Suggestions for high efficiency speakers?


I attended the Capital Audiofest and thought the Audio Note room had the best sound to my ears. Another attendee from Florida had a copy of "A Night in Tunisia" and it sounded like you were sitting in Art Blakey's chair with his drums right there in front of you. I want that palpability, that "you are there" sound I think low watt amps and high efficiency speakers deliver better than any other combination.

 

A couple years ago I heard the DeVore 96s at the same show and loved their sound, anyone know of other speakers that give the same sensations?

 

My system is a SOTA Sapphire w Sumiko MMT and Zu-modified Denon 103 into an Art Audio Vinyl One phono pre into a Lamm LL2 Deluxe pre into an Art Audio Jota SET power amp and into Joseph RM25 sigs.

128x128fosolitude

Horn loaded speakers. Jbl- altec- klipsch-  tad- tannoy- ev-. You can't go wrong with anyone of these speakers.  Happy hunting.

For engagement with instruments, particularly small groups or soloists, true horns like Avant Garde will present a fantastic illusion of three dimensional listening. The design of the physical horn will determine the perception of placement of sound. If you want more of that effect, then it will be hard argue against Avant-garde or a used Cain and Cain design. Classic older horn speakers like Altec, Klipsch and JBL become a playground of tinkering with crossovers and tweaks. Some dismiss them, but I find them to be very engaging. I had a pair of Heathkit Legatos from Goodwill during college, and they remain a true love. If you love vintage speakers, but want them loaded with upgrades in a perfectly made box, Robertson at Volti is the guy. Devore and Audionote are sophisticated compromises between those who like horns and lovers of a wood box. John Devore really took a risk in a world of nerds with gadgets to measure, and made a speaker tuned to passion over graphs. They are great speakers, and handle so many types of music well. Audionote is fantastic for the same reasons. For small band jazz, they are strong contenders. While Zu, Triangle and others have their (very valid) takes on efficiency, and imaging, I’ve never felt a room come alive in their presence. I’ve never been as excited by anything as I was by a pair of field coils in a large space, but I’ve never been able to emulate that with modern tamed versions. By definition, a lover of low wattage and horns is going to be a finicky irrational bird. No one will be able tell you what to buy, only what to try. The fact that the Audionote piqued your interest tells me you owe it to yourself to dig deeper there first, then perhaps explore Devore. I would not dismiss the 93 as less than the 96. It’s worth trying too. I’m way out on the fringe and can’t be happy unless I’ve modified an old box to the end of its limits, or found a pair of Terry Cain’s speakers online. The exploration and discovery is as much fun as the marriage if you find the right pair. If nothing else, your arms are about to get stronger.

Good entry, kirtgunn2, thanks to you and everyone else who'se weighed in on the subject. I have a lot of speakers to explore but I like what I have so I'm in no hurry.

Kirtgunn mentioned engagement, yes, this was what hooked me on first listening to stock Klipschorns in my system. Part of this engagement for me was this uncanny sense of live performers in my room, something I'd not heard prior with the many speakers I'd previously owned.

 

 A number of years later, the Klpschorns are now after umpteen modifications  like a living, breathing entity brought to life by an elixor of SET amps, DHT preamp and  high resolving source. I'll never leave my horns.