Thomas Newman - American Beauty Soundtrack
What's in your CDP tonight? the minority report
I enjoy vinyl and digital (lately, with recent changes, vinyl actually sounds better than digital to me), BUT given what seems an overall preference for analog/vinyl on A'gon, I'm curious what the non-vinyl "1/2" is listening to. I tried to see if this was a previously posted question. Did not seem so.
This evening for me, it's Genesis (definitive edition remaster) "A Trick of the Tail".
This evening for me, it's Genesis (definitive edition remaster) "A Trick of the Tail".
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@bdp24 @pokey77 bdp - You are like a like a walking music encyclopedia!...guess they call them "musicologists"! I have to give credit to pokey77 for turning me onto The Grays and Jason Faulkner. From those I found out about JellyFish. For some reason tho' I found JellyFish's stuff inconsistent and occasionally annoying. By contrast (IMO) Ro Sham Bo is a strong album all the way through. JF's Author Unknown (not quite as consistent but still very good) could have been on the playlist last night but I ran out of time. Apart from Pokey's recommendations, I'm pretty ignorant about that whole (SoCal?) late 80s/90s pop music scene. Don't think those bands were getting much airplay on the east coast back then...leastways not the station I was mostly listening to then (WXPN out of Phila). Anyway - NO. I don't know Great Buildings. Did find Apart From the Crowd on the Spot and will listen more later today. Brief sampling I did sounds promising. Funny, heard of The Rembrandts but I couldn't name you a tune by them, so something else to explore. FWIW, much of my taste in pop music can be explained by this hit: https://www.youtube.com/watch?v=ypv1lZlW1WY "Formative" as they say. |
The Grays! Okay ghosthouse, you win. You must also know about Great Buildings, the group Danny Wilde and Phil Solem were in before The Rembrandt’s. The singer/songwriter I was playing with in 1980-1 loved GB, so we went to their show at The Starwood celebrating the signing of their Columbia Records contract. I didn't see the attraction. GB didn’t hit paydirt, but The Rembrandt’s sure did. Danny made some okay solo albums. Much better at the turf they toiled in was Jellyfish, a really outstanding Group. |
nutty, glad you enjoyed it. dpatterson, i listened to the bob moses on spotify (also some of the "related artists" like the acid and kiasmos)--not sure what you call the genre?, but i like it--it's trippy without being soporific--will check out more my completely incongruous fare today: til tuesday--coming up close--the synths are undeniably horrible, but the songs are superb and in many respects better than aimee's recent work. i actually think this stuff is highly underrated. badfinger--straight up--maybe it's the tragic backstory, but for some reason, pete ham's voice always brings me to tears. |
I'm not the world's biggest Robin Trower fan BUT, for whatever reason, been listening to him a good deal yesterday and today. Going through some of his older discography that I'm less familiar with (i.e., NOT Bridge of Sighs that I know too well), e.g., Long Misty Days, Twice Removed & City Dreams, I was really struck by James Dewar's vocal on Bluebird from City Dreams. What a beautiful voice. Also pulled up two of Trower's more recent releases: 2016's Where Are You Going To & 2015's Something's About to Change. Gosh, even on Spotify, the sonics on these recordings are superb. The song writing is strong and Trower sounds excellent. Very economical and tasteful guitar playing. Thanks to all who've posted earlier about RT. Might just have to buy WAYG & SATC. |
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fountains of wayne, sky full of holes--i don't generally like this type of "clever pop," but these guys do it very well, with a real sense of the melodic hook. their guitar player is surprisingly great. tinted windows, nothing to me--sort of supergroup with the auteur from fountains on wayne, the drummer from cheap trick and the kid from hanson, who wrote this surprisingly great song. neil finn, try whistling this--tamer than my typical fare, but immaculately played and produced |