Bille Eilish  Happier than ever

Eva Cassidy  Songbird

 and Ella and Louis

 

Thomas

 

 

Mezzanine - Massive Attack

Osamu Kitajima – Beyond The Circle
If you system can handle this,

then you are on the right course!

Heretobuy: +1

the Centennial Collection of Robert Johnson is the holy grail for those who love blues but could never get completely into the (understandably) noisy earlier releases, which made concentrating on the music difficult.

How one man could produce such a complex sound still blows me away. Supposedly Keith Richards remarked, upon first listening: “Who’s the other guy”!

@tonyzvault51 
That CD I mentioned will not knock anyone’s socks off, sound quality-wise.  
I mentioned it as a CD of importance because it seems to be so rare and because it contains particular performances (of transcendent beauty) exclusive to it. 
There are plenty of far more sonically excellent recordings of Gould out there if Gould is something you like.  
The CBC Glenn Gould television show “Glenn Gould on Bach,” if I’m not mistaken, is the performance of Cantata No. 54 from which the CD’s recording (sonically limited but musically incredible) is sourced.  
I would personally recommend watching this on YouTube. Gould’s oratorical acumen and intellectual profundity is highly rewarding to listen to in between the musical performances.

Will the circle be unbroken. It's raw and has amazing imaging.  The song "Tennessee stud" literally LEAPS out of your speakers with amazing imagery

 

Captain Beyond

@sgreg1 Rory rules he is the greatest of them all..

and for everyone else The Beatles rock.... of that there can be no doubt

Kiren - yasuaki shimizu it's a surprising slow build but further I the album you will feel enveloped

 

 

 

1. Live From Deep in the Heart of Texas, Commander Cody and the Lost Planet AIRMEN A perfect picture of Austin bar music circa 1973. There's a lot going on here and it's rowdy!

2. Live @ Gruene Hall- Seth James. Texas blues at it's best! One of the best live blues albums you will ever hear!

On a good system with a great sweet spot, you are there, in the club.....and I' m not from Texas....

As an addendum to my post above, I should have mentioned that the musicians on both of these albums are so good they just make me laugh and wonder how did they do that? They are both a blast to listen to. Hope you enjoy them also!

@peporter: Love Cody & his great band(s)! I saw them a few times in the early 1970’s, when original pedal steel player The West Virginia Creeper (Steve Davis) was still in the band (his drinking got him kicked out). I played a gig with The Creeper in 1975, which was a LOT of fun.

And the band’s guitarist Bill Kirchen is one of my favorite Telecaster players. He made quite a few albums for Hightone Records (a great, great label) and a number of other indies. He was pals with other great Tele players, including the late Danny Gatton and Evan Johns (Evan played and sang on, and wrote a few songs for, Danny’s Redneck Jazz album).

Danny Gatton was an absolute virtuoso on guitar (Vince Gill nicknamed him The Humbler ;-) , who tragically committed suicide in 1994. Like Jeff Beck, Danny’s other passion was classic American Hot Rods.

I did an album with Evan Johns that was released in 2001 (Moontan, on Big Cypress Records 1019), which was quite an experience ;-) . Another heavy drinker, Evan’s liver finally led to his death in 2017, at a hospital in Austin Texas.

Are you into NRBQ? Their classic line-up included another great Tele player, Al Anderson. He left the band in the 1990’s, deciding to focus on songwriting and relocating to Nashville. He has a few solo albums of his own, well worth owning. I saw NRBQ live about six months ago, and they still rock like mad! One of the greatest live bands I've ever seen & heard, and I've seen & heard a LOT.

Addendum to above post:

Commander Cody led his band from the piano, as does Terry Adams in NRBQ. Terry’s piano (and clavichord) playing is an amazing amalgamation of influences, from Little Richard and Jerry Lee Lewis to Thelonious Monk and Sun Ra. Terry is perhaps the most percussive/aggressive/physical keyboard player of all time! (Jeff Conally---aka Monoman---of Garage Band The Lyres a close second). Anyone who has seen & heard Terry live knows exactly what I’m talkin’ ’bout.

And then there is NRBQ’s bassist, the wonderful musician Joey Spampinato. One of the four greatest bassists I’ve had the pleasure of hearing live (the other three being John Entwistle---The Who of course, Rick Danko---The Band, and Jerry Scheff---a T Bone Burnett favorite). Joey is currently being treated for cancer. In 2021 True North Records released a fund raising album for Joey, entitled Party For Joey---A Sweet Relief Tribute To Joey.Spampinato. Keith Richards chose Joey for the band he assembled when he made his Jerry Lee Lewis documentary. He then offered Joey the bass chair in The Stones when Bill Wyman quit the band. Joey turned him down , electing to stay in the world’s true Greatest Rock ’n’ Roll Band, NRBQ.

I listen to a lot of progressive and avant-garde music, so a huge part of my collection is by bands, musicians, composers that are not popular.

Of course I listen to most of the better known prog bands: Yes, Genesis, ELP, King Crimson, Steve Wilson, Riverside, etc. But the great thing about prog and its associated subgenres, is that popularity is almost completely unrelated to quality.

None of these is 'the best', since, for me, they are all so good, it is hard to rate one over another.

This is a very short prog only list, I could make similar lists for jazz, and modern and contemporary classical, too.

Eskaton - 4 Visions (1981) / French progressive band, with this brilliant album of beauty, intensity, emotion, and incredible musicianship.

