Hi WSTBmB,
I understand. And thank you for making your researches available to the community! Aron
I understand. And thank you for making your researches available to the community! Aron
Chemically Altered Audio
Is there any interest in a discussion about home-made formulae that can significantly enhance audio quality? After reading some recent threads here, it appears that one company which had been involved in this aspect of audio is no longer in business, and has no immediate plans to reopen. I would not be making this offer if that company was still operating. My recent experiments in this area are extensive, and most of it is unique. The experiments are not influenced by the products of any other company. I would like to share the results, if it's not too controversial, and if such a discussion would not cause difficulties for anyone actively involved in the business. I certainly don't want to hurt anyone by revealing and discussing what I know. On the contrary, I would like to help open minded readers get started on some very cost effective, radical home-made solutions. I can describe in detail the steps necessary to create some home-made formulae which have proved to be very successful in my own system. I'll await reaction before I continue.
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Hi Aron Thank you for your interest. I can't sell the product, as I am not set up for it. It's strictly a do-it-yourself situation at the moment. I'm hopeful that someone with business experience, insurance, legal cover, etc. etc. will pick up on the recipe and make it available to the general public. I have no plans to do it myself. |
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Ouch, good to know, since I have no idea about mixing Graphene and BaTiO₃ will creating oxidation, better avoid then. So I think I will go with white tourmaline powder, titanium dioxide, mica powder, graphene nanoparticles, and green silicon carbide. Maybe I’ll avoid Shungite too then. My idea is to create a sort of paint and not a mat, where I can lacquer the internal lid of my components, include my power distributor. Mica powder is available in tons of different colors, which one better use? Thank You P.S. I bought a PPT E+ Mat and I’ve got an incredible improvement in details and clarity. Better than all the chord tools I’ve tried in the past without doubt. But because I couldn’t afford more I bought just one mat, so my goal now is to obtain the same SQ improvement by this paint. |
I generally use white tourmaline powder (from ion trading, Japan) because I have compared it to black and it's more powerful. I use black when I run out of white, it's almost as good. 3 micron white tourmaline is the best I've tried, but 40 micron is also quite good. The mix you describe will be very powerful. The only reservation I have is directly mixing the barium titanate and graphene nanoparticles. When you use a generous helping of barium titanate and graphene (and who wouldn't want to?), you may get an oxidizing reaction between those two ingredients, causing bubbling. I'm a mad scientist, not a qualified chemist, but my guess is the graphene may be converted to graphene oxide, which is ok but let's just say I don't like chemical reactions taking place when I make my formulae. Your mix could also use some additional crystal component, such as fine silicon carbide. You don't need much, but it would help sharpen things up. Works great in combo with the barium titanate. Maybe you could consider applying layers instead of mixing everything together. I have found that shungite works best when it's kept on its own layer. But if that's not practical, a total mix will still be great. |
whostolethebatmobile I have a question for you.Why you have chosen white tourmaline instead of Black? I have an idea to do the following recipe. Mix PVA glue, white tourmaline powder, titanium dioxide, mica powder, graphene nanoparticles, shungite and barium titanate. And painting the internal lid of my components. I hope to obtain the same clarity in sound I've got with the PPT E+ Mat on top of my integrated amp. |
The description has been given for Ultra Tweeters perhaps WA Quantum Chips and some other quantum mechanical audio doodads that they act like traffic cops 👮🏻♂️ in a busy downtown street, helping to organize and synchronize the flow of traffic 🚙 🚕 🚗 🚌 eliminating traffic jams and making everything run smoother. |
Is it possible that two-dimensional Dirac fermions in graphene and similar systems such as boron nitride, artificial graphene with cold atoms in optical lattices, etc. have an impact on the magnetic field properties where the radiation escapes three dimensional space in the form of linearly polarized plane electromagnetic waves… And thus, in layman tems creates a tunnel like effect leading to more efficient electrical flow – whereby 'charging' the waves become more powerful and more effective? |
^^^How does one increase the effects of the gate? I don’t own a Gate, and I have never seen inside one, and I have never been told anything about how it works by anyone. However I do know how it works. It’s basically a brick of material similar to mats or Alpha cards, and a coil of wire. So adding more material similar to mats to the surface of the gate will increase its power, because those materials will also be affected by the EM field produced by the coil inside the Gate. I want to stress that Tim was very smart, and may have incorporated many refinements into the design of the Gate that go beyond my minimalist description. |
Mahgister, I'm sorry I can't really explain anything about Schumann generators, or shungite plates. You know so much more than I do on those subjects. In general, it can be assumed that the beneficial sonic effects of crystal technology can be amplified and distributed by the proximity of a strong electromagnetic field. |
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I dont know if I understand....But this explanation about the device replacing a gate to multiply the effect of T.F. or mats, give me an explanation for the effect of my Schumann generators + "golden" plate on top of it (shungite+copper plate+ tourmaline or Herkimer diamond)... The S.G. act like an enhancement of the property of some stones and crystals, the S.G. amplify the effect of the golden plate and of the stones.... Like the gate or the homemade device connected on the wall linked to a mat or to a T.F. The S.G. connected to a golden plate+tourmaline act like a gate connected to a mat or to your T.F. What do you think? |
