If my speakers don't die, then I'll live with them till I die unless I decide to become a squatter.
Can you live with your current speaker until you die?
http://http//stereotimes.com/images/dst_01a.gif
Yes I can!
In my 40 years of history I had gone through around 15 speakers including
ADS, Altec Lansing, Thiel, Canton, Apogee Duetta Signature(10years), BMW 801, Avalon Ascent, Wilson Audio Watt and Puppy6.
I settled at Pacific Northwest area located just midway between Seattle and Vancouver BC around 6 years ago.
It has a nice western view of Bay and Pacific Ocean with 2 acres lot.
I could play music loud during midnight with no problem to my neighbors as long as I close the windows.
With vaulted big space, my Lansche 4.1 speakers makes a beautiful voice out of classical, Jazz or even new age music.
http://stereotimes.com/speak112410.shtml
I had been living with the speaker since 2007.
I do not claim that Lansche 4.1 is the best speaker in the world.
But with clean and pristine treble out of plasma tweeters and pretty good bass out of 2 10 inch driven by internal active amplifier and high efficiency (99db spec, but I believe it to be around 93db), it is hard to find better speaker with overall merit for my house.
The only catch is that it can stop working since it is an active speaker( plasma tweeter and active bass unit).
But I keep having good communication with Henry Dien of Lansche Audio who upgraded plasma tweeters twice at reasonable cost.
I can happily live with Lansche 4.1 speakers at my present house for my life unless serious health issues happen to either me or my speakers.
How about you gentlemen and ladies?
Had any one of you found the speaker for your life?
In the later half of the 1960s I had a large, portable stereo with two detachable speakers . Mid 1970s Generic bookshelf speakers Later 1970s. RTR Tower speakers front and rear channels 1981 Magnepan MG-1 front speakers / Generic bookshelf rear speakers 1982 Magnepan MG-1 Improved front speakers / MG-1 rear speakers 2015 Magnepan 1.6 front speakers / MG-1 Improved rear speakers 2016 Magnepan 1.7 front speakers /1.6 rear speakers (All 4 - Mye Stands) 2017 Magnepan 1.7i front speakers /1.7 rear speakers (All 4 - Mye Stands) 2019 Magnepan 3.7i front speakers /1.7rear speakers (All 4 - Mye Stands) 2020 Magnepan 3.7i front speakers /3.5 R modded rear speakers (All 4 - Mye Stands) Unless an accident happens, these will be my lifetime speakers Also - from 1985 to present - 1 pair of custom built subs with 15” woofers, crossed over at 40 Hz
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Oh Yeah. Done, with Spare Vintage Parts downstairs. Die with them, none too soon please! It was the sound of these speakers/drivers that got me thoroughly hooked in 1971. Came in a 1958 Fisher Console, President II, I inherited from my uncle. 8" high bronze base, 15" woofers faced down. I’ve moved the drivers/level controls/crossover into a few different enclosures over the years, now their final: Custom Rosewood. My Woodworker had been saving a small flitch of matched Brazilian Rosewood, just enough to do the job. New Import of Brazilian Rosewood was banned by then. Original design, no ports. For open space, no wall behind (prior location) I open the tuned rear port (Enclosure and tuned rear port designed with the help of Electro-voice Engineers). Current space, I plugged the rear ports. Here is a shot face down, back off. No special bracing, but no vibration. Tops are slightly slanted and I put many of Donna’s precious things on top. I verify the drivers are tight annually. The Horn’s drivers are linen, phenolic coated, essentially indestructible, and the 15" woofer paper cone has vintage cloth surround, hard to find, I re-coned them twice myself and have spare cones and full set of spare drivers for the future. All drivers are Electro-Voice 16 ohm The Original Electro-Voice 3 way crossover is components in tar in a sealed metal can. Custom Crossover builders tell me to leave them alone. I put new 16 ohm L-Pads Level Controls recently. Incredibly efficient, came with Fisher 30 wpc mono tube amps, I have driven them with 8 wpc tubes; fisher 500c 35wpc tubes; McIntosh 300 wpc SS, now Cayin 45 wpc tubes, AT88 version one with 16 ohm taps (sadly bias adjust is internal). Balancing the speaker’s in the room with the level controls, sound pressure meter, tripod, test tracks is hard, tedious, but very rewarding when done right. Everybody knows by now that I think speakers should come with level controls, to adjust the speakers IN THE SPACE they will be heard. Precise stepped L-Pads would be easier than my step-less rotary ones. |
shkong78 Your pockets are much deeper than mine. The Lansche are gorgeous, small enough to fit many people’s spaces, the Altec’s need a converted barn or aircraft hanger, I would love to hear both. DONE. Hmmmmmm, I think I’m done too, just messing with cartridges which doesn’t count as change does it? Level Controls: What controls are on the back of the Lansches? I cannot find a photo that shows the back enlarged. The Altec’s probably have some way to adjust their output, correct? |
Thanks for your compliment.
