Close Lobster - "
Post Neo Anti - Arte Povera In the Forest Of Symbols"
Spotify
Spotify
What are you streaming tonight?
As we are in the modern age of music I thought I would see how this fares.
We have threads specific for cdp and tt so why not streaming as it is a modern media.
I don't care if you stream Tidal, Deezer, Spotify, Paradise Radio or any number of internet stations.
I would like you to share your tastes and method of streaming.
We have threads specific for cdp and tt so why not streaming as it is a modern media.
I don't care if you stream Tidal, Deezer, Spotify, Paradise Radio or any number of internet stations.
I would like you to share your tastes and method of streaming.
5,800 responses Add your response
Yellowjackets - Run For Your Life (1994) First track, Jacket Town, with some excellent bass work by Jimmy Haslip. https://www.youtube.com/watch?v=p_ss8S0sR54 |
Everyone see the sale Tidal has going on right now? Four months for $4. https://try.tidal.com/spring |
@frogman Thank you very much. What you wrote makes a lot of sense to my ear! I could hear the differences you described but lacked vocabulary (and technical training) to "verbalize" them. Was tempted to describe Coleman (love his "5/4 Thing") as the more "refined" player but not sure that does justice to Berg as "Coltrane tsunami surfer". I also did not even consider the difference in their ages/"eras". Anyway, thanks again for taking time to comment and for posting the solo links. Ciao. |
Two great and favorite records. Two great tenor players and as different as they are great. Interesting to compare indeed. First, one has to consider that they are (sadly, “were” in the case of the younger Berg) about twenty years apart in age. Coleman was earning his stripes during the heyday of the bebop era. He started on alto saxophone and, no surprise, he credits Charlie Parker as his main early influence. He later switched to tenor. He is an extremely lyrical player and very much a traditionalist in overall concept having escaped the Coltrane tsunami that would shape, to one degree or another, the styles of almost every tenor player that came up from about the mid 1950s forward. Two solos that come to mind as great examples of his lyricism: https://youtu.be/hwmRQ0PBtXU https://youtu.be/XdrAzpYdOYs Bob Berg was undeniably and unabashedly a Coltrane disciple. Very expressive player with a much more aggressive tone concept that would sometimes sound to me like the horn was splitting at the seams. The Coltrane influence can also be heard in his more “outside” (the harmony) harmonic language and a much more angular shape to his improvised phrases; as compared to Coleman’s more linear and lyrical style. Like other “post-Coltrane“ players of his generation the influence of Fusion and Funk can be heard in some of his playing. https://youtu.be/8DOh352DetI https://youtu.be/jzcgAaWK5GM |
Takes repeated listens for things to sink in. These first 2 Eastern Rebellion albums are starting to click...some tracks more than others. It’s interesting to compare tenor sax players on the two albums. I’d post to jazz aficionados for input from Frogman and others but they seem to be involved in a debate about essential elements of Latin music. Don’t want to interrupt. Eastern Rebellion vol 1; 5/4 Thing (track 3) George Coleman - Tenor Sax https://www.youtube.com/watch?v=2wgC2x0C6cs Eastern Rebellion vol 2; Clockwise (track 5) Bob Berg - Tenor Sax (solo starts at 2:07) https://www.youtube.com/watch?v=x_WXC11uvY0 |