OK. The late genius Tim Mrock told me about this method. He pobably told others, I have no idea. But it works. However he did not invent it, the idea came from another source. It involves cutting a thin, 2-wire power cord (like a thin lamp cord). It should be about 6-8 feet long depending on your system. Leave the plug on the end. Make sure to seal the cut end safely so that the wires can’t short and are not exposed. Get a wooden dowel rod, about one half inch diameter and 16 inches long. Starting at the cut end of the lamp cord, coil the cord around the dowel tightly, leaving 5 inches of dowel as a handle. The more close tight winds, the better. Tape the coil with electrical tape so that it can’t unwind from the dowel. The result should look like a wand with a wound coil and a wooden handle, with a 4 foot trailing power cable and AC plug. Stick the coil under your PPT Mat, plug it into the AC, and in Tim’s own words "KABOOOM!!!" The wand needs to be on all the time for best effect, but it does have lasting effect for a time after it’s turned off. . You can create a wand for every mat you own. Too many wands does create a horrible tangle of power cords. Disclaimer : Get a qualified electrician to make the wand(s). Don’t make them yourself like I did. |
Thanks Spencer and Tim. I'm very happy to know that TF treatment has worked for you. Interesting to note that it works on the Gate, I had not thought of that. I don't have the Gate, but I know how it works, and it makes sense that it would amplify the effect of the TF (not the other way around). TF also works when a small square is place on an Alpha card (logo side). Alpha cards can also be greatly improved by sticking them in place with nanotape. You can make your own device that works like a Gate. You could make one 10 times more powerful than a Gate. There is also a home-made method that can be used to multiply the sonic effect of mats (home made or Emat) by at least 5 times. |
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Cool, Jerry. I’m happy to give permission to anyone who wants to try making the formula. For any reason, commercial or hobbyist. I see no reason why this basic but arcane knowledge should be kept secret. Who knows, someone out there may improve on it, and make something even better. The formula as it stands is more powerful (but different) than anything commercially available that I have tried so far. I have not tried everything of course. Here’s a couple of photos, showing a batch of the Tutti Frutti formula. The small pieces are cut from large sheets, and have the nanotape already attached to the "Part 1" formula side. The darker coloured ones are a from a batch with more graphene and germanium, and sound even better than the light ones (maybe 10 percent better). The large black sheet is brand new made today and contains very thick layers of active ingredients, golden mica and a lot of Tutti Frutti crystal mix as you can see by the lumpy surface. I have not tested it yet. http://www.g45central.com/posts/BoxOfTutti1.jpg http://www.g45central.com/posts/BoxOfTutti2.jpg If you don't want the lumpy surface, don't add extra crystal, just use the 1000 mesh silicon carbide for the crystal component. The small pieces can give a superpowerful effect, almost as much effect as an entire mat, when they are stuck in the right places using nanotape. The more you use, the better it sounds. I should know. I’ve used 2 boxes full on my system. |
Ahhh....*S* Now, that's some technical details that were missing from all the previous...;) The means of 'making the souffle' can be as important as the ingredients required...and thanks for all that. It outlines fairly concisely the 'how to'; and the addition of potentially layering variations of mixtures is intriguing.... Before this forum fades into digital obscurity, I'll back up and 'snip' some of your posts regarding this subject, for references' sake. *S* You obviously have your notes....in this way, I can have mine. ;) If anyone would like a copy, they're free to ask....with your permission, of course. Don't want to let Merlin's Magic fall into abuse...*G* Thanks, J |
When mixing the Part 1 formula, here are a few notes: It would be easier to use barium titanate instead of lead zirconate titanate (PZT). You can get barium titanate on ebay in small quantities, but it’s much more difficult to source PZT which contains lead. Barium titanate is not as powerful as PZT but if you use a little more in the mix, it’s still quite good. Shungite powder is almost pure carbon. You can source it from Russia via eBay, The seller is trustworthy, and I have dealt with them 3 times with no difficlties. But if you don’t want to order from Russia, you can use Ketjen carbon black with similar results. You can get that locally. If you’re worried about playing around with graphene nanoparticles, you can also get graphene as a suspension (liquid). There’s no possibility of inhaling it. It works the same when mixed with PVA glue. It’s also a good idea to mix some mica into the Part 1 mix. Synthetic mica and natural mica both work very well, and I use a bit of each sometimes. You can isolate various ingredients into layers, which can increase the power of the final product. For example, if you mix PVA, graphene and (piezoelctric material of your choice), it works extremely well as a coating directly on a crystal layer (such as silicon carbide). Finally, you can add various fine powdered crystal sands to the Part 1 or Part 2 mix. I use silicon carbide and aluminum oxide because they are very effective and very cheap ways to buy powdered crystal material, but I have also used many other varieties of powdered crystals, and each has a different effect as Mahgister has pointed out elsewhere. The best I have found is a mixture of 12 crystal powders which I call Tutti Frutti. After you have painted the layers onto sandpaper and dried the sheets in the sun, cut them into 30mm strips. Stick nanotape onto the reverse side of the strips (which can also contain layers). Don’t remove the protective film from the nanotape until you’re ready to apply the material to cables, chassis etc. The nanotape can be quite difficult to remove once stuck, so don’t use it on anything that could be damaged such as painted logos etc. |
'Nanotape'...I'll look into that...thanks. *S* (The obvious pun was "Will I need to get the nanocorder for it?", but that's just being rude..."nanomuzic"...*G* I'll stop....") Since I'm using an all metal cone, and there's a need to damp inter-modulation distortion from reflected waveforms....thought I might deal with another potential issue at the same time.... Thought water as a means of thinning would be fine...thanks for verifying. @danvignau ...Now, don't get them mixed up...;)...and why are you just 'smelling' the 'other'....?! *sigh* It's a good thing I'm committed to performing a PubicI mean Public Service by keeping 'it' out of the hands of those who are wastedImean Wasting 'Its' medicinal qualities.....😆 |