Good question. I would be interested in hearing the results of anyone that has done this. It just seems completely unnecessary to me. More of a fad, with no actual sonic benefit. The result of balanced components have become so common. But I am all ears to anyone who has real experience.
Balanced connections to my VPI turntable?
I have a VPI turntable and all of my system is built around XLR balanced interconnects. VPI makes an interface boxy which offers XLR instead of RCA.
can someone help me in determining if this is a smart addition. Box cost ~ $400
Does it improve noise floor ?
thanks
How are your turntable interconnects wired now? What are you using for a phono preamp? If you're using a balanced phono section with RCA inputs and have kept the pickup arm ground separate from the signal ground, you're probably already enjoying the benefits of the balanced circuit. Changing to XLR connectors won't change anything. And many balanced components do indeed deliver 6dB better s/n (or 6 dB more gain, if you prefer to see it that way) when run in balanced mode. For example, here are specs for the ARC Ref Phono 3 SE: Gain: Selectable 51 dB (Low) and 73 dB (High) at 1kHz BAL; 45 dB (Low) and 67 dB (High) at 1kHz SE. (Note that the ARC has RCA inputs only.) |
1. buy from source allowing returns, try, keep, return 2. check with Steve from VAS. He worked with/for VPI, his beloved TT setup is VPI, he sells and installs those VPI boxes, installed VPI box: mini-din to rca (I had Ortofon rca phono cable) when he re-wired my tonearm.
3. Pine Tree will make you anything you want Made me custom phono, using long small diameter din connectors I sent him, for my Mission arm with long narrow din tube: my length, other end rca with ground for my SUT 4. I like XLR’s positive connection even if no other advantage, Locking RCA jacks with ground other end would have been nice if I thought of it at the time. Of course, ground wire can be a simple separate wire. |
@badbruno , I believe that the side benefit of the 6db in gain also translates to a 6db lower noise floor, now this is my belief but maybe someone can chime in with greater knowledge. FWIW, I do run two VPI tables, a HRX and a Prime w/SDS, SMF and peripheral ring and I run both through RCA connections. Enjoy the music |
@badbruno , as an audiophile for over 50 years of course I have considered it but never really felt the need to spend the $ with so many other things to consider and the fact that things sound so good already with the RCAs in play. Enjoy the music |
@cleeds, thanks for the input on the 6db of gain/noise floor reduction. |
badbruno OP no, mine was repair: tonearm wires insulation wore off due to maker's error, no protection at a critical location (arm since modified, problem gone). Steve re-wired with protection at the critical location and changed from soldered to mini-din which allows me to disconnect the arm's wires and lift out the tonearm/board. prior was a solder connection, had to take the Junction Box with the tonearm board.
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badbruno OPThat’s a rush to judgement, it is a terrific Tonearm, very glad I bought it (and the square trade warranty) This version incorporates an above plinth DIN connector, I could not/cannot use it with my Ortofon Phono Cable. http://newartvinyl.ru/board/detali_proigryvatelja/tonarm_black_bird12_5_5pin/7-1-0-53 The original design was a ’purist’ design, with tiny litz wires soldered inside this Junction Box http://newartvinyl.ru/board/detali_proigryvatelja/konnektornaja_korobka_newartvinyl/7-1-0-44. Perhaps had I been more observant, I would have positioned the litz wires at the tonearm base differently, thus wear of silk insulation would not have occurred. Here was the original LITZ wire fun. I never saw anything so delicate. Many would prefer Litz wire to what Steve used. You can see the VPI mini-din Junction Box in two of the photos. I had Steve paint the box to get rid of the VPI Logo.
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