Thinking Plague - In Extremis (1998) / US band with one of the best examples of avant-prog. Atonal, dissonant, creative. Amazing musicianship. 

Arti e Mestieri - Tilt (1974) / Italian band that straddles the line between jazz-rock fusion and prog. There are more great melodies on this one album, than many bands compose in a lifetime. And the drummer, Furio Chirrico, is an absolute beast, who belongs in the same class as Billy Cobham or Lenny White.

The Contortionist - Language (2014) / US technical-metal band, loaded with emotion, and chops from hell. Very complex.

Echolyn - As The World (1995) / US prog band, with great, complex multi-part vocals (in the Gentle Giant vein). Great melodies, playing, complexity all over this recording. And it rocks!

Discus - Tot Licht (2003) / Indonesian band that bends Mahavishnu Orchestra style fusion, Indonesian Gamelan percussion, prog, and contemporary classical, and somehow make it work. Very unique. The leader, guitarist Iwan Hasan, has major chops.

I could go on for pages...

 

 

 

I am nominating the following titles simply because they have been released only on CD. There are others, but these are the ones that immediately come to mind:

 

- The Houston Kid by Rodney Crowell. A perfect album. Johnny Cash makes a guest appearance on one song: "I Walk The Line (Revisited)".

 

- The self-titled album by The Notorious Cherry Bombs, a supergroup comprised of Rodney Crowell, Vince Gill, and Tony Brown. Great songwriting, singing, and playing.

 

- When The Clock Strikes 12 by Slo Leak, a collaboration between Danny Kortchmar (his name should sound familiar) and Charlie Karp. An album of VERY unusual, highly original music.

 

- Greetings From Planet Love by The Fraternal Order Of The All. A parody of psychedelic music by Andrew Gold and Graham Gouldman. Brilliant!

 

- Well Of Mercy by Michael Kelsh. Kelsh is an excellent singer/songwriter, this album featuring production by Bill Halverson (and executive production by Rodney Crowell) and musical accompaniment by Rusty Young, Joy Lynn White, and John Cowan.

Rodney’s liner notes read "Townes Van Zandt and Jackson Browne come to mind when I think about Michael’s particular brand of romantic truism." The album’s credits include these details: "We recorded these songs at Rodney’s house. Halverson used his favorite 1940’s Neuman." (his mis-spelling, not mine ;-). That Neumann is of course the legendary tube microphone, each surviving example worth a small fortune.

 

- Bowl Of Surreal by Chewy Marble, an L.A. Power Pop Group. Members included: Brian Kassan---original bassist in The Wondermints, Brian Wilson’s road band; Derrick Anderson, The Bangles road bassist (a fantastic musician!); and yours truly on drums (only half the album. The album’s recording was delayed, and prior commitments called me away before it’s completion).

 

- Moontan by Evan Johns and The Hillbilly Soul Surfers. A 13 song romp through American Roots music, including Hillbilly, Blues, Surf, and Rock ’n’ Roll. Evan played his Telecaster plugged straight into a blackface Fender Super Reverb cranked to 10. Evan preferred the Deluxe Reverb, but his was stuck in Austin, so he used the studio’s Super. When the recording engineer opened the amp’s isolation booth with Evan playing, it sounded like a jet taking off!

 

- Toad Of Titicaca by Gurf Morlix. Gurf was for years Lucinda Williams’ guitarist, harmony singer, and band leader. He has made a number of good solo albums, including this one.

 

- Bakersfield Bound by Chris Hillman and Herb Pedersen. Chris and Herb have long collaborated, including their time together in The Desert Rose Band. This album is at least as good as any of that excellent band.

 

- Wires & Wood by Johnny Staats. An incredible Bluegrass album, singer and mandolin player Staats receiving musical accompaniment by a who’s-who of Bluegrass masters: Sam Bush, Tim O’Brien, John Cowan, Tammy Rogers, and Jerry Douglas (you know him from Alison Krauss’ band Union Station.). Another perfect album!

 

- Last but not least, Down To The Well by Kevin Gordon. I learned of Kevin in an interview with Lucinda Williams, and boy am I glad I did. Kevin is a fantastic songwriter and singer, and this album is absolutely fantastic! If you like John Hiatt (who doesn’t? ;-), you will also like Down To The Well.

 

 

My favorite CD is Glenn Frey "Solo Collection"

I'll get slammed for this one but the very best I have ever heard through my system is Patricia Barber, "Cafe Blue" but on super audio CD. I have it on a regular CD but the SACD brings out so much more I never could hear on the CD.

I third the suggestion of Supertramp's Crime of the Century.  I bought this LP in 1974 because I liked the album cover and have been playing it regularly since.  Nothing like it before or after.

Paul Simon's 1991 "Concert In The Park".  One of the best live recordings I have heard.  Highly recommended.  Jerry Harrison: Casual God's.  Fantastic.  Anything by Jennifer Warnes.    

A no brainer, Sgt. Peppers in college 20 kids crammed  in a blacklight lit room passing some joints when Peppers was played. This was not Motown.

Another Joplin's Big brother and the holding Companie's Cheap Thrills. Playing that on a portable record player on the college baseballs team bus getting told by my coach I was a commie for listening to that Crap andall the while, the ROTC players screaming for smoky, tops and the temps. The 60ies, what a time to be a teen.