Abbey Road 50th Anniversary


I’ve been listening to the 50th Anniversary of “Abbey Road” by The Beatles all morning....what fun!  The new mix is well done.  It’s warm and spacious.


I understand The Beatles albums are sacred for some.  I’ve enjoyed most of the remastered and reissued albums over the years.  This new “Abbey Road” release definitely sounds different, and after a few plays I put on the original pressing and the 2009 remastered version for comparison.  I prefer the cleaner, sweeter sonics of the newer versions.


I like the extra instrumentations, orchestrations and outtakes.  The new packaging and materials are wonderful.  The books, photos and sleeves are tastefully laid out with a high quality presentation.


What do you think of this iconic masterpiece?  What is your favorite pressing/version of “Abbey Road”?


“....and in the end, the love you take, is equal to the love you make....”

128x128allane
Another home run by Giles Martin and his team. I am already looking forward to the 50th for 'Let It Be'.

Happy Listening!
I purchased the LP and it is very different. At first, listening at a low volume I thought it was a little soft compare to the original and 2009 remaster. Listening again at a higher volume, it came to life. The sound stage was very good and I really enjoyed it. The bass is definitely stronger, and maybe a hair too much, but listening to the drum solo on the end was powerful and dynamic which sounded incredible. I would love to hear the MO Fi LP and I want to get a UK 1st pressing. My original is an American pressing bought the day it was released 50 years ago. Happy listening!
So do I or don’t I buy the super deluxe version or buy the deluxe version? Is the 5.1 High Rez version that much better?

Decisions decisions.

JD
I listened to the 50th version this weekend at a friends house and I had the same impression about the bass being too overwhelming, though I didn’t think it was the recording because my friend didn’t have a great stereo and his new speakers were sitting on the floor. We were listening to the 5.1 HD version. Then I asked him to switch it to the atmos version and it brought the bass down quite a bit. The balance was much better.

Bass was very good with this version much like the others I have heard over the years.
Well there is no question that since 2009 all the digital versions have had the bass turned up a notch or two compared to the version George Martin himself put out in 1987. 
I would have preferred a far more subtle increase in bass as a result of possibly better transferring technology some 40 years later. In fact I would have preferred all of the post A Hard Days Night releases to have been kept flat as in the 87 versions - just a tad clearer and with a hint more bandwidth.

As things still stand this 50th version will soon become an interesting but soon forgotten curio as the 1987 version remains the standard. The infamous Japanese Black Triangle which was all too hastily withdrawn, but can still be found online, is still the best digital version to date. It just sounds that much slightly closer to the original LP than any of the other digital versions.
So far. 
I’m sure that this is not the last release of the back catalogue that we will ever see. Far from it. One day, but only as the near bottomless money well starts to run dry, they will eventually succumb and let someone have a go at getting as close to the original Harry T Moss vinyl releases as it is humanly possible.

Harry, the mastering engineer at Abbey Road might just be one of the most important unsung heroes in the Beatles story. Here’s a couple of quotes attributed to the great man,

“The Beatles came here in 1962 for an artist test in Studio 3 and that was the first time I met them. Around that era, before anybody was put on to tape to be recorded by a big organisation, they did a test first and I attended hundreds of these tests. I was blasé about it because of every hundred that you had to sit through and suffer; there would only be one that was any good. Frankly I wasn’t impressed by The Beatles at that time.”

“We made records so that they could be played on a Dansette, and we used to argue that instead of making our records inferior to suit an inferior machine, we should tell Dansette to make better players or just go out of business.”
I don't think Abbey Road was made to be played on a Dansette, so some things must have changed along the way. 
Here an interesting review and comparison from Vinyl Rewind:

https://m.youtube.com/watch?v=mhk2XgVPCIM
 
I didn't watch the entire video, I skipped to the end to hear the conclusions. 

I loved the 2019 version.  I haven't done any A/B comparisons myself.

Even listening on youtube, the snippets played from the 2019 version seemed "meatier" and fuller bodied. 

I just picked up a used MOFI copy.  I'm hoping he was wrong about that one not sounding so great.  I haven't played it yet.
He's not.  Most MOFIs of that era were crap.  After playing the MOFI of Sticky Fingers my college buddies and I took it out on the beach and tossed it frisbee style into the Atlantic Ocean.  That's how bad it sounded.
Given what they seem to sell for on Discogs, I'll probably toss it out there instead of the ocean if I don't like it.
@big_greg,

I compared my three copies on the music thread last week and the MFSL was the loser.
Mine is still sitting in the "on-deck" bin. No time for listening the last couple of days. :(
I still have to pull the trigger for the CD/Blu Ray, which may happen this week.

I would love to hear some feedback back on the Blu Ray versions, both high res stereo and 5.1. Granted this medium may go the way of DVD-A but the remasters I do own are KILLER.

One being Led Zeppelin's How the West Was Won" and Love & Rockets first album, Seventh Dream of a Teenage Heaven...that one blew me away it's so good.
 
This became a great thread....I listened to the album again tonight as I was reading through it.  Excellent album and fun discussion.  Thank you!