the abundance of Dead concert recordings. (I knew that.) Received every Dave's Pick and special edition over the past 2 years, and each one is beautifully designed, packaged, and they all sound great. I love everything about the May 77 "Get Shown the Light" box set and "July 1978: The Complete Recordings". Also really dig both box sets from Spring 1990. Dave's Picks 21 and 22 are also very well done and sound great. What a band, what a continuing adventure. |
Where did you get the Charlie Miller remastered 5/9/77?? BTW, I just checked and the HDCD processing seems to start at some middle point in the Dick's Picks releases, after the 'art" covers, not at the same time. Plangent is a more recent processing improvement. If anyone knows for sure, they might add it to the wiki on GD album releases, so as to reach the largest audience. |
I have bootlegs that sound better than the Dave's Picks which which showed that they did not go through Plangent process. They are all murky and I also notice that there is often very annoying distortion on certain frequencies, especially on Jerry solos. That was at least apparent on the last one from last year that I got. |
I agree about DP 21. Killer first set. All the 'little songs' and/or 'standards' all have something special to them. Even Keith is on ;) ... '73 is one of my favorite years. I noticed many years ago that I like the year before a 'big year', so '71, '73 and some '76 (late). I guess the same goes for '89. I don't mind Jeffrey's work on the mixes. yes, they are different than what we were 'used to' but they are now a 'modern' sound... But sounds like I gotta get back in "the scene" to my old bros and get some of Charlie Millers newer remaster work... |
I offerred and sent a copy to a poster here from my dbx decoded copy of 5/7/77. I would do it again for f someone wanted it. Until the official release came out it was the reference and gold standard. Now that the official release is out, that is now the standard. I bought both the cd and vinyl. I'm sure the hirez down load kills, too. |
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Totally remember the ole B&P days in fact the workers at my local post office used to all know me by name during the height of my obsession with trading tapes/discs. These days its all done online if you know how to download torrents check out bt.etree.org most of the circulating dead shows can be found there for free. Another good place is the live music archive https://archive.org/details/etree can stream SBDs from there as well. |
garebear the new PNW 73-74 set will ship on Sept 7th per Dead.Net site. These (2) years are not well represented, so, a boxed set of these recordings are welcomed. I am a fan of the "Wall of Sound" that circumvented in 1974. Really a short supply of these shows/releases as well. Looking for to it. Happy Listening! |
Hey Now, fellows Dead freaks! I was just thinking about this thread and here it is. Good ol’ Grateful Dead synchronicity! I used to use the “So Many Roads” box to ‘demo’ the Dead for people. Great introduction to the different eras of Dead music. Lookin’ Forward to the Pac-NW box. Three of the six shows are WOS. WOS shows are interesting, as Billy’s snare drum is generally up in the mix and the drums in general are a close-up sound. A more forward presentation in general than other recordings/eras. With my system sounding better than ever, I decided to go back to Europe ‘72 in succession. I’m on show #9 now, 4/26/72 (which is actually the “Hundred Year Hall” release), then I will be in uncharted territory till reaching the ending UK run again. Looking forward to the Paris Dark Star. Really fun and quite enlightening listening in this fashion. BUT, more on specific thread subject: Dave’s Picks vol. 23, 1/22/78. Not the best recording with the piano distortion for a chunk of the show, but it’s worth it and IMO every Deadhead needs to hear the “Close Encounters” solo Jerry segment. The Terrapin is not that great but then the Drums>Other One>Space, where you get just Jerry playing for 4 mins or so is flat out amazing. Turn it up! - pure bliss for 4 or 5 mins. Ok, to much from me! But I’ve been over loaded on Dead lately. |
JRIGGY - I AM NOT KIDDING YOU - WOW !!!! It is 94 degrees here in Central New York which we do not see very often …. just pulled that one out and I have the fist disc playing and making a cocktail for my back dec relaxation mode......I have not listened to that one in a awhile and just grabbed it. Just WOW jrriggy on that mind melt |
The highlights for me in regard to "So many roads" are the entire 2nd cd; This is some of the best GD I've ever heard recorded. Especially the Watkins Glen Sound Check Jam. All I can say is WOW to that. Then there is the "Playing in the band" on disk 4 from 7/29/88. What a jam, it sounds like absolute creative confusion in spots & I loved every minute of it. The Scarlet Begonias> Fire on the mountain brought back some memories as I was at that show in Hamilton in 1990. Great Stuff!!! |