Best Loudspeakers for Rich Timbre?


I realise that the music industry seems to care less and less about timbre, see
https://youtu.be/oVME_l4IwII

But for me, without timbre music reproduction can be compared to food which lacks flavour or a modern movie with washed out colours. Occasionally interesting, but rarely engaging.

So my question is, what are your loudspeaker candidates if you are looking for a 'Technicolor' sound?

I know many use tube amps solely for this aim, but perhaps they are a subject deserving an entirely separate discussion.
cd318
Cheap components in speaker crossovers can cause serious problems with timbral accuracy by introducing distortion which masquerades as 'fast leading edge'.

Therefore suggest that you consider speakers without crossovers or delay lines. Or, consider upgrading those components in speakers of choice.

Almost all manufacturers work to a price point. Cheap crossover components are an obvious place to save - but fortunately, they are an easy thing to upgrade. I have had good luck dealing with Parts Connexion and Michael Percy Audio (no connection).

If you are good with a soldering iron, it's a lot of bang for buck. If you are on a budget, spend $10 on cables and $5000 on component upgrades instead of the other way around. YMMV
Spending $10 on cables would get anyone nowhere, unless you steal these cables and $10 is your taxi bill. 
It is remarkable that many don't understand that cables are components, they are equally important. Another mistake is to think that they are easier to design than electronics, speaking of high level.
How to best stretch your dollar when upgrading cannot be answered in general, sometimes it should be active component upgrade, sometimes cables or power cords, and yet at times either would be a correct path, just different.

inna,


It is remarkable that many don't understand that cables are components, they are equally important.



Everyone understands cables are a component.  You don't get sound without them, and they have to be matched at least in the most basic sense to the situation in which they will be used (e.g. right length/capacitance, etc).   


The question is, how much does one need to spend in order to pass along a signal with high fidelity?   The answer seems to be: not nearly as much as audiophile lore suggests.


Spending $10 on cables would get anyone nowhere, unless you steal these cables and $10 is your taxi bill.



What then is the lower limit you suggest, and on what grounds?


My speaker cables are Belden, put together by Blue Jeans cable.
If you buy two 6 foot lengths it costs $14.50.  


It seems to me $14 bucks for speaker cable is close enough to your 10 bucks that "would get you nowhere" claim.    And yet my system sounds incredibly good - as good and often better than plenty of the systems with audiophile-approved-cabling I've listened to.  So low cost cable certainly "got me somewhere" quite impressive.  (BTW, the appraisal of my system isn't simply my own,  I've had many audiophiles listen, including friends who review big priced audio gear, who think it sounds fantastic).  


So, I'm afraid your claim doesn't get very far in my experience.