I do active biamping on Altec A7 so that I can adjust tweeter horn level easily.
It also give more transparent sound. Recently I tend to play Scaena 3.2 more often since it give more realistic soundstage.
Of course, Lansche 4.1 give refiend treble due to plasma tweeter.
Thomas |
kennymacc"Like you, in my current home, in my current room" ............................................. I just read every post, what an amazing collection of speaker designs. I am thinking, for each person, their listening space is a big part of their thorough happiness with their chosen speaker. Of course budget is involved regarding which models are auditioned, and the budget does reflect in the size of the spaces that permit/restrict what essentially fits. Room treatments, some, more, finally darn good for the space probably progresses along with various auditions, i.e. final choice is speakers auditioned in a successfully treated space. Without my beloved level controls, there is NO WAY my speakers would sound great in this space. I would probably still be listening to my other favorite: JSE Infinite Slope Model II's. Their 'balance' was outstanding in the audio show, (a rare thing as many have mentioned), and simply/luckily sounded great in this space with no level controls. As good as the JSE's are, I missed these, part sound signature, part looks, part emotional i.e. their origin/memories of my uncle/my personal involvement with designing new enclosures/repairing the woofers myself, acquiring spare parts, i.e. when listening, I cannot separate all that from their sound. When I look at the lack of internal bracing (I thought I would have to add some), and the lack of cabinet vibrations, I shake my head at my woodworker's skill and just plain luck. Great stories from so many members here, thanks to OP for this thread. Elliott |
I had listened to Magico M9 about two hours ago in private audition.
M9 is the best modern speaker that I had ever heard.
After attending Pacific Audiofest 2022, 2023 and Seoul Audiofest, there are some nice speakers that draw my attention.
But none match natural and relaxed presentation of M9.
Of course I noticed no dynamic limitation playing Bruckner "Ressurection".
This could be real end game speaker if you can afford it.
Thomas |
Some are never ever satisfied with their speakers or anything else, no matter how much they paid for them either, and will spend the rest of their lives buying speakers. There’s not a darned thing wrong with that. These types of audiophiles, however, just cannot except or wrap their heads around the fact that some/most of us have no interest in remaining on the speaker merry-go-round forever. These types of audiophiles consider those of us who think contrary to their beliefs to be non-true audiophiles (which is utterly ridiculous). I depend on those types to keep the used market charged up, so I can afford to buy speakers that I would not ordinarily able to afford ("Thank you to our dear wealthy audiophiles"). We all go though several different speakers over time as we’re in experimental mode (this can be very costly). But, I do believe that the vast majority of audiophiles who do run though a number of different speakers do this as a means to an end, and are, in fact, in search of that truly special (to them) pair of speakers that they think they can live with for the rest of their lives. I have found that very special pair of speakers that, as long as live in my current home (I’m retired and I’m in my last residence in life) I’ll never give up my beloved Revel Salon 2 speakers. |
This one is not original Western field coil system but replica made in Japan.
Magico M9 sounds like the best top grade whiskey with no faults at all. |
I visited one of die hard vintage audiophile living in Korea yesterday. |
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I was back to my favorite vintage shop at Seoul Friday.
I wish to get original Western field horn system before I die.😀 |
After being back to my home in Washington State, I pleayed my Scaena 3.2 augmented by pair of Rel 31 subwoofers. |